Giveaways

The Art of the Swap Interview and Giveaway

By on February 12, 2018   /   Author Interviews, For Librarians, For Teachers, Giveaways, New Releases  

Freaky Friday meets Downton Abbey in this middle grade mystery that features a modern day twelve-year-old switching bodies with a Gilded Age heiress in order to solve a famous art heist.

We are thrilled to have with us today Kristine Asselin and Jen Malone, authors of THE ART OF THE SWAP, which comes out tomorrow. I am gobsmacked to be able to report that Kris, Jen, and Simon & Schuster are giving to one reader of our blog an ENTIRE CLASSROOM OF HARD COVERS of this book! Can you believe that? It’s for classes in the U.S. only, and up to 25 books. To enter, leave a comment with your email address below by 5pm Eastern on Thursday. You can get an additional entry if you tweet about the giveaway (just leave a link to the tweet in your comment). If you aren’t a teacher, you can designate any school for the donation, or Jen and Kristine can suggest a worthy recipient.

What a fun story! Can you share with us the inspiration?

Kris: Thanks so much for having us here at the Mixed Up Files. We are so excited to have this book out in the world. We can’t wait for kids to read it!

The origin story: About four years ago, I was visiting Newport, Rhode Island, with my family. My daughter and my husband and I have always really enjoyed historical properties, and we tour them as often as we can. On this particular trip, we were on a guided tour and the tour guide pointed to a mysterious door as we walked by and said, “that’s the caretaker’s apartment.”

I turned to my daughter. “Wouldn’t it be cool to live here and take care of all of this?”

She replied, “That would be a great story, mom. You should write that.”

When I got home, I did a bit of research and found out that The Elms (the house in our story) had a real life caretaker who raised his daughter in the house. He’s still there, in fact. His name is Harold Matthews. I was immediately intrigued.

About a year later, Jen and I were carpooling to SCBWI New Jersey and got to talking about our works-in-progress. When I mentioned this middle grade idea of a caretaker’s daughter, we began to brainstorm. Through the course of our drive, it became this amazing dual voice, Freaky Friday, time travel story that we absolutely had to write together.

I love getting to see what it is like for girls from two different centuries, living in the same house. What kind of research did you do for the book? 

Jen: Kristine had a lot more experience doing research since she also writes nonfiction titles for the school/library market, but my fiction research to date had been more along the lines of “Where are all the penny press machines in NYC?” and “How much paper mache would it take to build a 50-foot hedgehog float,” so this was a new and welcome challenge for me. The best was our in-person research—we made visits to The Elms together and solo, and spent an amazing day trailing the caretaker, Harold Mathews, into spots not normally accessible to the public and listening to him speak about his adventures as a single dad raising his young daughter in the converted servant quarters-turned-caretaker apartment. That was magical insight we couldn’t have gotten from any textbook (though we relied on those plenty as well). Most fascinating to me was a mysterious opening ¾ of the way up a wall between the furnace rooms and the coal tunnel (pictured here). Harold told us they once filmed a Victoria’s Secret commercial in this space, but that in the 30-plus years he’s managed the property he’d never once investigated that space. Kris and I were dying to pull a ladder right up to it! Alas… he didn’t offer.

Kris: The Elms was a private home until the early 1960s when the Newport Preservation Society saved it from the wrecking ball and turned it into a museum. It’s still hard for me to believe that someone actually lived in the house, it’s so huge. It truly has its own story! It was one of the first properties saved from destruction by the Preservation Society—and today it looks a lot like it did in the early 1900s.

You can visit The Elms and tour it–so if you’re ever in Newport, you can actually see the places in the house where Hannah and Maggie live!

You two have created a fabulous Educators’ Guide for Art of the Swap that is Common Core-aligned for grades 4-7 and includes special activities for Women’s History Month. Can you tell us some about what you’ve included?

Jen: Thank you! Maggie’s character arc was always focused on the differences between how girls are treated in her time (1905) versus in Hannah’s modern day, but after participating in the Women’s March last year, we revised the manuscript to make some big changes to Hannah’s character arc that allow her to realize there are still many strides to be made in the fight for true equality. We’re hopeful the book can be a springboard to classroom conversation about this! Our Educator’s Guide offers several discussion points on this topic, as well as focused activities, such as a timeline of events in the women’s rights movement between the two time periods highlighted in the story. 

