Just out from Abrams this month is THE CHANCE TO FLY, by Tony-Award winner Ali Stroker and acclaimed author and playwright Stacy Davidowitz.  Ali Stroker made history in 2019 as the first actor in a wheelchair to appear on Broadway. 13-year-old Nat Beacon, her  main character in the THE CHANCE TO FLY, also gets around with a wheelchair. Nat is obsessed with Broadway musicals. When her family moves from California to New Jersey, she auditions for a kids’ production of Wicked. She not only gets into the ensemble, but she gets to know the cute male lead. Then a week before opening night, things get really challenging! Kristin Chenoweth, Tony and Emmy Award-winning actress and singer,  says of this story: “The perfect read for any dream chaser . . . You’ll realize how unlimited your possibilities are.”

BROKEN STRINGS, by Canadian children’s writer Eric Walters, and Katy Kacer, award-winning writer of Holocaust fiction and nonfiction, (Puffin Canada, 2020).  It is a story about the power of music. Shirli Berman, the best singer in her Jr. High, auditions for the lead in their production of “Fiddler on the Roof.” She gets the part of the old Jewish mother instead. But she decides to make the best of it, so she rummages through her grandfather’s attic for props. She shows him an old violin she finds, and he becomes angrier than she has ever seen him be. Shirli is determined to find out the reason, and an old family secret comes to light.

JUKEBOX by Nidhi Chanani (First Second, 2021) is a time-bending magical family quest story. Shaheen’s father disappears, leaving behind only a mysterious juke box, some old vinyl records, and some notes on music history. When Shaheen and her cousin Tannaz try to figure things out, they turn to the jukebox, which begins to glow. It transports them back through to other eras of music, decade after decade. Will they find Shaheen’s father?

For some nonfiction time travel through the great eras of music, read TURN IT UP!: A PITCH-PERFECT HISTORY OF MUSIC THAT ROCKED THE WORLD (National Geographic Kids, 2019) It traces the origins of all genres of music, from tribal, to classical, to folk, to jazz and blues, to rock, to rap and hip hop. Other topics  include instruments, sounds, and styles.  There is a wonderful glossary of musical terms at the end.  (Not as ‘new’ as most other titles in this post, TURN IT UP! is a timeless treasure for young musicians and music lovers).

In Michelle Kadarusman’s MUSIC FOR TIGERS (Pajama Press, 2021), Louisa, a passionate young middle school violinist, has to go off for the summer to stay with eccentric Australian relatives. There she learns about a mysterious place called Convict Rock, a sanctuary  her great-grandmother set up for the supposedly extinct Tasmanian tigers.  Convict Rock is now under threat from a mining operation. The last tiger must be moved, but it hasn’t trusted any human since her great-grandmother. The more she learns, the more Louisa thinks her own music may be the key to saving the tiger.

Twelve-year-old Rose Brutigan and her twin brother Thomas couldn’t be more different. In GIANT PUMPKIN SUITE by Melanie Heusler Hill (Candlewick, 2021), serious-minded Rose focuses  on winning the upcoming Bach Cello Suites competition,  Her brother is just trying to grow a giant pumpkin in their neighbor’s yard. An accident causes Rose to reexamine her priorities and connect with the community.  Subplots abound in this well-told coming-of-age story.

THE BEATLES COULN’T READ MUSIC? is Dan Gutman’s latest in the series, WAIT? WHAT? (Norton Young Readers, 2023), illustrated by Allison Steinfeld. With Gutman’s famous madcap humor, the sibling narrators of this unique biography, Paige and Turner, reveal little known facts of the rock stars’ lives, from their childhoods through their years of world fame as a group. Both accurate and hilarious.

Apologies in advance if I’ve added to your already tottering must-read pile!

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ROSANNE: I did travel quite a bit to learn about the wild horses in my story. I visited the Virginia Range just east of Reno, Nevada where my story begins and  I camped and hiked in the Steens Mountain Wilderness in Oregon where my story ends. I hiked over the summit of the Sierra Nevada mountains on the Pony Express Trail and I talked to all kinds of people. Paiute historians, wild horse conservationists, ranchers, geologists and hydrologists, and a variety of people who own, train or ride horses much more often than me.

MUF: In researching wild horses, what were some of the discoveries about them and their society that most interested you?

On the lookout!

ROSANNE: I have been fascinated by how horses communicate with their whole bodies in some very big and obvious ways and in some very subtle ways. Once when we were looking at mustangs from 100 yards away or so (like you are supposed to) a yearling got curious about me and approached. She walked right up to me, and then turned her head and neck to the side which is how a horse invites you to come closer. It was so sweet! I wanted to hug that little horse so much! But about 20 yards behind her the mare was fixing me with a look! Lips pressed together. It was subtle but I could see in an instant how unhappy she was. I did not take one step closer to the yearling! And as soon as she saw her mother watching her, she sprinted away from me.

I also saw a large group of mares and their stallions together and a smaller group of bachelor stallions alongside them. The youngsters got a little boisterous with each other. They started with just snorting and kicking dirt at each other. But then they reared up and started throwing kicks. One of the older stallions lifted up his head and gave one snort in the direction of the younger males.  They stopped fighting instantly. A subtle gesture with a huge response. It really made me think about the structure of a band of wild horses. They are very deferential to each other. The males do fight, but for the most part they are very conflict avoidant. It’s pretty inspiring.

MUF: There is much information in the back of your book about the status of wild horses and their environment in the present. You could have written a contemporary story about wild horses.  What was your thought in setting your novel during the brief run of the Pony Express in the early 19^thcentury?

