I wish I had a photographic memory. But I don’t. In order to remember something, I typically need to write about it. And as a children’s author, I want to remember the books that I read.

Through the years, I’ve tried several methods to chronicle the books I read. These techniques include the following:

A Reader Response Journal

This is where I note my immediate responses to a book. My writing is sloppy and comes out in a gush. In classrooms, teachers say they enjoy using this method as a way for students to learn how to become close readers. Readers organically engage with texts, and this feels very intimate. Additionally, you don’t have to write about an entire book, you can simply respond to particular passages or chapters.

For me, one of my flaws is that I tend to sometimes write  responses on my phone, sometimes in a journal and sometimes as a Word document and they are not collected in one place. But this is separate issue—more about my tendency to shirk from instituting routines/systems. How to organize everything could be its own separate post.

Craft Journal

This is very similar to a reader response journal in that you’re quickly responding to text, but the goals are different. In this sort of journal, I actively search the text for answers to a particular craft question. My reading itself becomes more strategic and less about pleasure. I might read for voice. Or to see how a particular author handles tertiary characters or how she folds in setting. The list goes on and on.

GoodReads

Sometimes I will post a quick review on GoodReads. Ha! I just fibbed. I’m not capable of writing something speedily that will be posted on a social media platform (even on X formerly known as Twitter). I’m not as active on GoodReads as I hoped to be. It seems like a smart way of chronicling books as well as boosting fellow authors. As an author, I really appreciate it when readers post their reviews on GoodReads as well as on retailer websites. However, I think that my ego gets in the way, and I want my review to be clever and it can stop me from posting here. I need to tame my ego!

Book Groups

In the past (pre-motherhood), I have been part of book groups. I love that these groups create community. I’m all in for circle time. As an author I have visited some book groups. I would like to get active in a book group again (but I also worry about time/commitment).

Reels/TikTok

Not me. At least yet. Now that TikTok will likely be banned, I suspect that the action will be on Reels.

How do you chronicle your reading? What works for you? And do you even need to chronicle the books you read? Is it enough to just enjoy them? Ponder them? Love them?

Hillary Homzie is the author of the Ellie May chapter book series (Charlesbridge, 2018), Apple Pie Promises (Sky Pony/Swirl, 2018), Pumpkin Spice Secrets (Sky Pony/Swirl, 2017), Queen of Likes (Simon & Schuster MIX 2016), The Hot List (Simon & Schuster MIX 2011) and Things Are Gonna Be Ugly (Simon & Schuster, 2009) as well as the Alien Clones From Outer Space (Simon & Schuster Aladdin 2002) chapter book series. She’s also a contributor to the Kate the Chemist middle grade series (Philomel Books/Penguin Random House). And her nonfiction picture book, If You Were a Princess: True Stories of Brave Leaders From Around the World is a look at historical and current princesses from many diverse lands who have made their mark (Simon & Schuster, August 2022). During the year, Hillary teaches at Sonoma State University. In the summer, she teaches in the graduate program in children’s literature, writing and illustration at Hollins University. She also is an instructor for the Children’s Book Academy.

She can be found at hillaryhomzie.com and on Instagram, her Facebook page as well as on Twitter

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Nuclear science is the study of the atomic world. Atoms are the building blocks of all matter, and everything around us, including our bodies, is made of atoms.

Students can explore the ways nuclear science impacts our world in these books:

Who Split The Atom? by Anna Claybourne  Using a DK-like format, it explores the early history and research into the structure of atoms, the periodic table, radioactivity, and atomic science. Loaded with photographs, graphics, “That’s A Fact!,” “Breakthrough,” and scientific sidebars, as well as vignettes of scientists, it is an accessible and engaging introduction to radioactivity.

Atomic Universe: The Quest To Discover Radioactivity by Kate Boehm Jerome  This National Geographic book uses a running timeline across the top of the pages (from 1800 to 1971), photographs, mini-biographies, and “science booster” sidebars to interest high-low readers in an introductory overview of radioactivity, atomic science, and nuclear reactors.

Activity

How is nuclear energy produced? In nuclear fission, the nucleus of a uranium atom splits into tiny atoms. The splitting produces two or three free neutrons and releases a large amount of energy. In a nuclear reactor, fission is used to make atomic energy. Divide students into groups and have each group research the process of nuclear fission. Each group should create a visual demonstration of nuclear fission and present it to the class. Get creative! 

Meltdown: Earthquake, Tsunami, and Nuclear Disaster in Fukushima by Deirdre Langeland On March 11, 2011, the largest earthquake ever measured in Japan occurred off the northeast coast. It triggered a tsunami with a wall of water 128 feet high that ripped apart homes and schools, damaging Fukushima’s nuclear power plant and causing a nuclear meltdown. Chapters describe the events as well as the science of nuclear reactors. Each section begins with a readout of reactor status, from “offline” to “meltdown” with the last chapter exploring lessons learned.

Activity

Nuclear energy is a much-debated topic. In this activity, students will decide whether or not to support building a nuclear power plant in their town to provide electricity and replace fossil fuel-generated electricity. Divide the class into two groups – one group will support the building of the nuclear power plant, while the other group will oppose it. Have each group research nuclear energy and power and find facts and arguments to support their point of view. Hold a classroom debate and have each side present their strongest arguments for and against the nuclear power plant.

Radioactive!: How Irène Curie and Lise Meitner Revolutionized Science and Changed the World by Winifred Conkling  This gripping dual biography provides an in-depth look at the discoveries, life-long personal sacrifices, and professional struggles that Irène Curie and her husband Frédéric Joliot-Curie made in discovering artificial radiation and Lise Meitner made in discovering nuclear fission. It also touches on Marie and Pierre Curie’s discovery of natural radiation, society’s grappling with radiation, World War II, and the atomic bomb. Includes a timeline, Who’s Who section, black and white photos, and fascinating sidebars further explaining the science.

Activity

Radiation exists all around us. It is produced as unstable atoms undergo radioactive decay, and travels as energy waves or energized particles. There are many different forms of radiation, each with its own properties and effects. What sources of radiation are you exposed to in your daily life? Have students research radiation sources and create a list of exposures. They can use this calculator from the Environmental Protection Agency to calculate their annual radiation dose.  What can students do to reduce or limit radiation exposure in their lives?

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Carla Mooney loves to explore the world around us and discover the details about how it works. An award-winning author of numerous nonfiction science books for kids and teens, she hopes to spark a healthy curiosity and love of science in today’s young people. She lives in Pennsylvania with her husband, three kids, and a dog. When not writing, she can often be spotted at a hockey rink for one of her kids’ games. Find her online at http://www.carlamooney.com, on Facebook @carlamooneyauthor, Instagram @moonwriter25, and Twitter @carlawrites.