My daughter and I are in a book club together, and so I was thrilled to see the Activities Guide for Troops, Book Clubs, and Organizations, as well. What are some of those activities, and why did you decide to create that guide?

Jen: Both Kristine and I are moms to young girls (my daughter is eleven and Kristine’s is fifteen). As we took a deeper dive into feminism with this book, we were also doing the same in our personal lives. We wanted SWAP to be a starting point for discussions on equality, but we also hoped those discussions would lead to action. We created this Activities Guide for Young Activists to offer a script for ways tweens and teens could turn awareness into activism. We have a series of experiments kids can conduct to see where imbalances still present. For example, one has them watching commercials and tallying lines of dialogue and examining the roles in which women were cast. Did you know the average girl has seen 77,546 ads by the time she turns twelve and only 5% of those ads feature women without a man present? Men speak seven times as often as women in commercials and are 62% more likely to be shown in an intelligent role, such as doctor or scientist. From this awareness-building, we offer suggestions for concrete action steps to bring about change—with the idea that girls (and any boy allies who want to join in!) can do most of them in a fun group setting and benefit from that bonding time too. I think every author wants their stories to put more good into the world, even if that’s by simply offering a few hours of escape to our readers, but this book’s subject matter, coupled with our passion for the topic, really made us want to go bigger here! We’re including a sample exercise from the guide below, and it’s available for download on our author sites and on simonandschuster.net/books/the-art-of-the-swap. We’d love to contribute to the movement!

Can you describe the process of writing collaboratively? How did you share ideas and writing?

Kris: First and foremost, we were (and are!) both super excited about this story. Our love for our characters and the themes in the book really drove the process. Once we realized we were actually going to do this, we started by brainstorming most of the plot in one sitting back in August of 2015. We created a very detailed outline which included almost every detail of the plot. This was important because each of us were writing a different voice and character arc, so we needed to have an outline to keep us on track. Can you tell which girl each of us wrote?

As far as nuts and bolts, we had a shared Google Doc in which we wrote the whole story. We would meet (or talk on the phone) periodically to share ideas, but we each wrote our own parts.

Once we had the words in the Doc we could critique each other’s work and then revise. It worked out really well, I think!

We agree! Thanks, Kristine and Jen, for the interview. Now, dear reader, go enter to win all those awesome books!

Kate Hillyer wants to move to an old mansion in Newport, R.I. In the meantime, you can find her in our nation’s capitol, where she reads and writes middle grade, wrangles three kids, and is sure she’s going to start training for that 10k she signed up for any second now. She blogs here and at The Winged Pen, and is a Cybils judge for Poetry. She’s online at www.katehillyer.com and on Twitter as @SuperKate. 

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The Unicorn Quest: Some Writing Advice and A Giveaway!

By on February 1, 2018   /   Author Interviews, For Kids, For Librarians, For Teachers, For Writers, Giveaways, Writing  

 

Kamilla Benko spent most of her childhood climbing into wardrobes, trying to step through mirrors, and plotting to run away to an art museum. Now, she visits other worlds as a children’s book editor. Originally from Indiana, she currently lives in New York with her bookshelves, teapot, and hiking boots.


She describes her magical new MG this way:

Claire Martinson still worries about her older sister Sophie, who battled a mysterious illness last year. But things are back to normal as they move into Windermere Manor… until the sisters climb a strange ladder in a fireplace and enter the magical land of Arden. 

There, they find a world in turmoil. The four guilds of magic no longer trust each other. The beloved unicorns have gone, and terrible wraiths roam freely. Scared, the girls return home. But when Sophie vanishes, it will take all of Claire’s courage to climb back up the ladder, find her sister, and uncover the unicorns’ greatest secret.

Kamilla dropped by the MUF to give us a sneak peek into her writing process (spoiler alert: it’s not always easy!)

A fresh page.

A blank expanse with no mistakes, just waiting for your perfect idea to stampede across it, in wild curly cues of insight (or straight backed letters, if you’re typing and not one for cursive.) It’s exciting! It’s exhilarating! And then…

The words don’t come.

My solution had been, for years, to immediately close the blank Word document and go back to watching Downton Abbey with my cat. It was a reasonable enough solution and I learned a lot about the inner workings of a Victorian era high society house, which I’m sure will help me with my writing… some day!

I find myself thinking that the worst part of the blank page is not having no ideas, but having far too many.  It’s imagination in its purest form. And here I am caught with the paradox of choice. It’s the same disorder that causes you to scroll through your Netflix queue for hours at a time wondering why you don’t want to watch a single TV show. It’s because there are thousands of choices and you are suddenly crippled by the choice of having to pick only one (commitment issues, anyone?).