ROSANNE: It was the dearest ambition of my 8 year old self to be a pony express rider. 1. Outdoors 2. Moving fast 3. Excellent pay 4. Very little supervision. Four of my favorite things to this day! When I learned that the pony express had in fact taken mustangs off the range to run the more difficult and dangerous sections in the mountains of the west, I knew I had a story kids could really root for. And then I dug into the history of the Piaute War and the Comstock silver mine in the Virginia Range and the enslavement of Indigenous Americans in California, & the surrounding territories, and the history of Black cowboys.  Well it was all very interesting and piece of American history not so commonly talked about.

MUF: You set a task for yourself by having an animal character be your narrator. He can only communicate and connect with readers using perceptions and responses a horse would have.  Readers then have to guess at the actual object, animals, or words for things (and they do). I love the way Sky classifies humans by the colors of their hides and “manes” and identifies the stallions, colts, and mares among them. What things did you have to think hardest about to get them across through Sky?

ROSANNE: I love to think about how an animal perceives the world. It was very different to write about a prey animal as the last two Voice of the Wilderness books were predators—a wolf and an orca. Horses, even well cared for domestic horses, are always on the alert for danger. They notice the smallest things and every change of mood in the members of their family band.

The hardest part to write was thinking through the human interactions, understanding how horses regard humans and try to communicate with them. When I chose the wrangler who teaches Sky to accept a saddle and bridle, I chose a former slave. A person who would have a natural compassion for a creature who has newly lost his freedom. I studied both historic and contemporary horse training methods. The more gentle training model the wrangler uses was fairly common in the 1800s. Writing the actual steps in the gentling process from the point of view of a horse who doesn’t know what’s going on took lots of drafts.

MUF: And now let’s hear from Sky’s illustrator, Kirbi Fagan. Kirbi  is recognized for her cover art in adult, YA, and Middle-grade fiction as well as comic books projects such as Black Panther/Shuyri and Firefly. She illustrated this book in pan pastels.

MUF: Brava, Kirbi! Aren’t horses one of the more difficult animals to draw?  Love helps, right?

KIRBI: Thank you. It does take a certain kind of artist to take on drawing over a hundred illustrations of horses! My agent asked if I was tired of horses after I turned in my last revisions. I’m not. In fact, I think my inner horse girl is living her best life. Horses have lived alongside people for so long, it’s one of the animals humans can recognize quickly. That’s why, even for a novice, it’s easy to spot a bad horse drawing. All of this to say, yes, drawing horses is tough. 

MUF: Are wild horses an extra challenge?

KIRBI: I visited as many different horses as I could, I did proper studies to refer to, and drew in the field. I felt prepared (and inspired!). Seeing the range of diversity from horse to horse is freeing and helped me loosen up. Mustangs are on the more petite side, and I was lucky to meet Maggie, who lives about an hour away from me, who fit the size of Sky’s band roughly. Thanks Maggie!

MUF: Does being free but also having to provide for themselves change wild horses’ appearance or stance or carriage, compared to domestic horses?

KIRBI: The truth is, a lot of wild horses are dehydrated and undernourished. Likely worse today than during the Pony Express times. Today, wild horses will show characteristics of draft horses and thoroughbred horses. When most people think of wild horses many think of the swath of colors and markings. This reputation is well deserved. Wild horses roam great distances and these rugged terrains are not kind. Manes are ragged and mangled, sometimes even with burrs. They bear all sorts of battle wounds. They aren’t groomed, so when their coats change with the seasons, it’s a string of bad hair days!

MUF: Thank you, Rosanne and Kirbi, for taking time to share some of what went into creating this book!  Readers, treat yourselves to Rosanne’s unique and moving way of writing an animal’s story in A Horse Named Sky.  Also in the other two books in the Voices of the Wilderness series: A Wolf called Wander, and A Whale of the Wild.   (And keep an eye out for Kirbi’s debut author/illustrated picture book appearing in 2025).

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What is a “Coming of Age” novel? The term has been applied to books ranging from Little Women to A Clockwork Orange! Still, we all know what the category is supposed to mean. It’s for books in which a young character, over time, undergoes experiences or grapples with personal or social conflicts and grows in the process. But take out the word “young” and you have the main character of most novels. The one with the most potential for change or growth.

“Coming-of-age” sets an unfortunate us-and-them tone. It suggests that we adults, having put away childish things, can  observe the young from a safe, settled, and wise distance. We forget that the young are us. Not just who we used to be, but part of who we are now. We may then miss or dismiss some great stories we need to know, perhaps even some heroes.

A successful novel only needs to be to be an engaging story. But a hopeful thing takes place when we identify with the novel’s main character. We get practice in empathy then, and that can change lives. What if that main character is a kind of outsider whom we might have avoided or made fun of in our daily life? Now in the novel we see him, not as a “kind” but as an individual, and we realize just what he or she is up against, what the stakes are.

Mark Haddon’s brilliant novel, The Curious Incident of the Dog in the Night-Time created great sympathy and understanding for people with autism. Since then we have seen a number of popular young adult and middle-grade novels with autistic heroes. These include Siobahn Dowd’s The London Eye Mystery, Francisco X. Stork’s Marcelo in the Real World, and Katherine Erskine’s Mockingbird. Their main characters have Asperger’s and persevere in  complicated quests.

