HMC: Thanks again, Jen and congratulations!

TO PREORDER THE LOST FOREST:

https://bookshop.org/p/books/the-lost-forest-an-unexpected-discovery-beneath-the-waves-jennifer-swanson/20184903?ean=9781728493015

The post Cover Reveal – The Lost Forest appeared first on From The Mixed Up Files.

Illustration by: Aixa Perez-Prado

Introducing Isi Hendrix

Hello, WNDMG Wednesday readers … I am so excited for this month’s post. I get to introduce you to the amazing Isi Hendrix, author of the Afrofantasy MG Adia Kelbara and the Circle of Shamans. (HarperCollins – USA and Usborne – UK, September 2023) It’s such a high-profile debut novel, it got TWO debut days: one here in the USA and one in the UK!

About Adia Kelbara

United States Cover

United Kingdom Cover

Life is tough for twelve-year-old orphan Adia. Her aunt and uncle believe she’s an ogbanje, a demon-possessed child that brings misfortune wherever they go, and Adia can’t disagree—especially when she suddenly manifests mysterious powers that she can’t control, causing an earthquake in her village.

So when Adia is offered a kitchen apprenticeship at the faraway Academy of Shamans, she flees with nothing but a pouch of change, her cat Bubbles, and the hope that someone there can figure out what’s wrong with her—and fix it. But just as she’s settling in, Adia stumbles upon a shocking secret: Unlike her, the kingdom’s emperor really is possessed—by a demon more wicked than any other. And he’s on his way to the Academy for a visit.

Joining forces with a snarky goddess, a 500-year-old warrior girl, and an annoying soldier-in-training, Adia must travel through hidden realms to exorcise the emperor and save her kingdom. But to succeed, she first must come to understand the powers inside her….

The fate of the world hangs in the balance.

Interview with Isi Hendrix

WNDMG: Welcome to the We Need Diverse MG (WNDMG) series. We’re honored to have you here!

First off, I have to say, I absolutely loved Adia Kelbara and the Circle of Shamans. Your debut novel is the definition of propulsive reading. Adia is so easy to root for and connect with—plus, she’s wry and funny. This is a really hard mix of character traits to pull off, and I’m so impressed!

Developing Adia

WNDMG: What influences helped you develop Adia Kelbara herself?

Monique Cooper Photography

IH: Adia is a twelve-year-old orphan living with her aunt and uncle. She doesn’t fit in with her family or anyone in her village of the Swamplands, which is currently overrun by missionaries. The missionaries showed up years ago and told Adia’s people that everything they believed in was wrong, and that to be good, they had to follow the beliefs of the people behind the Sunless Mountains. But Adia questions what she’s told.

I’m borrowing from real life with that aspect of Adia’s personality. My family’s conservative religion (introduced to my tribe by Western missionaries) absolutely did not feel right to me and I was her age when I began to question things and where this religion had even come from because it certainly wasn’t anything that was native to the Igbo people. So, for me, Adia represents the strength of indigenous wisdom and the ancestral knowledge that’s woven into our DNA that no invader or colonizing force can ever erase.

The Guardian Deity

WNDMG: What was the inspiration for Ginikanwa?

IH: Ah, Gini. My snarky Goddess. I’ve always loved the older, powerful mentor in fantasy novels, like Gandalf. Thankfully times are changing, but for far too long that role was almost always exclusively delegated to a grey bearded white man. So, I knew that I wanted Adia’s teacher and mentor in these books to be a woman, specifically an African goddess or an Alusi—a guardian deity of the Igbo people.

Book Banning and World Building

WNDMG: Your themes are so current and relevant, this book is almost contemporary. You tackle topics like religion, colonialism and mental and emotional health with grace and passion. Was this always going to be a book about colonialism or did that piece reveal itself to you as you wrote?

 IH: It revealed itself to me as I was writing it. I wrote my first draft before this book banning atrocity America is currently dealing with was in full swing, and even then I assumed I was writing something that would be banned. But once I saw what was coming out in this story, especially the commentary about religious colonization which is very personal to me, there was no turning back.

Let the Story be Born

WNDMG: As a writer, I am always curious about how authors choose genre. What was your process for deciding the best way to tell Adia’s story?

IH: I read widely, but (so far) every time I try to write a story it comes out as a fantasy story. So, I don’t fight it. I let the story that wants to be born be born. And I’m so glad it came out this way. Using a fantasy setting lets me explore these heavy themes in a way that—I hope—is accessible to children and also just a fun adventure story.  I re-read books now that were my favorite as a child like A Wrinkle in Time, and I’m in awe at how L’Engle and authors like her wrote these profound books that you could write a whole doctorate thesis about, but it’s also a book I probably read fifty times before I was ten years old. So, I think speculative fiction is a great way to explore big ideas and themes with young readers. Madeline L’Engle said one of my favorite quotes on writing. “You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.”

((If you’re enjoying this interview with MG fantasy author Isi Hendrix, you might also like this archived WNDMG Wednesday interview with fantasy author Kaela Rivera)) 

Changes, Challenges, and Easter Eggs

 WNDMG: From the time you drafted Adia to the time you got your publishing deal, what has been the biggest change in your manuscript?

 IH: Ah, that’s hard to say without giving a huge spoiler! I’ll just say that a character I’d originally given an almost forgettable role to, ended up playing a major part of the story.

WNDMG: What was the hardest part of the book to write?