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Margo here, working to keep the (A) in STE(A)M. Science purists might think the (A) is unimportant but I’m here to argue that it is Very Important. and I will present reasons why.

For instance, this month’s theme is “rivers.” This week, I have examples of books about rivers that are superior at delivering content to youngsters because of that (A). I selected these books because they are perfect examples of using (A) – creativity in BOOK DESIGN that makes the content easier to understand and enjoy. Remember the spoonful of sugar? Plus having students make their own books is the perfect way to evaluate their learning and understanding of the subject matter (more on that below).

The first book is World Without Fish by Mark Kurlansky, illustrated by Frank Stockton. Take a look at this page. The book designer has made the page speak by using color, type design, and compositional tricks. Let’s back up a bit.

In the study of art, you will find that “art” has three components: subject, form, and content. Subject is, well – what it’s about. Subject in a painting might be an apple, in a book – rivers. Content is deeper meaning – the deeper meaning of the apple might be hunger depending how the apple is portrayed. In the book, content could be environmental impact. And form refers to the physical aspects, such as medium (paint or pencil) or such observable concepts as composition and color. Book design comes under the component of form. I argue that appropriate and creative FORM enhances the subject and content. And that (A) art is an essential ingredient in STE(A)M.

In World Without Fish, the subject is of course fish. The content is what is happening to fish, the impact of fishing, and possible solutions to maintaining the oceans environmentally and economically. Now this might be exciting to read just the text, but to some students, it might not. So the publishing team has taken creativity to the form – the book and type design, the colors, the styles and size – to make a book where the content fairly jumps off the page and engages young readers with energy. It includes a comic series that appears at regular intervals throughout the book. So we have the art of “visual narrative” to further the content and engage all types of learners.

The illustrations and creative use of type all serve to draw the reader in.

The next book, Explore Rivers and Ponds, by Carla Mooney, illustrated by Bryan Stone, is an activity book with more examples of creative arrangement of content. The design makes the material easier to understand. It’s almost conversational. It pauses to explain vocabulary and includes activities such as ‘bark rubbing,” which looked like a great active art project for getting kids out into nature and interacting directly with the environment. It’s an activity that requires no “art” experience and can produce some great drawings.

One of my favorite activities with students is making books. It offers a creative and very satisfying way for students to “show off” what they have learned. Let the students try their hand at creative book design. A very friendly and ecologically conscious guide to making books with kids is Susan Kapuscinski Gaylord’s Handmade Books for A Healthy Planet. An enthusiastic environmental artist, she offers many ideas for book projects. Visit her website for many free activities or visit her YouTube channel. https://www.youtube.com/user/skgaylord.

A project I did with university students requires publishing software skills, but it’s a great project that combines research, writing, collaboration, proper citing of sources, and, of course, art, and can be scaled down for younger children. I partnered with Dr, Esther Pearson, a member of the Echota Cherokee Tribe and we produced a coloring book called “Native American Lore.” The students did the research and artwork and had the satisfaction of seeing their work in print. We presented it at an educational symposium and proceeds are donated to a non-profit that provides school expenses for the children of migrant workers in Veracruz, Mexico. The students had an amazing sense of accomplishment to see their research and artwork out in the world. This would be great for science topics and promote teamwork and cooperation. You can still find our book on Amazon.

Please don’t think because you are not an artist, you can’t work (A) into STEM projects. You will find your students have a good sense of art and many will be delighted to help plan. There are plenty of resources such as Susan Kapuscinski Gaylord’s book, and you may find you have more (A) in you than you realize.

Books can be found here:

World Without Fish by Mark Kurlansky, Frank Stockton (Illustrator) ISBN-13: 9780761185000, Publisher: Workman Publishing Company. https://bookshop.org/books?keywords=9780761185000

Explore Rivers and Ponds! Carla Mooney (Author) Bryan Stone (Illustrator) 9781936749805. Nomad Press (VT) https://bookshop.org/books/explore-rivers-and-ponds/9781936749805

Handmade Books for a Healthy Planet – Sixteen Earth-Friendly Projects From Around The World, Susan Kapuscinski Gaylord, ISBN-10: 0984231900, makingbooks.com. https://www.susangaylord.com/store/p7/Handmade_Books_For_A_Healthy_Planet.html

Native American Lore An Educational Coloring Book: Class Research Project Paperback – November 5, 2018 by Dr. Esther Pearson (Author), Margo Lemieux (Author), Riverside Studios Publishing, ISBN-10 ‏ : ‎ 1731183933 . https://www.amazon.com/Native-American-Lore-Educational-Coloring/dp/1731183933/ref=sr_1_1?crid=2N6YKOA8ZYDBD&keywords=Native+American+lore+lemieux&qid=1662756358&sprefix=native+american+lore+lemieux%2Caps%2C94&sr=8-1

Kaleidoscope for Kids https://www.amazon.com/Kaleidoscope-Kids-Magic-Storymakers-Present/dp/B0B3S1Y4XN/ref=sr_1_1?crid=2PBZG4RAZRH13&keywords=Kaleidoscope+for+Kids+book&qid=1662989345&sprefix=kaleidoscope+for+kids+book%2Caps%2C111&sr=8-1

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Margo Lemieux is professor emerita at Lasell University, former regional advisor for SCBWI New England, and a lifelong learner. Her publishing credits include picture books, poetry, articles, and illustration. Her latest publishing project is an anthology with her writers’ group, the Magic Storymakers, titled Kaleidoscope for Kids.

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I love a MG appropriate picture book like Because of You, John Lewis: the true story of a remarkable friendship by Andera Davis Pinkney, illustrated by Keith Henry Brown. John Lewis was a lifelong champion of justice. Unlike his companion Dr. Martin Luther King Jr, who was struck down in his prime, John Lewis went from the Civil Rights movement of his youth to a very long life of service and witness. Pinkney has chosen to highlight the friendship between King and Lewis in light of a connection Lewis made late in his life with a young activist Tybre Faw. Emphasizing the role of mentorship is a powerful choice for readers at an age to seek mentors. Back matter includes historic photographs, a timeline, additional resources, and the text of the poem “Invictus” which Tybre Faw read at Lewis’s funeral.