A similar thing has happened with Attention Deficit Hyperactivity Disorder and dyslexia. Seeing the world from the point-of-view of Jack Gantos’s off-the-wall Joey Pigza was a revelation to readers. Then came the poignantly humorous series about dyslexic Hank Zipzer by Henry Winkler and Lin Oliver (“The Fonz” is himself dyslexic, not diagnosed until adulthood). It’s his dyslexia and ADHD that get Percy, the main character of the wildly popular Percy Jackson and the Olympians series, in so much trouble at school. But these turn out to be abilities in disguise. They’re actually assets in his true role as a demi-god. Imagine the recognition and relief with which a dyslexic or ADHD student reads these books. But his classmates are reading them too. Suddenly their fellow-students’ actions may make perfect sense to them, so that they can laugh with and for them, rather than at them.

Doesn’t this increased empathy argue for having stories about every possible way of being human? And against the current impulse toward censorship or restriction of children’s access to such books?

We all have some sense of being an outsider, regardless of our background or circumstances. At around age eight or nine, we realize that we have both an inner and an outer life. We soon discover that who we feel ourselves to be cannot always be reconciled with and who others expect, even command, us to be.

Novels that focus on a young person’s struggle between those worlds remind us of our own continuing struggle to reconcile them, regardless of age. Something more important than “coming of age” or even “growing up” goes on in them. The main characters in these stories hold to something in their inner life–a dream, a conviction, a quest, a desire, a quality of self-that they believe to be essential to them.

It’s so essential that they can’t afford to give it up or give in, no matter how much pressure or ridicule they may experience from others. Sometimes very powerful others claim to know better for them or at least know better about how the world works. So they’re is tempted and discouraged along the way, and they may sustain great losses. But they gradually find the courage to be true to themselves and to bring that essential something forward with them.

Think of ten-year-old runaway orphan Bud Caldwell in Christopher Paul Curtis’s Depression era novel Bud, Not Buddy who survives neglect and abuse and hunger by clinging to three things: 1) his s dead mother’s love and assurance that he is Bud, not Buddy 2) a beat-up cardboard suitcase containing certain old playbills and rocks he believes are clues to the identity and whereabouts of his father and 3) a wry compendium he has created from his young experiences called, “Bud Caldwell’s Rules and Things for Having a Funner Life and Making A Better Liar Out of Yourself.”

Or magical nine-year-old Thomas, in Guus Kuijer’s The Book of Everything, who “sees things others don’t see.” Tropical fish in the canals. His father regards much of what Thomas says and does as the workings of the devil. He  tries to beat it out of his son  with a spoon. When asked what he wants to be when he grows up, Thomas says. “ I want to be Happy.” His father scoffs, but a neighbor, widely regarded as a witch, thinks it’s a very good idea. She gives him books, music, companionship, and a powerful thought. That to be happy it is first necessary not to be afraid.

Remembering that thought, Thomas stands  up to his father and  inspires his sister and mother to do the same. Everyone is happier as a result, except for the now small, confused, and fear-driven father. Even Thomas’s friend Jesus doesn’t hold out much hope for change in him.

There is no guarantee that characters in these books will prevail, however much they may deserve to. Lizzie Bright, the straight-thinking free spirit in Gary Schmidt’s Lizzie Bright and the Buckminster Boy, liberates her friend Turner ’s thoughts and spirit from his rigid upbringing. But she ends up being banished by the greedy and bigoted white townspeople to an institution for the feeble-minded.   She dies there before Turner can rescue her.

Much is at stake in novels like this, and not just for the characters. We pull hard for them. We long to hope that the world can be wise enough to bend to their courage and make room for them. And for us.

For that story, any category may be too small.

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A FEW OF THE  BANNED CLASSICS

Newbery honor book Charlotte’s Web by E. B. White is about an unusual friendship between Charlotte, a spider, and Wilbur, a runt farm pig who is scheduled for slaughter. Charlotte spells out Wilbur’s redeeming qualities by weaving words into her web, then enlists the help of the farmer’s daughter, Fern, to save him. This beloved story of friendship and the power of language has been a classic for seven decades. Its opening line is one of the most powerful in literature.  ‘Where’s Papa going with that axe? ‘ said Fern to her mother as they were setting the table for breakfast.”

But a parent group in Kansas wanted the book banned from school libraries. Why?  Because it has death as a theme, and because talking animals are “unnatural “and blasphemous. Only humans can talk and write, they said. Imagine the world of children’s literature without talking animals.

When Harriet The Spy by Louis Fitzhugh was published, there had never before been a character quite like Harriet.  She really stirred things up! Harriet wants to be a writer and keeps a notebook on everyone around her, what she knows and exactly what she thinks about them. Then she loses the notebook. Her nemesis finds it, and soon everyone knows everything she said. Her task then is to take responsibility for her words and to find ways to mend friendships. The book’s challengers overlooked that part. Harriet the Spy was banned through most of the South for encouraging children to “talk back, spy on others, lie, and disrespect their parents.” It also modeled “improper behavior for a girl.” School Library Journal said, ”Harriet the Spy bursts with life.” It has sold over five million copies.

In Newbery Award winner Bridge to Terabithia, Jesse becomes best friends with Leslie, the new girl in school. Leslie drowns trying to reach Terabithia, the hideaway they have created, and Jesse struggles to deal with her loss. School Library Journal ranks this novel number ten of the all-time best books for children. But the book also ranks high on the American Library Association’s list of the most commonly challenged books in the United States.

Challengers have objected to death being part of the plot and to offensive language, including Jesse’s frequent use of the world “lord.” They’ve claimed that it promotes “secular humanism, New Age religion, occultism, and Satanism.” A Pennsylvania township removed it from 5^th grade classrooms because of profanity, disrespect for adults, and an elaborate fantasy world that “might lead to confusion.”