And because this paradox of choice has caused so many smart, talented writers to stop dead in their tracks, I want to share a few ways I worked through the terror of the blank page. These are few tips on how I, for the moment, tackled the infamous conundrum of Writer’s Block while working on my debut novel, The Unicorn Quest.

Tip Number One: Look AWAY!

Don’t turn on Downton Abbey, but do play with your cat. Take a walk, either on the sidewalk or through the mysterious side streets of the internet. Start putting together a Pinterest for each of your projects. Go to a Museum. Get lost on a street you’ve never turned down. Put on some music and go to a park. I’m in New York, so I like to put on some timeless music and wander through Central Park until I can almost forget what year it is. Let yourself be transported by the beauty of what is around you. Make sure to get yourself out of your house or apartment, and find something new.

Tip Number Two: READ!

This should be obvious, but sometimes it’s not. Why would you want to be a writer if you aren’t a voracious reader? I know some authors avoid reading during writing projects, as they are too worried about being influenced by other works. This is not a philosophy I prescribe to. Don’t be a copy cat, obviously, but your brain is unique enough to take in other works and craft your own narratives from those interpretations.

And don’t read just what connects to your book! Read books about politics, history, memoirs. Read about great historical romances and long lost civilizations and explorers discovering new lands – even if you’re writing a contemporary love story set in New York City. I truly believe it is human nature to search for patterns, and your brain will start making new and fascinating connections between disparate sources.

Tip Three: Give yourself permission to FAIL.

I’m going to be upfront with you. You’re going to write a lot of bad stuff. Tons of totally bad, awful, no good writing. And you know who else wrote a lot of bad stuff? J.K. Rowling, J.R.R. Tolkien, probably even William Shakespeare. One of the best pieces of advice I ever received on writing is this: When you first start writing, you will want to quit because your writing won’t be good enough to match your taste. You just have to keep writing until you are good enough to create something you actually like.  

Sometimes, you just need to wade into the blankness of the page and give yourself permission to just be bad. Be cliché and be silly! You’ll find that, magically, gems appear on the page in between. One of the best ways to dive into this is to assign yourself a time to free write. This means writing for 15 minutes straight without ever taking your fingers off the keyboard or lifting your pencil from the page. There’s even an app for this. It lets you set a timer for yourself and if you stop writing, it deletes your previous progress. You have to keep writing! Always remember that things are almost never perfect on the first try.

Thanks, Kamilla! And thanks for offering a free copy of The Unicorn Quest to one lucky winner. To be eligible, please enter a comment below.

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STEM Tuesday: Science in Fiction Books – Author Interview with Mary Knight and Giveaway

By on December 26, 2017   /   Author Interviews, Common Core & NGSS, Giveaways, Science in Fiction, STEM Tuesday  

Welcome to STEM Tuesday: Author Interview & Book Giveaway, a repeating feature for the fourth Tuesday of every month. Go Science-Tech-Engineering-Math! 

Your host this week is Dr. Amber J. Keyser, evolutionary biologist and author of many books for young readers. Today, she’s interviewing Mary Knight, the author of Saving Wonder.

About the book: Having lost most of his family to coal mining accidents as a little boy, Curley Hines lives with his grandfather in the Appalachian Mountains of Wonder Gap, Kentucky. Ever since Curley can remember, Papaw has been giving him a word each week to learn and live. Papaw says words are Curley’s way out of the holler, even though Curley has no intention of ever leaving.

When a new coal boss takes over the local mining company, life as Curley knows it is turned upside down. Suddenly, his best friend, Jules, has a crush on the coal boss’s son, and worse, the mining company threatens to destroy Curley and Papaw’s mountain. Now Curley faces a difficult choice. Does he use his words to speak out against Big Coal and save his mountain, or does he remain silent and save his way of life? With everything changing, Curley doesn’t even know if there will be anything left to save.

About the author: Mary’s debut novel, SAVING WONDER (Scholastic), won the 2017 Green Earth Book Award, a Parents’ Choice award, a Sigurd Olsen honorable mention for nature writing from Northland University, and was named a Notable Book for Social Studies by the Children’s Book Council. In addition to author visits and working on her next novel, Mary is a mentor for the Carnegie Center’s Author Academy in Lexington, Kentucky. She is also co-authoring a professional development book for teachers called CoreEmpathy: Transforming the Literacy Classroom. More about Mary and her work at www.maryknightbooks.com. 