Islam is a much larger and more diverse faith than is often represented on the page. The collected biography– The Wonders We Seek: Thirty Incredible Muslims who helped shape the world by Saadi Faruqi & Aneesa Mumtaz, illustrated Saffa Khan –is a collection of well known Muslims who may be less known in mainstream America. The book contains a good mix of scientists, activists, artists, athletes and even a spy! It offers a useful perspective on world events. They are arranged chronologically from the scientist Al-Ma’mun of Baghdad born in the 700s to education advocate Malala Yusufzai who was born in 1997 in Pakistan.

Depictions of disability are the least common representation in diverse books for kids. I was delighted to find

And finally Jenna Yoon has a debut MG novel, Lia Park & the Missing Jewel. This twist on the child-goes-to-wizard-school story is about a girl who just wants to go to normal school and attend normal parties like any other 12 year old. But in sneaking out to the party of the year, Lia is kidnapped by evil forces. Now she has to dust off her under-appreciated wizard skills to find the jewel of power. A journey which takes her to Korea and to an undersea dragon kingdom. Delicious!

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Now is a good time to celebrate and enjoy the many books we have by him (they never go out of print) and to share them with young readers. I’ll speak of Steve here in the present tense, because he is still very much alive in his books, and there are more to come!

Steve Jenkins’ career and  books combine in marvelous ways his life-long love and understanding of science, of art, and of children, how they think and wonder. He’s never lost his playfulness or his own childhood curiosity about the natural world. His book ideas often begin with an irresistible question that kids (including his own) have asked.  Or one that he has asked himself. How do different animals see? What do animals do on their first day? What animals are the stinkiest? What are tails actually for?

A great place to start reading or re-reading Jenkins is with The Animal Book: A Collection of the Fastest, Fiercest,Toughest,Cleverest, Shyest–and Most Surprising–Animals on Earth. Imagine a 208-page picture book! The Animal Book is a kind of Steve Jenkins compendium and masterwork. It combines hundreds of his stunning cut-and-torn paper collage images of animals–living, endangered, and extinct. His illustrations are so lively you expect to feel their texture when you touch the flat page. Facts in his clear language, both basic and believe-it-or-not, accompany these stunning animal portraits.

Jenkins expected The Animal Book to be one a reader could browse in, starting anywhere. But he has also organized it in a progression of themes and subtopics–from a definition of animal to family relationships, senses and defenses, to an outline of animal evolution in “Story of Life.” Jenkins always strives to lead his readers to an understanding of how the world works and how these facts fit into a larger picture. The time-lines and other infographics in the book are beautifully clear.  His seamless book design makes the topics and their subtopics easy to follow.

A real treasure comes as an extra at the end of the book.  In a section simply called “Making Books,” he shows readers how he gets his ideas and  how he does his research.

Photo by Kevin Moloney, NYT

Then he takes us into his studio, with his collection of textured papers filling color-coded drawers. We learn how he selects just the right paper to cut or tear for a jaguar’s fur or a toad’s belly, a terror-bird’s beak or a rhino’s hide.  He also includes a graphic timeline of bookmaking from idea to finished publication. This book belongs on every public, school, and home library bookshelf.

So what are the new titles  from Steve and his wife and collaborator Robin Page that we can look forward to in 2022? One of them obviously began with a question. The Animal Toolkit: How Animals Use Tools explores some surprising ways we’re discovering that animals solve problems and interact with the world.  Disasters by the Numbers came out this month, and there will be two more By the Numbers titles this year. The series has included Earth by the Numbers, Dinosaurs by the Numbers, Insects by the Numbers, and Solar System by the Numbers. These books are chock-full of accessible infographics and are a middle-grade trivia buff’s gold mine. The 2022 additions will be One Day by the Numbers and Animal Facts by the Numbers.

Steve Jenkins has always had great, serious fun deepening his knowledge of animals and the natural world. His readers will, too. When you buy a Jenkins book for a child–or for yourself–get the hardback version if you can. His books are keepers.

The post Steve Jenkins’ Books: a Middle-Grader’s Treasure appeared first on From The Mixed Up Files.

Today, I’m pleased to welcome Diane Telgen, Jay Whistler, Jenn Bailey, and Jules Heller to Mixed-Up Files. These authors share their experience of writing work-for-hire spooky stories for the middle grade audience.

Welcome to Mixed-Up Files, Diane, Jay, Jenn, and Jules!

Suma:  Could you tell us what your Haunted series book/books are about?

Diane: The “Spooky America” series explores local legends about haunted places and famous ghosts. It takes volumes originally published for Arcadia’s adult “Haunted America” series and reworks them for a middle-grade audience. In The Ghostly Tales of West Michigan and The Ghostly Tales of Pittsburgh, I focused on one particular location, so the stories could involve houses, ships, or places of business. In The Ghostly Tales of Michigan’s Haunted Lighthouses, all the stories involve lighthouses, but the ghosts themselves vary between keepers, their families, and sailors.

Jay: I was fortunate enough to work on THE GHOSTLY TALES OF SAN ANTONIO shortly after I moved to the area in late 2020. While the title suggests ghost stories, the book is really about the history of San Antonio, beginning with the first Spanish settlers in the 1500s, moving to the fights over control of the territory, the civil war, and ending with the middle of the twentieth century. I knew Texas had been its own country before it became a state, and I think we all know the legend of the Alamo. But there is so much more to Texas and to San Antonio. I have a new appreciation for my adopted hometown as a result of this book.

Jenn: I wrote the Haunted Newport book, which tells spooky tales and ghost stories from in and around Newport, Rhode Island.

Jules: My book is THE GHOSTLY TALES OF THE FINGER LAKES, a collection of eighteen spooky stories from Western Central New York State. From an early draft of the introduction: Whatever your style, I promise there’s a story here for you. You like music? Listen close and you’ll hear the piano music of Miss Eunice Frame, resident ghost of the Sampson Theatre. You’re more interested in math? Help me count the strange deaths (and funerals) at the Erie Mansion.You prefer art? Read on for colorful stories of ghostly stains on basement walls that can’t be covered up. Science is more your thing? Try to explain what causes apparitions to be seen in an old doctor’s office. You enjoy a good mystery? Maybe you’ll be the one to figure out what scared the restaurant owners of the Dove Building so much they left town without bothering to pack their bags. No matter the subject, the tales you’re about to read will thrill and amaze you. Some are funny, some are sad, and some may or may not be one hundred percent true . . . who’s to say what’s a local legend, and what’s an honest haunting? You might have to decide for yourself. But I guarantee that in these pages you’ll find many surprises: secret societies organize kidnappings, ghosts lock people in bathrooms, heads go missing, skulls are found, and there might even be a sea monster at the end. You’ll have to read on to find out.