The all-time favorite target for challenges, bans—even book-burnings—has to be Harry Potter, a series immensely popular and successful among adults and children worldwide. The New York Times  had to create a separate list for children’s books, because the Harry Potter volumes coming out were taking up a third of the spaces on the Times best-seller list.

The series has also landed on the American Library Association’s list of top 10 banned books as recently as 2019. It has been attacked for promoting Satanism and witchcraft, for including actual spells and curses, for violence, and for disrespecting family. (Should Harry have been more respectful and obedient to the abusive Dursleys?).

POETRY, TOO

Shel Silverstein’s  clever A Light in the Attic, was the first children’s book to make the NYT bestseller list. It stayed there for 182 weeks. But it was banned in a Florida school and later some other schools in Wisconsin and Texas because  some  adults thought it encouraged “disobedience, violence, suicide, Satanism and cannibalism.”

One poem that parents objected to was “How Not To Have To Dry The Dishes.” They thought it would give kids the idea of breaking the dishes to get out of assigned chores. Silverstein’s Where the Sidewalk Ends and his more serious story The Giving Tree faced similar challenges.

EVEN PICTURE BOOKS

In picture books for younger readers, the objections can be even more mystifying. Hop On Pop by Dr. Seuss has been challenged for encouraging violence against fathers! The Texas State

Board of Education banned Brown Bear, Brown Bear, What Do You See? for promotion of Marxism. When someone pointed out to them that they had confused the Brown Bear author, Bill Martin Jr.,with another Bill Martin, author of Ethical Marxism: The Categorical Imperative of Liberalism,  they withdrew the ban and said Brown Bear, Brown Bear was okay for kids.

REASON TO WORRY?

Should a father fear that a child to whom he reads Hop on Pop will attack him? No known cases. Will readers of the Harry Potter series lose their faith? Probably no more likely than that they will drop out of soccer to train for broomstick sports.  Or abandon their cell phones in favor of a personal messenger owl. Teachers, librarians, and most parents believe that reading stories encourages and expands the most positive natural qualities of children—imagination, curiosity and empathy.

ASK LIBRARIANS: THEY HAVE READ THE BOOKS

Librarians know their collections well. They are happy to help parents select books for their children that will not conflict with their particular family values and beliefs.

But book-banning groups want to decide which titles other people’s children in their communities will not be allowed to read. The number  of banned  children’s books has increased dramatically just in this last year. The main targets currently are books that focus on—or mention— such topics as slavery, racial  discrimination, gender identity, or climate change. Challengers claim that reading, knowing, and talking about these things will harm, even “traumatize” children. In some places the bans have become law, requiring libraries and librarians to comply by removing the books.

For librarians, a core principle is that free access to books and information is inseparable from freedom of speech. That means for all of us and all our kids, not just a few. Arrest librarians? Better to cherish and defend them.

Banned Books Week isn’t until the first week of October. The list will be especially long this year, though. Let’s  get an early start exercising ours and our kids’. . .

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We Have a Dream: Meet 30 Young Indigenous People and People of Color Protecting the Planet (2022) is by Mya-Rose Craig.” Mya-Rose,    British Bangladeshi ornithologist who was awarded an honorary science degree from Bristol University at age 17. She has created “Black to Nature” camps to encourage indigenous people and people of color to fight for equal rights and environmental protection, since they are the most affected. This book profiles thirty young people around the world, including the US, who are already taking action.

Also see Young Native Activist: Growing Up in Native American Rights Movements  by Aslan Tudo. Alsn is  a 13 year old member of the Lipan Apache Tribe of Texas. When he was 8 and again at 11, Aslan went to South Dakota to join the protests of Lakota Sioux against construction of a oil pipeline at Standing Rock. In this book, he describes native American causes in which he continues to be active.

In Movement Makers: How Young Activists Upended the Politics of Climate change (2022), author Nicke Englefried interviews over 100 youth leaders.  She  tells the background story of how youth climate campaigns have drawn attention, changed the national discussion, and become a mass movement.

Saving Animals: A Future Activist’s Guide (2021), is by Catherine Kelaher, founder of New South Wales’ Hen Rescue.  Her organization  rehomes chickens and other animals from factory farms. This well-researched guide is full of  ideas about how to protect and make the world a better place for pets, farm animals & wildlife . It includes stories of empathetic young people who are doing just that.

Glimmer of Hope: How Tragedy Sparked a Movement (2018), is by the founders of March For Our Lives. On Valentine’s Day in 2018, a mass-shooter killed 17 students and teachers at Marjory Stoneman Douglas High in Parkland, Florida. Surviving students channeled their grief and anger into a youth movement to end gun violence.  The students of the movement provide a blueprint, showing how they took action in rallies, on social media, in voter registration drives, and with a march on Washington.

Tomorrow Begins Now: Teen Heroes Who Faced Down Injustice (2022) is by Ava Lorelei Deakin. It features stories, ranging from the 1950s to today, of 11 teens fighting for their civil rights and liberties. Their  issues include school segregation, sports equality, censorship, unjust deportation, and others.

Putting Peace First: 7 Commitments to Change the World (2018) is  by Eric David Dawson, who at age 18 founded a non-profit called Peace First.  Peace first is  based on the idea that young people can change the world now. Putting Peace First is his handbook for would-be peacemakers, with step-by-step explanations of how peacemakers have achieved their goals

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Most of these books appeared in 2022, and many of their publishers will contribute sales profits to Ukrainian relief.

