independent bookstores

Read Me a Story, Ink

By on January 22, 2018   /   Author Interviews, Book Lists, children's bookstores, Cross-Curricular, Curriculum Tie-in, Diversity, Fiction, For Kids, For Librarians, For Parents, For Teachers, For Writers, independent bookstores, MUF Contributor Books, Nonfiction  

Hey, everybody! I’m so excited to introduce an amazing website you might not have heard of before: READ ME A STORY, INK.

Robert Topp runs the Hermitage bookstore in Denver Colorado, but a few years ago he started the READ ME A STORY, INK website to give teachers, parents, librarians and kids the chance to read some of the great children’s stories from magazines like Highlights and the Cricket Magazine Group. Robert has indexed by topic, age range, and author more than 1,560 of short stories and put them all in one place. What a great resource!

You know what else is super cool? Robert reads aloud dozens of the stories, recording them in his wonderful, warm voice with special sound effects. Each story only takes a few minutes and can be used at home with your own kids in a variety of scenarios. Perhaps you’d like your children – or students – to do something besides watch television or glued to the iPad or computer screen. Perhaps you don’t have time to read aloud to them. Perhaps they’re in the early  learning stages of reading, and listening to a wonderful story (especially for kids with short attention spans) is a great alternative. Listen to stories in the car while running errands or during road trips.

All the recordings can be found on the website, absolutely free.

I met Robert a few months ago when he contacted me to get copies of my stories that were published in Cricket Magazine several years ago–and he recorded some of them! What a treat to hear my stories read aloud in his wonderful, warm voice. Listen in on our conversation . . .

Robert: Many years ago when my kids were in elementary school, I started reading to both of their classes once a week. Reading aloud was a nightly activity in our house so taking it into the school was a natural progression. After they graduated – they are now 31 and 29 – a few of the teachers that had taught our kids asked me if I would like to continue reading aloud. Once word got around the school, other teachers asked if I would read to their classes as well. I currently read to 13 classes, first through fifth grades. I started to collect and specialize in short stories because I only read to any given class once a month and I don’t have the continuity or time for chapter books.

Kimberley: How did you come up with the idea to create the website?

Robert: As my collection of short stories grew, I found it increasingly difficult to remember which book contained the stories I wanted to share. I started an index for my own use but when it grew to over 800 stories, I realized there might be some value in the index for teachers and parents. With the help of a friend, I turned the index into a website. As with most projects, Read Me a Story, Ink started to grow in numerous directions. I added recommended reading lists based on family and personal favorites, then links to other children’s sites I personally found useful. Stories that were in the public domain I added as printable stories and eventually started contacting current authors for permission to include their stories. The latest offshoot is audio stories.

Kimberley: Where does your love for children’s literature come from?

Robert: When our first child, Harrison, was born in 1986, I bought Harrison and myself matching t-shirts that read, “If you love me, read me a story.” I thought it good advice and reading aloud became a nightly routine continuing until the boys were in their mid-teens. The love for the literature was coincident with the shared journey of discovery with our kids. Since I own a rare and out-of-print bookshop we always had a wonderful flow of books to choose from. To this day my wife and I and the boys all recommend books to each other constantly. I still have the t-shirt.

Kimberley: Tell us about the process of recording the stories on audio. They are SO well done and beautiful! Are you the narrator in all of them? Do you have your own studio?

Robert: When I first thought to add audio selections to Read Me a Story, Ink, a friend suggested a share-ware audio program called Audacity put together by a team of sound engineers. That, some good advice from the folks at Guitar Center on microphones, and the gift of a sound deadening backdrop from my wife and I had my own 8 x 8 ft studio. Since my site is not commercial, I can’t afford to pay professionals to read so I do all of the narration. I do have a friend that I pay to do musical introductions but beyond that I am a one-man band.

Kimberley: What’s the most rewarding part of running the website?

Robert: Next to the time spent in classrooms reading to kids, by far the most rewarding part of creating and maintaining Read Me a Story, Ink is the contact I have with authors, parents and teachers who share a common interest in children’s and YA literature.

Kimberley: Do you ever get to meet the authors that you feature in person? Any fun stories to share?

Robert: Sadly, though I consider many of the authors that I correspond with good friends, my contact remains virtual with one exception. I kept running into stories in Cricket Magazine by an author named Robert Culp. I absolutely loved the warmth and humor in his stories about best friends Cotton and Rooster set in 1940’s Arkansas. For two years I periodically did Google searches trying to find something about the author but all I ever turned up was an astro-physics professor. In one final, last ditch effort I paged down seemingly countless pages in my Google search and discovered that the professor was, in fact, the author of the Cotton and Rooster stories. I contacted him via his Facebook page only to discover that he was a professor in Boulder, Colorado, just a few miles from my store. Within the week we met at the store to our mutual delight.