Suma: What was the one thing you paid attention to, while writing a haunted book for the middle-grade audience?

Diane: Of course I wanted to choose stories that were appropriate for kids–I stayed away from really lurid legends, or those that didn’t have a lot of detail. And I also had to make my language and style more appealing for a young audience. But most important, I had to provide the historical context for kids to understand the stories. If they understand the importance of lighthouses on the Great Lakes in the nineteenth century, or how colonial settlers would have seen Pittsburgh as the western frontier, they’ll more easily connect with why these historical figures became ghosts. As I like to say, “ghosts are just history trying to get your attention.”

Jay: The source material on some of the chapters challenged me to make it age-appropriate for middle-grade readers. Writing about the tragedy of the Alamo requires a deft hand to make the horrors of war less brutal. In another chapter, I needed to find a more delicate way to describe the red-light district in San Antonio, especially when referring to nocturnal activities. I think many kids will understand the euphemisms, or at least guess at their meaning, but there’s no need to be as frank as one might be with adults. Nor do kids need to know the gruesome details of some of the murders that gave rise to some of the legends.

In addition, I tried to respect that kids of this age may not be ready for truly scary stuff. There will always be the kid, like me, who loves watching old scary movies, reading classic horror, or telling ghost stories during sleepovers. But plenty of kids are just beginning to test the boundaries of what they can handle. I wanted to respect the readers enough to give them a bit of a shiver while reading while still allowing them to go to sleep with no worries about things that go bump in the night.

Jenn: I wanted to make sure to create the right atmosphere – that involved including bits of history, perhaps giving some backstory to explain why this event might have happened at this time, and why there might be a ghost story attached to the area. Just saying a hotel or beach is haunted isn’t enough. The middle grade audience is savvy and curious, and they want to know Why this happened. They want to know what, how, and when. You have to put some context – or dare I say meat – on those old, withered, spooky bones.

Jules: There’s a distinction between “beguiling” and “offputting” that can be a wobbly tightrope to tread. The things that kids find “too scary” are often not what adults assume.* The Arcadia editors had a specific list of scary topics that were no-gos for their audience (assault, etc.) but I tried to keep as much of the fun, interesting, just-plain-weird kind of scary as possible, because I remember being that odd reader who devoured bizarre assassination attempts and torrid conspiracies. Ghost stories shouldn’t lead to actual nightmares, they should provide conversation starters that make people avoid you (or seek you out specially) at parties!
*I remember a brilliant essay about how parents tried to tone down Red Riding Hood by having the woodcutter chase the wolf away at the end, rather than killing him. They thought less gore meant more kid-friendly; the kids said “no, that means the wolf is STILL OUT THERE.”

Suma: How did you go about making place a character in your stories?

Diane: I opened each book with a short historical introduction, to introduce readers to what made each place unique. So for West Michigan, the forests, beaches, and Lake Michigan all became recurring characters. For Pittsburgh, its journey from frontier fort to Steel City, USA became an important theme. And for Michigan’s Lighthouses, the storms of the Great Lakes became a furious antagonist!

Jay: Each chapter in my book focused on a particular place, so I made sure to include details about buildings, what they looked like, when they were built, what purpose they served and how that changed over the years. I shared landscape details and included tidbits to make it come alive. For example, in one story, I talked about why the owner of the property built a stage-coach stop. Then I explained how long the trip from point A to point B would take with a horse and carriage, how often they would need to stop, and what it would feel like being jostled about in the carriage with only a wooden seat under your backside. I want kids to not only see these places in their minds but also feel what it would be like to experience life as the characters in the story would. How would it be to see an elevator operator in a blue suit and gloves float out of a defunct elevator and beckon you inside?

Jenn: By talking about the people that inhabited it. What kind of people would live there? Why would they live there? Connect a certain type of person to the place – Newport was founded in 1639 on a promise of religious freedom and equality. These people were escaping the intolerance of Massachusetts. So you connect a certain type of person to the place, and then connect the reader to that type of person and you’ve got a reader who can envision characteristics and qualities about the location. Newport is a beautiful seaside city but there are a lot of those. You have to sprinkle the history of an area into these stories so they become individualized and relatable.

Jules: This is the big secret about these stories (certainly in my book, likely in many others): we don’t actually have any “true” or “real” characters to start from EXCEPT for the places. So much of this history is handed down from unreliable or unreportable sources, that in order to turn it into something readable and honest you have to take hefty liberties with the facts. Details about specific people can sometimes be brought in from old photographs, but personalities, motivations, even whole sections of The Plot have to be spun out of thin air. Thus, the grounding realness of the story comes from the physical place itself, which you as the storyteller can point to and say “You can visit the place where this happened! You can see the stains on the floor, hear the wind whistling through the broken window shutters!” Building on a foundation of the tangible remnants of the story, turning the locations themselves into historians and storytellers, lends credence to the rest of your cast and gives them some weight of their own.

Suma: What did you enjoy most about the process of working on this project?

Diane: I love history, so digging into the local details behind a particular ghost provided so much fun!

Jay: My favorite aspect of this project, aside from learning more about San Antonio, was challenging myself to take material kids typically find deadly boring—history—combine it with material usually reserved for adults—the “horror” genre—and make it appealing to middle-grade readers. I grew up watching the black-and-white horror movies of the 1930s and 1940s. I read my first Poe story when I was eight. I began reading Stephen King when I was in seventh grade (way before the Goosebumps books became popular). Working on this book brought back those memories and inspired me to create a similar experience for my readers. Perhaps one day, there will be an author who becomes the next Clive Barker because they read the entire Spooky America series and discovered not only a love of history and horror but of storytelling, too.

Jenn: Learning more about my hometown. Rhode Island is the smallest state in the U.S. and often overlooked, but it played a huge role – sometimes positive, sometimes negative – in the founding of this country. It was rather crucial during WWII as well. It was delightful to be reminded of some of the attributes of Newport that make it such a special place. I have my own personal reasons to love it, I was married in Newport, but it was a joy see this place through fresh eyes.

Jules: Quite honestly, it was just nice to have a project, any project, to work on at that point in the pandemic. I had some scheduling hiccups with the editors and ended up with a tight timeline for the manuscript, so I had to dive in head-first and stay under for a couple weeks straight, getting words on paper. It was energizing, a little hectic, but at the time just what I needed to rejuvenate my creative process. It also gave me an excuse to reorganize my physical work area, which is always a bonus!