NONFICTION:

Ukraine is known for  the beautiful golden-domed architecture of its cities and the richness of its culture and language. It is also called “The Breadbasket of Europe” because other countries in Europe and the world depend on its abundant harvests of grain for food.

Blue Skies and Golden Fields: Celebrating Ukraine, by Ukrainian children’s author Oksana Lushchevska (Capstone Press, 2022), covers Ukraine’s  history of withstanding invasion and domination by other countries, including Russia.  Lusgchevska also aims to immerse young readers in the Ukrainian culture. There is one whole section on sunflowers, the national flower and symbol of Ukraine. She includes instructions on how to plant your own sunflower and a Ukrainian poem to recite while you water it! Ukrainian Easter eggs are world-famous, and she tells how to dye eggs with natural dyes. She’s even included a guide to learning the Ukrainian alphabet and some key phases. Bright photographs illustrate Blue Skies and Golden Fields.

More list-like  is The Great Book of Ukraine: Interesting Stories, Ukranian History & Random Facts About Ukraine, by Anatolly Drahan (Independently published, 2022). Learn here not only about Ukraine’s past, but about pop culture, folklore, food, music, religion, celebrities & symbols, and why Ukranians celebrate two different New Years.

Ukrainian is  one of the most lyrical languages in the world. Enjoy learning some of it from Ukrainian Picture Dictionary Coloring Book: Over 1500 Ukrainian Words and Phrases for Creative and Visual Learners of All Ages (Lingo Mastery 2022).

FICTION:

These four Middle-grade novels take place in other times of great conflict and invasion in Ukraine’s past. The situations the young characters must face are grim and terrifying. But these are stories of resilience, courage, and hope, the qualities most needed in war-torn Ukraine today.

The Memory Keeper of Kyiv, by Erin Litteken (Boldwood Books, 2022), takes place in the 1930s, a time known as The Holodor, The Great Starvation. Russia’s Soviet ruler, Joseph Stalin, occupied Ukraine and tried to erase its culture. The Soviets claimed all grain produced in that fertile country and starved  4 million Ukrainians to death. In The Memory Keeper of Kyiv, 16-year old Katy at first sees village neighbors disappear for resisting the Soviets. Soon she herself is engaged in the struggle for survival. Author Litteken is the granddaughter a Ukrainian refugee from World War II.

Winterkill, by Canadian/Ukrainian author Marsha Forchuck Skrypuch (Scholastic, 2022), also  takes place in the time of the Great Starvation. In this gripping story, young Nyl is struggling to stay alive. Alice, whose father has come from Canada to work for the Soviets, sees that what is happening to the people is terribly wrong. Nyl and Alice come up with a daring plan. Will they survive long enough to carry it out?

In April of 1986, the nuclear reactor in Chernobyl, not far from Kyiv, melted down, poisoning the environment. In Helen Bates’ graphic novel, The Lost Child of Chernobyl (Otter Barry Books, 2021) two stubborn old ladies refuse to evacuate. Nine years later, forest wolves bring a ragged child to their door. The child has been living with the wolves in the forbidden toxic zone. Will the two be able to find his family after all this time?

In the suspenseful novel, The War Below, by Marsha Forchuk Skrypuch (Scholastic, 2020),  a Ukrainian boy smuggles himself out of a Nazi forced labor camp during World War II. He has to leave behind his dear friend Lida, but vows to find her again someday. IF he survives. Racing through the countryside, he struggles to evade both the Nazis and Soviet agents and finds himself in the line of fire.

MORE BOOKS ON UKRAINE FOR MIDDLE-GREAD READERS ARE COMING SOON: A NOVEL AND A WORDLESS BEAUTY

Maya and Her Friends: A Story About Tolerance and Acceptance To Support the Children of Ukraine (Studio Press, 2023) takes place in 2017. In that year, Russia conquered Crimea and annexed it from Ukraine. They also temporarily occupied parts of Donetsk and Luhansk. This is the story of families with children in Crimea, all with different family backgrounds. It shows how living under occupation and the shadow of war has impacted their lives. Ukrainian author Larysa Debysenk wrote this novel in Kyiv, with the roar of Russian gunfire in the background. She says, “I want to shout that the children of my country need international protection. The world needs to understand this.”

Yellow Butterfly: A story from Ukraine  will come out from Red Comet Press in January, 2023. Without words, and using the yellow and blue symbolic colors of Ukraine, children’s book illustrator Oleksandr Shatokhin shows a young girl’s view of the military conflict: her fear, her anger and frustration, and finally her hope.

Let’s hope, too, that by the time these last two books appear, the fighting in Ukraine may be over and rebuilding can begin!  Slava Ukrajini! 

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something for that traumatized community. San Antonio children’s author, filmmaker, and youth activist e.E. Charlton-Trujillo (www.eecharlton-trujillo.com) felt much the same, but found inspiration after reading about Uvalde public librarian Martha Carreon who decided to continue with story hour scheduled for the day after the shooting.

When Trujillo shared this with children’s author and fellow literacy activist G. Neri, the two discussed how to convert their feelings of hopelessness into something productive. “We could give money, sign petitions, and vent our outrage, but it didn’t feel like enough,” Neri said. “We needed to focus on the kids.”