Robert’s philosophy:

Reading aloud is one of the absolute nicest activities for adults and children to share. It creates warm bonds, opens a child’s mind to new ideas, forms topics of discussion thus keeping lines of communication open and creates a positive role model for the child to become a lifetime reader.

Thank you so much for being with us today, Robert, and please check out Read Me a Story Ink! everyone! Let Robert read a story to your kids, students, or library patrons today!

Printable stories page: https://readmeastoryink.com/readnow.php

Audio stories page: https://readmeastoryink.com/listennow.php

Rattlesnake Rain by Kimberley Griffiths Little Audio: https://readmeastoryink.com/sounds/rattlesnake_rain.mp3

Banat er Rih: Daughter of the Wind by Kimberley Griffiths Little Print  https://readmeastoryink.com/stories/banat_er_rih.pdf

Kimberley Griffiths Little is the award-winning author of ten Middle-Grade and Young Adult novels with Scholastic and Harpercollins. She’s been juggling drafting new book proposals, eating too many cookies, and wrangling a household that never sleeps . . . On location book trailers and Teacher’s Guides at Kimberley’s website: www.KimberleyGriffithsLittle.com. Friend her on Facebook: https://www.facebook.com/kimberleygriffithslittle

 

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Adventure, Intrigue, and Korea, OH MY!

By on December 22, 2017   /   Author Interviews, Book Lists, children's bookstores, Fiction, For Librarians, For Parents, For Teachers, independent bookstores  

One of the perks of being a teacher is the authors who grace our school halls, no matter where in the world those halls stand. Korea is such a place, currently front and center in recent events.

First, let me say, as a teacher and author, I appreciate the process: long hours, extensive research, pondering, the wrestling and wavering of ideas, bits of your heart and soul on paper. I value how one’s experiences provide rich content for the stories we create and how those events can touch the lives of students in the classroom. I especially love when students are able to connect to the person behind those words.

Meet author, Anne Sibley O’Brien, and her middle grade novel, In the Shadow of the Sun, an adventure story set in North Korea.

When our school librarian announced an upcoming author visit, I was intrigued to learn that the author, Anne Sibley O’Brien, had grown up in South Korea as a daughter of medical missionaries. A prolific picture book author, Ms. O’Brien’s first novel for middle school kids, In the Shadow of the Sun, unfolds in North Korea, a country currently in the midst of rising tensions around the world.

When my class and I pick up an author’s work, I remind them we are looking inside the mind of another person. We are immersing ourselves into a world that has been created from nothing. If someone else was to tell the same story, it would be voiced from a totally different perspective. In Ms. Obrien’s case, we are not only privilege to her writing acumen, but also bicultural experiences that provide sustenance in the backdrop of a foreign land.

Book Synopsis: North Korea is known as one of the most oppressed countries on Earth, with a dictatorial leader, a starving population, and harsh punishment for rebellion.

Not the best place for a family vacation.

Yet, that’s exactly where Mia Andrews finds herself, on a tour with her aid-worker father and fractious (would irritable be better here?) older brother, Simon. Mia was adopted from South Korea as a baby, and the trip raises tough questions about where she feels she really belongs. Her dad is then arrested for spying, just as forbidden photographs of North Korean slave-labor camps fall into Mia’s hands. The only way to save Dad: get the pictures out of the country. Thus, Mia and Simon set off on a harrowing journey to the border, without food, money, or shelter, in a land where anyone who sees them might turn them in, and getting caught could mean prison — or worse.

 Author Interview

In the Shadow of the Sun, Anne Sibley O’Brien

Please tell us about In the Shadow of the Sun and how you came to write it.

Our family arrived in Korea in March 1960, when my parents were hired by the Presbyterian Church to do medical missionary work. I was seven. We lived in Seoul and Daegu and on the island of Geoje, and I attended Ewha Women’s University for my junior year of college. Along the way I became bilingual and bicultural, and that background has influenced the content of some of my books, including the folktale 바보 온달, published as The Princess and the Beggar (now out of print) and my graphic novel of the Korean hero tale, The Legend of Hong Kil Dong: The Robin Hood of Korea. 

Those books were both inspired by retellings of traditional Korean stories. In the Shadow of the Sun, however, is a completely original story, and a modern one. The inspiration for the book was a radio interview in which my attention was drawn to the people of North Korea in a way I’d never thought of them before. (More about the story here.) That led to a ten-year process of research and writing, including several remarkable encounters with North Koreans who had defected.

You can find more about my childhood and background, photographs and videos, responses to the novel, and whether I’ve ever visited North Korea, on the novel’s blog, InTheShadowOfTheSunBook.com. There is also an activity guide created by Island Readers and Writers.

How do the events in your book tie into our current events with North Korea?

In the Shadow of the Sun is the first fictional portrayal of contemporary North Korea for young English-speaking readers. When I was writing it, I never anticipated just how much the DPRK would be in the spotlight!