Suma: What is your advice for writers doing work-for-hire projects like this one?

Diane: As with any project, knowing what your editor expects is important. But it’s crucial when writing within a series, because your individual book needs to fit within the volumes that have gone before you. So always make sure you have a style guide to follow, and communicate clearly about the schedule. Work-for-hire projects, especially in series, often have little wiggle room!

Jay: Work for hire can be a great way to make connections in the literary community. You learn to work on deadline and under stringent expectations. But it can also take away time from the personal projects you want to work on. So it’s crucial to know exactly what you sign up for.

With that in mind, make sure you know specific deadlines for every phase of the project. It’s okay to insist the entity you are working with details everything. The same goes for the expected end product. What exactly do they want you to deliver? This includes content and format. What is the revision process? Do you get a final review to make sure they haven’t substantially changed anything that would make it factually inaccurate? Who holds the copyright? For how long? If they hold the copyright, will it ever revert to you? What is the pay? Do you get free or discounted author copies? Are there royalties? If not, do you have a chance to hand-sell copies on your own to boost your bottom line? If so, what help do they provide you with marketing? Most importantly, get it all in writing. And don’t let someone tell you a contract isn’t necessary. It is.

Jenn: I’ll be blunt. You aren’t going to make a lot of money so you better enjoy yourself. This was a topic and a location I already had an interest in. It became a bonus that someone was going to pay me to explore and do research. Also, keep your creative brain firing for any other kinds of stories or characters or settings you can take away from the project and use in other writings. During my research I stumbled upon a fascinating person I want to focus on for a picture book. Work-for-hire projects can feed your other work so keep an open mind and stay curious!

Jules: You’ve probably already been told to be flexible, be ready to have things go sideways from the original plan. That was certainly true for me with this project! But I think I would refine that advice to say, be clear with yourself and your editors about where your flexibility extends, and where it doesn’t. If you have scheduling constraints, state them and then stick to them. If you have communication needs, make them and advocate for them. Timelines can shift, scope can expand or contract, but you are the one who gets to decide what changes are acceptable and what is a bridge too far. And if you make those decisions ahead of time, you can write them into your agreements and contracts, so you can “Per my previous email…” whenever the need arises!

Diane Telgen enjoyed reading so much as a child that she would read anything and everything, even the encyclopedia! That’s probably why she grew up and started writing reference books about history and literature. Now she writes both fiction and nonfiction for young readers. She earned her MFA in Writing for Children and Young Adults from Vermont College of Fine Arts.

Jay Whistler was born on Halloween and grew up in a haunted house. She loves listening to ghost stories, whether real or imagined, and willingly explores haunted places on her travels across the country and around the globe. Even so, she will always be afraid of the dark. The boring part is that Jay has her MFA in Writing from Vermont College of Fine Arts.

Jenn Bailey’s debut picture book, A FRIEND FOR HENRY, won ALA’s 2020 Schneider Family Honor Book award, was named a Bank Street Best Children’s Book of the Year, was chosen as a 2021-2022 Virginia Reads selection, and received other honors. Jenn welcomes the following books onto the shelves soon: MEOWSTERPIECES (Magic Cat/Abrams, 2022); THE 12 HOURS OF CHRISTMAS (Little Brown, 2023); HENRY, LIKE ALWAYS (Chronicle, 2023); and HENRY TBD (Chronicle, 2024).

Jenn also works as a freelance editor at Angelella Editorial. When she isn’t writing or editing, she is baking pies and tending to her assortment of cats and dogs.

Jules Heller landed in New York State sometime in the last century and has been exploring the nooks and crannies of its landscapes—and legends—ever since. A graduate of Vermont College of Fine Arts, Jules has co-edited a collection of Halloween tales for young adults, and runs dozens of library programs for kids of all ages on every topic from mythology to memes. They have just moved into a hundred-year-old house in the greater Syracuse area, and are happily cohabitating with their new roommate, resident ghost Giuseppe.

The post Writing Middle-Grade Spooky Stories: Interview with Diane Telgen, Jay Whistler, Jenn Bailey, and Jules Heller appeared first on From The Mixed Up Files.

Writers have long been attracted to unicorns, and many have written about these wonderous beasts. Readers, too, love these one-horned magical animals. Unicorns alight from the pages of books to fly through our imaginations.

If you’d like to invent your own fantasy world inhabited by unicorns, dragons, fairies or other magical creatures, here are a few steps to follow:

1) Research – It’s important to know what’s already been written by other authors so you’re aware of what most people already believe.

I asked Amie Borst, author of the Unicorn Tales series, to tell us a little about how she created her unicorn world:

After a trip to Scotland in 2017, my childhood love for unicorns was rekindled. In the spring of 2018, I had set out to write a series of unicorn stories. By fall of 2018, I threw myself into the unicorn universe!

I knew the unicorns needed to have powers (water, air, earth, fire) but wanted to expand upon that even further. At the time, someone had suggested Greek mythology. That suggestion was like a lightbulb moment. Unicorns are the national animal of Scotland, so it seemed appropriate that the stories be somewhat linked to Celtic mythology.

So, I quickly ordered books and got to work, reading up on Celtic Gods and Goddesses. The research was fascinating and also overwhelming. But there was so much inspiration to be had.

Tons of research later, I developed the Isle of Avonlea, the world where my unicorns reside. A system of government was put in place. The islands four kingdoms (Wintersend, Springsmorn, Summerstart, and Autumnseve) each represent the seasons. They also have their own unique export. The unicorns all work in tandem to maintain the balance on the island while also discovering their magical talents and abilities.

The Isle of Avonlea is a huge universe with many other mythical creatures. Each unicorn on Avonlea has a familiar; a fairy who is a physical manifestation of that unicorn’s powers.

Like Amie, as one of the authors for the Unicorns of the Secret Stable series, I started my journey by reading unicornhistory and lore. I’m jumping into a world already created by Whitney Sanderson, where two girls, Iris and Ruby, are Unicorn Guardians. Even though, the fantasy world for this series already exists, I read everything about unicorn history from ancient Greece, Rome, and China into the Middle Ages, when scribes jotted down tales of unicorn sightings and captures. Two books I found helpful were Behind the Legend: Unicorns by Erin Peabody and A Natural History: Dragons and Unicorns by Paul and Karin Johnsgard.

2) Set Up the Rules of the World – After you know what other writers have done, it’s time for you to get creative. You can use what you’ve learned to shape your world, or you can come up with a totally new and different reality.