The IDEA

Through Trujillo’s nonprofit Never Counted Out, they put out an appeal to the children’s book world called #600BooksOfHope. The original goal was to give every child in Robb Elementary School a new book, so they would know others supported them. Soon the goal expanded to an additional 1,300 books, one for every elementary school child in town. As books began to arrive, Never Counted Out expanded their request to included middle grade, YA, board books and graphic novels, hoping to gift every child in the city with at least one book of hope. Because there wasn’t one child who wasn’t impacted by the horrors of that day.

“What you see here is a Wall of Hope!”

THEN. . .

The response has been tremendous! Authors, illustrators, educators, and book lovers from all over the U.S., from Canada, from the UK, and from France have sent children’s books—their own or favorites by others. “This experience has reminded me of the power of what we can do collectively when we might feel we can do so little on our own,” Trujillo said. “Story allows us to seek refuge, to feel seen, to feel inspired – it also provides a way to reclaim our own narrative.” (I hope e.E. included their own children’s books in the collection: her just released picture book LUPE LOPEZ, ROCK STAR RULES; her middle grade novel, prizefighter en mi casa; and her FAT ANGIE Young Adult novels. )

Trujillo’s belief in the power of story and young people was the focus of the award-winning documentary At-Risk Summer which acted as the launching point for founding Never Counted Out. An organization dedicated to access to books and creative mentorship.

There has also been a great response from publishers.  BiblioKids, Candlewick Press, Charlesbridge, Chronicle, Cameron-Kids Abrams, Little Brown, MacMillan Publishers, Penguin Random House, Pesi Publishing, Simon & Schuster, and others have sent numerous cartons of their books for free.

Gia Gordon, COO for Never Counted Out says, “From publishers to partnerships with nonprofits Family Service, Reading Is Fundamental, the educational group Edmentum and others, we are witnessing in real-time the power of what people believe story can do. It’s remarkable.”

AND NOW. . .

Never Counted Out hopes to work with the Uvalde school district and public library to host a day of free author and illustrator visits for school age kids followed by a day for book distribution and author meet and greets. While there are a lot of moving parts, the 600 Books of Hope team is offering, as Trujillo says, “their time in service of the young people. To honor those that were lost at Robb Elementary School and empower those who remain through literacy and tools of storytelling.”

Because children’s books can create hope and healing in the face of all kinds of injustices and disasters. 600 Books of Hope has shown us there is something we can do. If you want to support the efforts of #600BooksOf Hope or would like more information, visit: https://www.eecharlton-trujillo.com/600booksofhope

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e.E. Charlton-Trujillo and Gia Gordon are authors and the cofounders of  Never Counted Out, which seeks to empower at-risk youth through  book access and the arts. Never Counted Out has conducted other book donation projects in response to need or disaster such as #KidLitForCampFire in the wake of one of the deadliest fires in California history and Project Pulse after the tragic shooting at the Pulse Nightclub in Orlando, Florida. To learn more about them go to https://belatina.com/combats-pain-through-expression-voice/ Instagram: @nevercountedout_nonprofit
Facebook: https://www.facebook.com/nevercountedoutnonprofit

G. Neri is the Artist Program Coordinator for #600BooksOfHope. He is the Coretta Scott King honor-winner for his  YUMMY:THE LAST DAYS OF A SOUTHSIDE SHORTY and GHETTO COWBOY. GHETTO COWBOY, adapted as “Concrete Cowboy” starring Idris Elba, debuted at #1 on Netflix in 2021.  In 2017, he was awarded the first of two National Science Foundation grants that sent him to Antarctica which has inspired two forth coming books for middle graders.

                                                                –e.E. Charlton-Trujillo

The post Books of Hope for Uvalde’s Kids appeared first on From The Mixed Up Files.

Hero Stories

I’ll begin with a book about Hawaii’s all-time superhero, Duke Kahanamoku. SURFER OF THE CENTURY by Ellie Crowe tells the story of this legendary three-time winner of Olympic Gold. Although he was considered the fastest swimmer in the world, he also became known as the father of modern surfing, his true passion. It was “The Duke” who introduced the ancient Hawaiian sport to Australia and to the west and east coasts of the U.S. Despite his outstanding skills and accomplishments, Duke Kahanamoku had to deal with serious racial discrimination wherever he went. He responded to these challenges, too, with heroic humor, grace, and patience. Thus he became an example of character and aloha in Hawai‘i and the world. 

SAKAMOTO’S SWIM CLUB: How a Teacher Led and Unlikely Team to Victory by Julie Abery and Chris Sasaki.
THE THREE YEAR SWIM CLUB: The Untold Story of Maui’s Sugar Ditch Kids and Their Quest by Julie Checkoway.
These two books  tell a much less well known but equally inspiring story of Olympic swimming heroes from Hawai‘i. An elementary science teacher in rural Maui in the 1930s saw his students playing in the sugar plantation‘s irrigation ditch one day and decided to organize them into a swim team. Soichi Sakamoto was not a coach or even swimmer himself. But he made a scientific study of the techniques and training methods of the world’s best swimmers The club’s dream was to participate in the 1940 Olympics.

They still had to train in the irrigation ditch. There were many excellent swimming pools and facilities in Hawaii, but in those days, only Caucasians were allowed to use them. Duke Kahanamoku’s example of aloha inspired  the team to overcome the racial barriers and bigotry they encountered at home and across the country.Soon they began winning every meet they entered, and took the national title. They were even set to fill most of the slots on the U.S. Olympic Team in 1940, realizing their dream.

Then the outbreak of World War II cancelled that event. At the 1948 Olympics, the first held in 12 years, the team’s goal finally became a reality. The star of that event was captain of the US swim team, native Hawaiian Bill Smith Jr., who had trained with Mr. Sakamoto. He was first of many boys and girls from the club to distinguish themselves in the sport and in other leadership roles.