Praise for SAVING WONDER from School Library Journal: Descriptions of the setting’s fragile beauty are so subtly interwoven with dialogue and action, they’re not only powerful visual images but ever-present reminders of what’s at stake in Curley’s fight…Characters are fully developed and endearing, their dialogue direct and sincere…Curley and Pawpaw’s word-a-week ritual crystallizes their relationship for the readers and gives Curley the confidence to take on an adversary that seems more powerful than he is. VERDICT A remarkable debut novel from an author to watch.

Also check out great reviews from Bookpage and Publisher’s Weekly.

Mary’s ideas for how to use SAVING WONDER to introduce STEM topics in the classroom: Generally, teachers who want to use the story of Saving Wonder as a “jumping off point” for further exploration of STEM topics have found it to be very versatile. Fiction has a unique function in engaging student interest in STEM topics by showing how an individual life is being personally affected by that topic or issue.

For instance, my novel offers a very personal, heartfelt betrayal of how one family (and community) is affected by a coal company’s decision to mine a mountain. A fictional story can show readers WHY we study and explore these topics, WHY they matter to people in their everyday lives. The story inspires interest and then, the student has their own personal stake in what they are researching and exploring…because they’ve “walked in a character’s shoes” and seen that topic from that character’s point of view. In short, a story can inspire them to care…and that caring makes all the difference in their learning.

Math topics:

First paragraph of the book, Curley says that learning a word a week from his grandfather and going through the alphabet twice a year is “a perfect system.” I love asking readers “why” this is. What’s the math? A teacher could ask: What are some examples of perfect systems? “Is an equation a ‘perfect system.’ What makes a system “perfect?’

Researching statistics / surveys on the effects of mountaintop removal on the Appalachian region. Exploring the economics involved in the issue, i.e. jobs versus effects on environment and public health.

Science topics:

Extinct species in the Appalachian Mountains: What made the Appalachians a perfect habitat for animals during the ice age? What made species go extinct? The considerations / consequences of introducing a new species into a region. (The introduction of western elk into the Appalachian region is explored in the novel.)

The long-term effects of extractive mining processes, specifically mountaintop removal mining, on environment and health. 

(Science and engineering) Designing experiments on run-off and water quality on nearby streams. One fifth-grade teacher in South Charleston, West Virginia created a classroom experiment showing how toxic minerals leech into the soil and then, streams and rivers. Contact Knight through her website for a copy of this lesson. 

How mountains are formed. If the Appalachians are among the oldest mountains in the world, why are they so short? 

How coal and other energy materials are formed. How and why they burn (chemistry).

Sustainable vs non-sustainable energy systems. (Cost analysis / diagrams could also be a math topic.)

One of Curley’s words is “tipping point.” What does “tipping point” mean in science? What are some examples of a tipping point? Scientific demonstrations of “tipping point,” say when water becomes a solid and/or a gas. Relating the scientific to social or cultural tipping points may enhance understanding of both.

Curley and his friends use the power of technology to spread the news about the mining threat to their mountain and to inspire other people to care through the power of their words. Where are all the places where technology comes into play in the novel–for good or ill? How does their use of technology have to do with “tipping point?” What is the definition of “going viral” these days and how may it differ from the past?

How might you use technology to spread the word regarding something you care about? Projects could revolve around this. One middle school teacher, after reading Saving Wonder with her class, invited her students to answer the question: “What makes something worth fighting for?” And then they created projects in which they took action to make a difference in their community. This same invitation could be made, inviting students to incorporate technology in their design / response.

On a more social note . . . 

In Saving Wonder, my protagonist Curley Hines has a conversation with the new coal boss, Mr. Tiverton, concerning the mountaintop removal mining planned for Curley’s mountain. Both characters have their say, offering what the mountain and the proposed mining means to them. I think this scene offers a great example of how to have a civil conversation where both parties are able to speak and be heard–something I believe we need more of in today’s divisive culture. I created the following lesson based on this scene to help students create and practice civil conversation. This is not STEM oriented, specifically, but anyone in a STEM field will one day need this skill! This was a guest blog for Jacqueline Jules’ blog, “Pencil Tips Writing Workshop.”

These are just a few ideas for integrating the “A” of language arts into “S-T-E-M” to increase the vibrancy of learning! 