Once you’ve set down rules, you’ll need to keep them consistent. For example, in the Birch Tree Chronicles series I’m cowriting with Shelley Day Jewell, only people who believe in magic and have pure hearts can see fairies. If we suddenly change that rule partway through the story and let anyone, even the villain, see fairies, readers will be confused unless we find a way to explain why it happened.

3) Decide on a Time and Location – Along with rules, you’ll need to decide on a time (past, present, future) and location (real world, pretend world, another planet). If it’s set in the real world, you need a portal or passage to get to the fantasy world.

In the Unicorns of the Secret Stable series begun by Whitney Sanderson, only two humans know of the secret place where the unicorns dwell. The two young girls, Iris and Ruby, are Unicorn Guardians of the Enchanted Realm. They have jeweled keys to unlock the gate at Magic Moon Stables. To everyone else, the land behind the fence appears to be an empty pasture. But once the girls pass through the gates, they enter a world of wildflowers and unicorns and magical lands like the Diamond Desert, Fire Mountains, and Fairy Forest. For these books, that gate is the portal to the unicorn world.

4) Invent the Creatures – If you reinvent mythical creatures that readers already know about, you’ll need to make sure readers know how your characters are different.

Most readers think of unicorns as having one horn and healing magic. They’re often depicted as gentle, kind, and shy. If your unicorns have three horns and are mean and cruel, you’ll need to present them that way in the beginning of the story.

If you make up characters that have never been seen before, it’s important to paint a strong word picture so readers can visualize your creatures. Better still, have an artist create a drawing to include with the story.

5) Create a Map – Many fantasy books have maps. This not only helps the author to keep places and names and landforms straight while writing, but maps also help orient readers.

What is equally as fascinating is how authors create the fantasy worlds these creatures inhabit. Many fantasy books contain maps of the world the author has developed. It helps to orient readers and to remind authors of the obstacles their characters might face when traveling from one place to another.

Shelley Day Jewell, who is cowriting the Birch Tree Chronicles series with me, shared these tips with me:

Creating a fantasy world starts with an idea—just like a story—and then evolves. I research to find a seed, and then the world seems to create itself. I’d read that it’s common for fairy worlds to have four seasons at the same time. From that one seed, a new realm was born.

Shelley sketched a rough map that Birch, the eleven-year-old main character, might have drawn. The first map of is of the fairy world. The second is of Birch’s neighborhood.

You can make your map as simple or fancy as you’d like. Think about unusual shapes and landmarks that have meaning to your characters. In sharing about her map of the Isle of Avonlea, Amie Borst said:

Creating a map of the universe was one of the first steps before even writing the stories. Without a visualization of this world, it would have been difficult to develop the characters and their corresponding stories. So that’s when I started sketching on a sheet of paper, drawing a shamrock and dividing the island accordingly. I soon moved into a notebook and began character interviews and detailed each kingdom right down to the types of plants that grow there.

It’s been a blast writing this series and with thousands of copies sold, I think readers love it as much as I do!

I’m sure they do too, Amie! Thanks so much for sharing your secrets with us.

6) Plot Your Story – This is the most important part of making your fantasy world real. Give your characters strong desires, flaws, and goals. If readers can connect with your magical creatures, they’ll want to stay in your fantasy world until the end of the story.

Consider the Rule of Three. Often in fantasy stories, main characters need to try three times to reach their goal or escape from a villain. Each try should be harder than the last. At that point, the main character feels like giving up. There seems to be no way to succeed. But with one final burst of courage, the character makes that final try, and this time, reaches the goal.

Because this rule is used frequently in fantasy, readers come to expect it. You can keep to their expectations by using it or surprise them with something different. You’re the author so, you decide.

7) Let Your Imagination Go – The nice thing about fantasy is that you don’t need to stay in the realm of what’s possible. Let your mind wander to the impossible.

If you get stuck while writing, try asking yourself: What if? Don’t criticize any ideas as you brainstorm. This is a fantasy world, after all, so anything can happen. Just let your mind drift to any odd and unusual ideas. Jot them down as you go, and soon you’ll have many different bits and pieces that might end up being the perfect puzzle pieces for putting your world together.

And if you prefer to read stories others have created rather than creating your own world, you have plenty of unicorn stories to keep you happy, including some classics. Even if you can’t capture a unicorn for yourself, you can still capture their luck and magic in the pages of these books:

The Last Unicorn by Peter S. Beagle

The Last Battle by C.S. Lewis

The Unicorns of Balinor series by Mary Stanton

Here There Be Unicorns by Jane Yolen

Series and books for middle-grade readers abound. Here are just a few:

Unicorns 101 by Cale Atkinson

The Unicorn Rescue Society by Adam Gidwitz

Beasts of Olympus: The Unicorn Emergency by Lucy Coats

Unicorn Island by Donna Galanti

Unicorns of the Secret Stable by Whitney Sanderson

Unicorn and Yeti by Heather Ayris Burnell (for young readers)

Uni the Unicorn by Amy Krouse Rosenthal (for younger readers)

I want to thank these authors who shared their helpful tips:

Amie Borst believes in unicorns, loves glitter, and keeps a stash of chocolate hidden away from her chocolate-stealing family. She is the multi award-winning author of several books for children including the Scarily Ever Laughter series (Cinderskella, Little Dead Riding Hood, Snow Fright), the Doomy Prepper series, and Unicorn Tales. She was a judge on Rate Your Story for several years, and a founding member of the group blog, From the Mixed-Up Files of Middle-Grade Authors, where she contributed for nearly a decade.

Website: www.amieborst.com

Blog: www.amieborst.blogspot.com

Twitter: www.twitter.com/amieborst

Facebook: www.facebook.com/amieborstauthor

Pinterest: www.pinterest.com/amieborst

Instagram: www.instagram.com/amieborst

Shelley Day Jewell has been a writer in her head since grade school, but didn’t start the real thing until ten years ago. She’s had short stories published in Boys’ Quest, Hopscotch, and The School Magazine. She’s been an honorable mention in the Women On Writing flash fiction contest three times and a third place winner once.

She grew up in New England surrounded by mountains, meadows, and forests, which is where many of her stories take place. She resides in the mountains of Northern New Hampshire with her family and a plethora of pets.

When not at her day job, Shelley is currently working on an MG adventure series, a YA mystery, and YA fantasy, traipsing through the woods, climbing mountains, or enjoying the spectacular sunsets will drinking coffee, reading, or knitting. You can connect with Shelley at her blog.

The post Here There Be Unicorns: Creating Fantasy Worlds appeared first on From The Mixed Up Files.