The Many Stories of Graham Salisbury

Graham Salisbury has mined his “magical” childhood growing up on O‘ahu and Hawai‘i islands to become one of Hawai‘i’s most engaging storytellers. Readers on the younger side of middle grade will enjoy sharing the adventures and humorous predicaments of delightfully clueless Calvin Coconut. This series is based on Salisbury’s own elementary years on the windward side of O‘ahu. For older readers, there are BLUE SKIN OF THE SEA and ISLAND BOYZ, collections of short  stories about growing up in Hawai‘i and the things that experience teaches you.

But Salisbury is best known for his novels. The most famous, UNDER THE BLOOD-RED SUN, draws on the World War II experiences of his father’s family. The story centers on the challenges faced by two best friends in Kona— Tomi, a Japanese-American boy and Billy, a Caucasian– When the Japanese attack Pearl Harbor. Suddenly the Japanese are the enemy. This is the first of several award-winning novels in his Prisoners of Empire series, focusing on the World War II experiences of Japanese-Americans from Hawai‘i. The veterans he has interviewed for these stories have thanked him for telling their story by making him an honorary member of the famous 442nd “Go For Broke” regiment.

Salisbury has published 20 books set in Hawai‘i. In any of them , you can count on great writing, compelling characters, suspense, and surprising, humorous turns.

Hawai‘i Fantasy

Real stories can be told not just in nonfiction accounts and in realistic fiction, such as Salisbury’s, but also in fantasy and magical realism. Unless fantasy is  based in a believable, knowable world, it won’t engage readers. Hawai‘i, with all its myths and legends, was long overdue for some good middle grade fantasy that rings true. Then Lehua Parker delivered with her page-turning ONE BOY, NO WATER. In this first book of the Niuhi Shark Saga, Zadar is found on the reef as a baby.  A family of surfers and fishermen adopts him. Yet the boy is mysteriously allergic to water. Who is he really, and where did he come from? Someone must know, but they’re certainly not telling Zader. And he keeps having such frightening dreams.

“Auntie” Lehua Parker is thoroughly familiar both with Hawaiian myths and legends and with daily life and relationships in the islands. So she is able to weave the extraordinary and supernatural into an ordinary contemporary scene in ways that are sometimes startling and often humorous. Her characters are flawed, amusing, down-home, and unforgettable. As is her storytelling. Who is Zadar?   You may have to read the whole trilogy to find out.

 Some Illustrated Stories

The last three stories I recommend are told in picture books. The language and information level of these books, and particularly their themes, make them age-suitable for middle grade readers.

SNOW ANGEL, SAND ANGEL,
By Lois Ann Yamanaka and Ashley Lukashevsky

What does it mean to say that Hawaii is a special place? Like many children growing up in the islands, Claire wishes she could see a winter wonderland of snow. Her dad takes her to the top of Mauna Kea where there is plenty of the stuff. But it is not like she imagined. This is crusty old snow she can’t make anything out of. Later they go to the beach where they build a “snowman” out of sand and make sand angels. Claire begins to see that she can enjoy her own kind of winter surrounded by the sand, ocean and the beautiful mountains of her island. Back matter features the flora and fauna of the islands and shows the importance of the environment in Hawaiian culture.

HO‘ONANI: HULA WARRIOR
by Heather Gale and Mika Song

Ancient Hawaiians recognized and respected a third gender.  They called it mahu (“in the middle”). Hawaiians believed that the mahu had spritual powers and a special role to play in the culture, But in modern times mahu has become a term of ridicule for gays, lesbians, and transgender people, HO‘ONANI, HULA WARRIOR, is based on the true story of a girl in a Hawaiian immersion school who saw herself as both boy and girl.  Ho‘onani wants to perform a male-style hula chant at a school event.  This meets with disapproval and resistance. Drawing strngth from the old ways, she persists. Ho‘onani becomes a strong leader who learns to accept herself and inspires others to be inclusive.

ORDINARY OHANA
by Lee Cataluna and Cheyne Gallarde

The Hawaiian word Ohana means family, but family in a much broader sense than the usual use of that world. Your ohana can include your extended family and also people not related to you. Neighbors, friends, people of all backgrounds, anyone you welcome with mutual love and support can be your ohana. Playwright Lee Cataluna’s warm and humorous all-ages book celebrates this ohana and its underlying spirit of aloha in down-to earth detail.

Aloha, Everyone.  I hope readers of these books will enjoy getting to know Hawai‘i where people of many different backgrounds have learned over time to live together with respect and acceptance.

The post Real Stories of Hawai‘i for Middle-Graders appeared first on From The Mixed Up Files.

Now is a good time to celebrate and enjoy the many books we have by him (they never go out of print) and to share them with young readers. I’ll speak of Steve here in the present tense, because he is still very much alive in his books, and there are more to come!

Steve Jenkins’ career and  books combine in marvelous ways his life-long love and understanding of science, of art, and of children, how they think and wonder. He’s never lost his playfulness or his own childhood curiosity about the natural world. His book ideas often begin with an irresistible question that kids (including his own) have asked.  Or one that he has asked himself. How do different animals see? What do animals do on their first day? What animals are the stinkiest? What are tails actually for?