A Q & A with Amber J. Keyser and Mary Knight:

When you began to work on Saving Wonder, which came first, the environmental issues or the characters?  

Chronologically speaking, my experience and impassioned response to the environmental destruction of mountaintop removal coal mining came first, but it wasn’t until I was “introduced” to my main character, Curley Hines, that the story began to unfold.

When my husband and I moved to Kentucky from the Pacific Northwest eight years ago, we were missing our mountains, so when we heard that a state park was offering elk tours in eastern Kentucky, we jumped at the chance to explore our new landscape. Little did we know that that tour would land us on an active mountaintop removal (MTR) site. We were absolutely flabbergasted at the sight of so much devastation—hundreds of acres absolutely stripped of all life. The experience led me to conduct research on the mining practice for the next two years, while also participating in some environmental activism.

Two years after that initial experience, I was researching the setting of another novel I was writing when I came upon a historic gazebo in a public park in Cincinnati. People through the decades had carved their initials on its stone wall. As I was running my hands over the engravings, I came upon one that read: “I love Curley Hines” and in that moment, I knew that boy. I tell my readers that “he came to me whole.” I knew that he was tall and thin with curly hair, of course, that he was really smart and lived in the Appalachian Mountains of eastern Kentucky with his grandfather. And I began hearing his voice. He wanted to tell me his story! It was then that I knew MTR would provide the central conflict. I had finally found a story big enough to explore the topic.

What was the most interesting thing you learned while working on this book?

As part of my research, my assistant interviewed a contact she had in the mining permit field to answer my story-specific questions. When he was asked, “What stops mountaintop removal?” he answered, “Very little.”

Although I knew how challenged environmentalists are regarding MTR in Kentucky where many say, “Coal is King,” this answer was still very sobering. We followed up later by asking, “We’re not looking for what is probable, but rather, what might be possible to stop MTR.” He said, “Well, I suppose if an ancient Native American burial site were found, maybe some petroglyphs…” and then he said, “But none of that would matter UNLESS (caps, mine) there was also a large public outcry.” This was when I understood the power of numbers in getting what you want…or stopping what you don’t want. These answers figured prominently in the choices I made with my plot. Specifically, this was when the Native American element entered my story—an element I love. As I talked with Cherokee elders now living in the commonwealth, I discovered that the state government doesn’t even recognize that they exist nor that they ever lived here. Historians claim Native Americans were just passing through!

Can you tell us a fascinating research tidbit that you weren’t able to work into the book?

There is a very important tree that is a central element to the story—a tree that my young characters call “Ol’ Charley.” It was initially a Native American marker tree, a tree that some theorize was bent as a sapling to indicate the direction of trails or to sacred sites. An anthropologist who was a member of the Cherokee tribe and who vetted the Native American elements in the book strongly disagreed with this theory, however. To include his name in the credits, we decided to change the tree to a sycamore. The sycamore plays an important role in the Cherokee creation story and sometimes Native Americans hid in its hollowed trunks to escape “removal,” otherwise known as The Trail of Tears. I felt good about making Ol’ Charley a sycamore…but I still miss the marker tree!

Why are STEM topics important to you? 

Honestly, the most important mission I have as a fiction writer is to engage my readers in a really good story. STEM topics offer great material that can capture a reader’s attention and inspire their curiosity—which in turn keeps them turning those pages! But I have a confession to make—I didn’t really set out to introduce STEM topics in my novel. That just happened. Now, however, I’m the one who’s hooked! My next novel intentionally explores issues around endangered species and global warming on the beautiful of island of Hawaii…and yes, I had to go there to conduct my research!

I hope all you STEM folks check out SAVING WONDER and find lots of ways to use it in your classrooms! As you do, I hope you will also send me your lesson ideas. I love sharing these with other teachers. Feel free to contact me at maryknight314 (at) gmail (dot) com.

Happy STE(A)Ming! Don’t forget the wonder of ‘A’!

Buy a copy of SAVING WONDER! 

Win a copy of Saving Wonder! 

Enter the giveaway by leaving a comment below. The randomly-chosen winner will be contacted via email and asked to provide a mailing address (within the U.S. only) to receive the book.

About Amber J. Keyser: Evolutionary biologist Amber J. Keyser has an MS in zoology and a PhD in genetics. She writes both fiction and non-fiction for tweens and teens. More information at www.amberjkeyser.com.

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