So! Day has developed an engaging and user-friendly website (www.ashaybythebay.com) with over 800 titles, from  baby books to picture books to fiction and nonfiction for middle grade and young adult readers. Most have black American and African subjects, themes, and characters.  But since there is a large Latin American community nearby she also has school collections of Spanish and bilingual books for them. More about her school collections in a moment.

It’s exciting to see so many books for kids about black culture, people, and history gathered onto one curated site. I have now added several titles to my staggering must read pile. For instance, though I’m not a fantasy or science fiction fan at all, I can’t wait to read Tomi Adeywmi’s West-African inspired fantasy, Children of Blood and Bone.  Before the week is out I will probably also dip into Nnedi Okarafor’s imaginative and highly praised tale of magic and adventure in Nigeria, Akata Witch. As Day understands, good books for kids are good for everybody!

Before COVID, Day advertised grew her business by going to events, holding book fairs, and helping groups to conduct book fairs. She loved making in-person contacts that way. Now that those events are no longer possible she is relying more on social media ads, and she is hearing from people across the country.

The Pandemic also poses a challenge to her goal of getting children’s books about black subjects and black experience into the schools where they can have more impact on students’ understanding. Few schools are buying books right now and many students are doing distance learning. What an important time to build a home library, Day says. Of course there are many digital book available online, but the students are already screen-weary from school work. Day loves books and believes and holding a book to read is a more satisfying experience.

During shutdown, people can consult the Ashay website for the lists of the book collections, organized by age/grade e level, that Day offers to schools, and find ideas for books to order. These collections include many core curriculum books, but also give a chance for some independent publishers to become better known. Here are just a few of the many titles on her lists for middle graders:

Biographies: The Truths We Hold: An American Journey (Young Readers’ Edition) by Kamala Harris ; Portraits of African- American Heroes, by Tonya Bolden , including figures from dance, law athletics, science, and more. Who Was Jesse Owens? By James Buckley and Gregory Copeland; Brave. Black. First, 50+ African American Women Who Changed the World, by Cheryl Hudson; Hidden Figures, Young Reader’s Edition, byMargot Lee Shetterly; Black Women in Science: A Black History Book for Kids by Kimberly Brown Pellum;

Award-winning Fiction:

P.S. Be Eleven, Rita Williams-Garcia; The Season of Styx Malone, by Kekla Magoon; Harbor Me by Jaqueline Woodson; Ghost and Look Both Ways, by Jayson Reynolds; A Sky Full of Stars by Linda Williams Jackson;Ghost Boys by Jewell Parker Rhodes; The Red Pencil by Andrea Davis Pinkney.

Nonfiction:

The Boy Who Harnessed the Wind by William Kamkwamba;28 Days: Moments in Black History That Changed the World by Charles R. Smith; The Talk: Conversations about Race, Love, and Truth, edited by Wade and Cheryl Hudson; Hand in Hand: Ten Black Men who Changed America, by Andrea Davis Pinkney.

The Arts:

Radiant Child: The story of Young Artist Jean Michel Basquiat by Javaka Steptoe; Who is Stevie Wonder? By Jim Gigliotti; The Legends of Hip Hop by Justin Bua; The Rose That Grew from Concrete,by Nikki Giovanni and Tupak Shakur; Poetry for Young People: African American Poetry, edited by Arnold Rampersad and Marcellus Blount; Who is Stevie Wonder? By Jim Gigliotti and Who HQ’; Misty Copeland: Life in Motion.

December 2020:  an ideal time to get to know more about black culture from the excellent books being published for children.   It’s also an ideal time to give beautiful, real books to children who’ve been doing schoolwork online all day. And let’s please bypass the chains when we buy these books (Amazon will survive the economic crisis) and support independent booksellers like Ashay instead. A triple win!

The post Indie Spotlight: Ashay ByThe Bay, Black Children’s Bookstore Vallejo CA appeared first on From The Mixed Up Files.

by Robyn Gioia, M.Ed.

When most people think of picture books, they think of cute pictures and feel-good stories that thrill children from ages 0-7. But, teachers know better. There is much more to picture books than meets the eye.

Students have grown up with visuals since the day they were born. From elementary to high school, picture books can spark the imagination and open the eyes as an introduction to a subject. Picture books boil down to the main topic and draw the reader in with interesting tidbits. Our public libraries are full of wonderful picture books ready to do the job. Picture books inspire conversations and provide topics for research. They allow insightful tie-ins to curriculum and present opportunities for projects. Their pictures bring the topic to life. They create understanding unlike anything else. They are quick reads that can fit into almost any schedule.

Take the book, The Turtle Ship by Helena Ku Ree.

One of the greatest historical war heroes in the S. Korean culture was Admiral Yi Sun-Sin. He is known for saving Korea from Japan, a conquering country with a formidable naval fleet. Because of his design, the undefeatable Turtle ship had the ability to defeat the Japanese. His larger than life statue looms high over the skyline in Gwanghwamun Square, Seoul.

In the picture book, a young Sun-Sin comes to life as a boy who is afraid to enter a shipbuilding contest sponsored by the King. The King needs an indestructible ship able to withstand ongoing invasions from the sea. Sun-Sin decides to accept the challenge. The author imagines what experiences might have influenced a young Sun-Sin’s turtle ship design, and from there the story is told.

Teaching Middle Grade with Picture Books

(Artwork from “Fighting Ships of the Far East (2)” by Stephen Turnbull © Osprey Publishing, part of Bloomsbury Publishing Plc)

The Turtle Ship picture book goes step by step through the design engineering process. Young Sun-Sin tries and fails at several design attempts before creating the design known today. This was something I was able to use in my 6th-grade science class. As we talked about the boy Sun-Sin and identified how the process was evolving, it created a bridge to understanding the design process. We had also learned that historically, a lot of designs were inspired by nature. The Wright brothers studied birds before designing the first airplane. In our story, Sun-Sin looks to his turtle for solutions.

When I used The Turtle Ship book in our lesson, my students were fascinated by the Turtle ship design from the 1500s. They learned the ship could rotate in one spot and fire cannons from each of its sides. They discovered soldiers were encased inside the ship so the enemy could not attack. They loved that the top was curved and covered in spikes to keep from being boarded by the enemy. They also learned that the hull was designed to ram into other vessels.

The Korean Turtle Ship

The turtle ship became one of the top engineering designs in warship history. You can read about this incredible ship and its design ingenuity on the U.S. Naval Institute News website. USNI News asked its readers, “What is the greatest warship of all time and why?” The answer can be found on the USNI News website https://news.usni.org/2016/04/06/survey-results-what-is-the-greatest-warship-of-all-time

Teachers in grade levels from primary to high school have used this story to inspire students with a wide range of activities and topics.