The picture of North Korea that’s presented in the media is such a cartoonish one. I think it’s important to consider not just the government but the people, everyday citizens who have no say in what their leaders do. Of course, my plot is a completely imagined one, but I’ve tried to weave in bits of current North Korean politics and society — and most of all, people — in a way that will give readers a glimpse of what it might be like to live there today. In the Author’s Note, I also recommend other books and films which can add more context. I hope that people might come away from the novel with a sense of the humanity of North Korea’s people.

 

 

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Sparking the Imagination with Written Imagery

By on December 13, 2017   /   Book Lists, children's bookstores, Common Core & NGSS, Cross-Curricular, Curriculum Tie-in, Fiction, For Librarians, For Parents, For Teachers, For Writers, independent bookstores, Nonfiction, Writing  

As a classroom teacher of upper MG readers, I’ve been wondering lately on the constant technological pummeling we get from images—gaming, TV, movies, computers, tablets, phones. Screened devices have a powerful attention-grabbing effect on kids, and with so many stimulating colors, photos, Snapchat animations, and videos to look at, the modern-day imagination is contending with a very different ball of yarn than in decades past. It’s great that we can Google-Machine “Roman Empire ruins” and see hundreds of pictures, and it’s fun to test our eye-hand coordination by slashing air-borne fruit, chopping ropes, or helping a chicken across a road. But for many readers, after all that color and movement and music, the imagination may balk a bit when given black words on a white page.

For that reason, it might be pretty difficult for a middle grade teacher, parent, librarian, or writer to hook readers on books with descriptive passages, figurative language, or a generally more literary bent. But instead of avoiding imagery, it may be more important than ever to give readers an opportunity to envision and imagine through the words on the page. We should strive to provide work-out routines and fitness centers for the imagination in our stories through language and description. Inclusion of imagery in MG stories will complement the reader’s experience and ultimately improve and enhance the reader’s imagination. And imagination is important in any setting, as it drives flexible thinking and creative problem solving.

So, in order to spark readers’ imaginations, how do you recognize good imagery in MG works, and how do you write your own? Here are some qualities typically associated with imagery:

  • Imagery is language that employs a mental use of the five senses.
  • It can use certain figurative language devices like similes and metaphors, personification, and hyperbole, but it can exist without any other lit devices being present, too.
  • Good imagery isn’t fluffy or fancy or filled with words you’d find on the SAT. Sometimes, in fact, incredibly simple syntax and short phrases make up excellent imagery.
  • Imagery lets you see, touch, taste, hear, and smell the surroundings  in the character’s world, and it draws the reader in with those experiences.
  • Most importantly, good imagery leads the imagination off-leash—it guides, but never forces. The imagination has to be allowed to run free, if it’s to grow strong.

Here are some scenes in three works of MG fiction with imagery to consider:

Madeleine L’Engle’s A Wrinkle in Time. The description of Camazotz is brilliantly creepy in its simplicity. L’Engle’s choice of short, clipped words and phrases reflect the vision concocted in the reader’s imagination of this austere town where anomalies are forbidden:

Below them the town was laid out in harsh angular patterns. The houses in the outskirts were all exactly alike, small square boxes painted gray. Each had a small, rectangular plot of land in front, with a straight line of dull-looking flowers edging the path to the door.

Things get more eerie with the rhythmical description of the kids outside all those houses, girls jumping rope and boys bouncing balls:

Down came the ropes. Down came the balls. Over and over again. Up. Down. All in rhythm. All identical. Like the houses. Like the paths. Like the flowers.

The imagery prompts our imaginations to not only see Camazotz but to hear and feel its driving beat, too.

Sarah Jean Horwitz’s Carmer and Grit, Book One: The Wingsnatchers. Big, immediate conflicts or surprised exclamations from characters can work beautifully as openers in MG fiction and nonfiction. But atmospheric imagery can be used just as masterfully to hook the reader into the story. In this book, the two-and-a-half-page opener has no dialogue and no loud clatter of forces. But the tone of mystery, the discordant sounds, and the symbolic light/darkness imagery all work together to pull the reader in:

At the South Gate, just outside the winding iron bars, the Autocat waits. Its jeweled eyes gleam in the darkness. It watches as each golden lantern on the pathway blinks out, one by one, and it growls–a rough, scraping sound like metal on metal, a sound never heard in the garden before. The creature slinks off into Skemantis’s black night, its mission accomplished.

Karen Hesse’s Letters from Rivka. Good imagery keeps firmly in the voice of the 1st person character, in this case, a young Russian refugee fleeing to America in 1919 and seeing Poland for the first time:

The same crooked cottages, the same patchy roads, the same bony fences leaning in to the dust. Looking out from the train, we see people dressed like us, in browns and blacks; people wrapped in layers of clothes.

Thanks for reading! Please feel free to share thoughts you have on imagery in MG writing, or name some writers you enjoy who do a great job at sparking readers’ imaginations.

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