A great place to start reading or re-reading Jenkins is with The Animal Book: A Collection of the Fastest, Fiercest,Toughest,Cleverest, Shyest–and Most Surprising–Animals on Earth. Imagine a 208-page picture book! The Animal Book is a kind of Steve Jenkins compendium and masterwork. It combines hundreds of his stunning cut-and-torn paper collage images of animals–living, endangered, and extinct. His illustrations are so lively you expect to feel their texture when you touch the flat page. Facts in his clear language, both basic and believe-it-or-not, accompany these stunning animal portraits.

Jenkins expected The Animal Book to be one a reader could browse in, starting anywhere. But he has also organized it in a progression of themes and subtopics–from a definition of animal to family relationships, senses and defenses, to an outline of animal evolution in “Story of Life.” Jenkins always strives to lead his readers to an understanding of how the world works and how these facts fit into a larger picture. The time-lines and other infographics in the book are beautifully clear.  His seamless book design makes the topics and their subtopics easy to follow.

A real treasure comes as an extra at the end of the book.  In a section simply called “Making Books,” he shows readers how he gets his ideas and  how he does his research.

Photo by Kevin Moloney, NYT

Then he takes us into his studio, with his collection of textured papers filling color-coded drawers. We learn how he selects just the right paper to cut or tear for a jaguar’s fur or a toad’s belly, a terror-bird’s beak or a rhino’s hide.  He also includes a graphic timeline of bookmaking from idea to finished publication. This book belongs on every public, school, and home library bookshelf.

So what are the new titles  from Steve and his wife and collaborator Robin Page that we can look forward to in 2022? One of them obviously began with a question. The Animal Toolkit: How Animals Use Tools explores some surprising ways we’re discovering that animals solve problems and interact with the world.  Disasters by the Numbers came out this month, and there will be two more By the Numbers titles this year. The series has included Earth by the Numbers, Dinosaurs by the Numbers, Insects by the Numbers, and Solar System by the Numbers. These books are chock-full of accessible infographics and are a middle-grade trivia buff’s gold mine. The 2022 additions will be One Day by the Numbers and Animal Facts by the Numbers.

Steve Jenkins has always had great, serious fun deepening his knowledge of animals and the natural world. His readers will, too. When you buy a Jenkins book for a child–or for yourself–get the hardback version if you can. His books are keepers.

The post Steve Jenkins’ Books: a Middle-Grader’s Treasure appeared first on From The Mixed Up Files.

MUF: Portlanders love books. It would be hard to find another town with so many good independent bookstores, and yet some have folded recently. During the COVID challenge, what have your strategies been?
Pam: Well,  it’s been a lot more work and procedure to get books out the door. We’ve relied on face-timing and phone orders and delivering at the curb or sometimes directly to cars.

MUF Have you had good community support during this time?
Pam: Oh yes, that’s why we’re still here! Our community made a good effort to buy from us rather than from Amazon, even during the shutdown.

MUF: Have you been able to resume live events?
PAM: No. We will not have live events here again until all children can get vaccinated!

MUF: What kind of atmosphere do you aim to create in A Children’s Place?
PAM: Welcoming to all. We greet everyone, parents and kids, and offer to help them find their next best book. Our staff reads the books and talks about them with customers. The store has a little stage and colorful posters all around. Customers who have been coming to the store since they were babies are now in college and still coming.

MUF: How do you choose the titles to carry in your store?
Pam: We talk with book reps about what books are “hot,” and we order books from authors we know and like. We listen to the interests of the children who come into the store. In addition to fiction, our customers look for books about birds, nature books, and guides to Oregon trails.

MUF: As middle-grade authors we’re curious to know: what are some books, new or old that you find yourselves recommending to readers 8-12 these days? That they ask for?
Pam: Dragons and dragon stories are always in demand, as well as unicorns and dinosaurs. Series are big with this age group: Tui Sutherland’s The Wings of Fire (dragon epic), Shannon Messenger’s Keeper of the Lost Cities (a telepathic girl in a strange world), Chris Colfer’s Land of Stories (fairytale adventures). In graphic series there’s Kazu Kibuishi’s Amulet .
We’re finding, too, that parents who buy the books are looking back to the classics, books they read as children and want to share with their own.

MUF: Tell us about how your store pursues it’s mission of “raising readers,” including your relationships with teachers and with homeless students in the Community Transitional School?
Pam: We give discounts to teachers and work closely with them to help build classroom and student libraries. We’ve been active with the Community Transitional School from the beginning. This welcoming school provides a stable education for homeless children pre-school to 8^th grade. It even provides transportation to the site, something that is often difficult for the homeless to manage. Every Christmas, we have a Giving Tree with book requests on it that our customers can purchase. This means we can deliver a new book to every child in the school each year.

MUF: Describe an ideal day for you at The Children’s Place.
Pam: It’s kids coming in and finding the next book they want to read. We get to know our customers, who the advanced readers are who are the reluctant readers. Helping them find good sci-fi or graphic novels or whatever their interests are is what we like to do.

MUF: If a family from out of town visited your store, would they find family-friendly places nearby to get a meal or snack after shopping and browsing? And if they could stay longer, are there some especially unique or interesting sites or activities nearby you’d recommend for a family to see?
Pam: Yes. There’s Caffe Destino, Grain Gristle, and Lucca (Italian). There are so many sites of interest in the area, including The Rose Garden, the Japanese Garden, Mt. Hood, and numerous hiking trails.

Thank you, Pam, for taking the time to talk with us today. Readers, if you haven’t been to A Children’s Place, be sure to visit next time you’re in Portland. 1423 NE Fremont Street.

The post Indy Spotlight: A Children’s Place, Portland OR appeared first on From The Mixed Up Files.