Engineering Design Process (EDP)

Research on Korean Inventions

Historical Fiction Comparative Study

Creating a Historical Timeline between Asia and American History

Writing Sijo, a Korean Poetic Form

Analyzing Civic Characteristics of Main Characters

Origin Story with Read-Alouds and Comparisons with Multiple Sources

Teaching Korea through Writing

Teaching Modern Asian Culture through History

Creative Writing

Using the Glossary for Vocabulary Understanding

Study of Honor

Compare and Contrast Other Korean Historical Picture Books

STEAM: Create a Vessel that Holds the Most Weight

STEAM: Design a Boat That is the Fastest

Downloadable Teaching resources:

Lee and Lowe Teaching Guide: TURTLE-SHIP.TG

Historical Information on Admiral Yi Sun-Sin: Admiral Yi Sunsin_KSCPP(1)

The post Using Picture Books to Teach Middle Grade and Beyond appeared first on From The Mixed Up Files.

Last March schools across the world closed due the Covid-19 pandemic. Teachers, parents and students were unprepared. Many had difficulty with the online learning that was offered. Even under ideal circumstances, hours of daily screen time will not be feasible for many young learners. Therefore, some families have chosen to try their hand at home learning, otherwise known as homeschooling. If you are one of these families, or if you simply wish to augment the remote learning your child is receiving from school with books that will help you do it, this article is for you.

Out of school learning time can provide kids with a chance to acquire knowledge in a manner that is free and flexible. Allowing kids the freedom to explore topics of interest instills a love for learning and inspires curiosity. But this freedom is not always available in a highly structured school day. Thankfully, it can be available at home. Encouraging kids to nourish their personal passions is one way to help them thrive during this crisis. Giving them books that will help them discover those passions, is another. Does your kid love… Planets and Stars? Mysteries? Birds?  There are so many books to choose from!

Opening up the home learning experience to embrace problem solving and critical / creative thinking activities prepares kids for learning anywhere. Giving kids the power to direct some of their own learning will help them obtain the identified 21st century skills: critical thinking, creative thinking, communication and collaboration.

Parents need to provide guidance, resources, great books, and encouragement to kids learning at home. However, they don’t need to provide all of the answers. The best teachers encourage learners to ask interesting questions and discover the answers themselves. They give learners the freedom to fail and try again. Making interesting and informative books available to kids is a great place to start a critical and creative thinking home learning life.

Check out my homeschooling tips and accompanying books below. They will help you help your kids flourish as critical and creative thinkers while learning at home.

Learning at home tips, and books to go with them:

Tip 1: Do not set unrealistic learning goals. Start small and build rather than the other way around. It is better for encouraging learning to start with small successes than to overreach and start by experiencing failure. Short stories can deliver meaningful content and help kids feel a quick sense of accomplishment. They can also be springboards for inspiring kids to read longer texts.

The Hero Next Door by Olugbemisola Rhuday-Perkovich (ed)

All the heroes in these stories make the world a better place. They do it by using acts of kindness to help others. Published in partnership with We Need Diverse Books, this vibrant anthology features thirteen acclaimed authors. Stories celebrate the hero in all of us. Authors include: William Alexander, Joseph Bruchac, Lamar Giles, Mike Jung, Hena Khan, Juana Medina, Ellen Oh, R. J. Palacio, Linda Sue Park and Anna Dobbin, Cynthia Leitich Smith, Ronald L. Smith, Rita Williams-Garcia, and Suma Subramaniam

Stories to Solve: Folktales from Around the World by George Shannon

This collection of fourteen illustrated mysteries from world folklore give readers a chance to figure out the solution to a problem by thinking critically, before the solution is given. Backmatter includes origins of the tales and more information for further research.

Tip 2: Be present. Put away cell phones and turn off the TV as much as you can. Listen with empathy and understanding to kid’s concerns and ideas without being dismissive. Use what is happening in the world as material for your home learning.

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Fault Lines in the Constitution: The Framers, Their Fights and the Flaws that Affect us Today by Cynthia and Sanford Levinson.

For a nonfiction possibility, this book offers a fearless glimpse into the Constitution including its failures and flaws. The text can be used to inspire kids to think critically.

The Kid Who Ran for President by Dan Gutman

A humorous and fast-paced account of a kid’s run for president as a third party candidate. A great book to inspire dialogue with kids about this election season. Kids learn how government works. and fails, while thinking critically and creatively about what makes a good president.

Tip 3: Answer questions while being honest with what you don’t know. Investigate unknowns together, encouraging kids to question and problem pose, exercising their critical thinking skills.

Song for a Whale by Lynne Kelly

Iris is a creative and critical thinking tech wiz. She can fix computers and repair old radios. But she’s the only deaf person at her school. Sometimes treat her like she’s not very bright and she often feels unheard, even by her mom. Then she learns about Blue 55, a real whale who is unable to speak to other whales. Iris immediately feels a connection. She has an idea to invent a way to “sing” to him! But he’s three thousand miles away. What can she do?

The Evolution of Calpurnia Tate by Jacqueline Kennedy

Calpurnia Virginia Tate is a critical thinker. She wonders about what she sees in nature. Calpurnia’s grumpy grandfather, a naturalist, helps her figure out why green grasshoppers get eaten more often than yellow ones. But Callie’s curiosity is not always rewarded by society. She struggles with society’s expectations of girls at a time when a girl interested in science is not well viewed.

Tip 4: Be flexible thinkers. Every family is different and diverse, you do not have to follow what any other family is doing. Kids learn in different ways. Families work together in different ways. Do what works for YOUR family.

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Millicent Min Girl Genius by Lisa Yee

Millicent Min’s family is different from most of the families in her community. And so is the way she learns. Her classmates hate her for going to high school at such a young age. But Emily doesn’t know her IQ and actually thinks she’s cool. Millie decides to hide who she is and how her family works to finally make a real friend.

Music for Tigers by Michelle Kadarusman

Violinist Louisa ships off to Tasmania to spend the summer with her mother’s eccentric Australian relatives. And she’s not too happy about it. Life at the family’s remote camp in the Tasmanian rainforest is very different. There’s a quirky boy, a strange uncle, old journals and a Tasmanian tiger problem. Louisa has her work cut out for her! Can her music save the day?

The post Home Learning: A World of Opportunities to Read & Think appeared first on From The Mixed Up Files.