IH: Character-wise, I always struggled when my mentor or agent or editors wanted me to dive deeper into a character I don’t particularly like. The way I can’t stand this character you’d never think I was the one who created him. So, in my early drafts I tended to just blow him off as an irredeemable jerk. But everyone asked for the motivation behind why he behaves the way he does so I had to tap into that, and the story is all the better for it. Yes, I would have had an easier time writing a full-on villain, verses someone who’s morally gray. But the morally grey ones make for complex characters in the end.

WNDMG: Do you have any Easter Eggs in there?

Adia’s name is Swahili for gift and very fitting. But it’s also from one of my favorite song, “Adia” by Sarah McLachlan, and the song’s chorus is also extremely fitting for this character. It keeps repeating that “We are born innocent. Believe me, Adia, we are still innocent.” So I love that her name has a lot of layers in there. Naming every other character in this book took me a minute, but I knew Adia’s name right away.

(There also may or may not be a Mean Girl’s reference somewhere in the book, because this book definitely has a mean girl in it.)

The Final Battle

WNDMG: Is there one scene you can point to that is the most important scene to you?

IH: The final battle scene. I’m not a visual writer. I don’t see everything in my head like a movie (and I wish I did). But that was the one scene that I watched play out from beginning to end. I was walking one evening and this download came out of nowhere. I froze on the sidewalk and was almost in tears. Then I ran home to write it all out.  I even had to go back and rewrite a lot of the book because I understood that was how it had to end. So that final battle scene where Adia goes up against the antagonist will always be what I consider the most important.

What’s Next

WNDMG: This is the first book in a planned trilogy. Can you tell us anything at all about what we can expect from Adia in Book Two? (Yes, this is definitely the sign of an impatient reader asking!)

IH: You’re going to find Adia back at the Academy of Shamans, this time as a student! But as always, everything goes sideways whenever Adia is at that school. So you’re going to see her dealing with a mysterious illness that’s plaguing the students and the kingdom.

WNDMG: Is there anything I haven’t asked that you would like to share with our readers?

IH: Read widely and read banned books!

WNDMG:  So many congratulations to you from all of us at WNDMG and From the Mixed-Up Files … of Middle-Grade Authors!

About Isi Hendrix:

Isi Hendrix is a Nigerian American children’s book author who has been lucky enough to live and work all over the world, from the Himalayas to the Amazon rainforest, during her past life as an anthropologist. Now she’s based in her hometown of Brooklyn, NY, where she lives with a rotating roster of foster kittens and a stubborn refusal to accept that she is highly allergic to cats.

Isi’s debut middle grade novel, Adia Kelbara and the Circle of Shamans, released in September, 2023.

To Buy Adia Kelbara and the Circle of Shamans:

Bookshop.org

Amazon

Barnes and Noble

Stay in touch with Isi via her website!

The post WNDMG Wednesday – Introducing Isi Hendrix appeared first on From The Mixed Up Files.

I’m so excited that we at MUF got an early peek at Laura Shovan’s new poetry collection called Welcome to Monsterville. And we got to talk to her about it – even better!

About Welcome to Monsterville

Where the residents are anything but ordinary. The monsters here are “friendly! Thoughtful! Shy and scary,” much like their human neighbors. Readers will meet a monster house who plays hopscotch and makes the sidewalks quake, laugh at a bubblegum-headed monster’s epic tantrum, and cry with a monster called Sadness.

Interview with Laura Shovan

MUF: Hi Laura! Welcome back to From the Mixed-Up Files … we’re so glad you’re here and excited to talk about your newest book, a collection of poems called Welcome to Monsterville. What a great title and a wonderful book! I’m still smiling as I think about lines like “Bubblegum head fell out of bed…” What prompted this collection and your partnership with illustrator Michael Rothenberg?

LS: This collection began with a simple gift between friends. I went to visit Michael and his wife Terri in January of 2020. Michael, a poet, was still reeling from the death of his son the year before. Unable to write through his grief, he turned to art therapy. He showed me some of those illustrations, which tended to be abstract.

When I got home, there was a surprise waiting for me. Michael had painted a blue creature with red fish lips, a crown, and six pink feet. I knew my friend was feeling low, so I wrote a poem that began, “A monster bought the house next door.” I recorded the poem and sent it to Michael, hoping it would cheer him up. I should have known the exchange would be the start of something. Michael was a force. He loved collaborating with musicians, artists, and poets on creative projects but also on social justice work.

Introversion

MUF: Another line that really resonates with me is the opening to the poem “Costavablink,” where you say

High on a mountain

called Costavablink

there lives a shy monster

who knows how to shrink

What are you hoping readers will take from this poem in particular?

LS: I hope this poem honors introversion. Susan Cain’s book Quiet: The Power of Introverts in a World that Can’t Stop Talking opened my eyes to how much I – an introvert! – had absorbed American culture’s preference for extroversion. When I was growing up, my father was an extreme extrovert. I remember that feeling of wanting to shrink and get away from all of the talking and activity. I view the Monster of Costavablink is a poet. She uses quiet as an opportunity to think and appreciate the natural world.

MUF: (I love Susan Cain’s book — it has taught me so much about the introverts in my life. Invaluable!) Each poem has a child interacting with different monsters. Why use monsters as the common thread?

Monsters Represent Big Emotions

LS: There would be no book without the monsters. Our process was that Michael would create a sketch first. He said, “I found that drawing gave me oxygen, breath, allowed me out of myself to express emotions without narrative, without direction. It was colors and shapes, emotions. I didn’t have to interpret what I was saying … As we proceeded Laura saw something in them, and wrote poetry that motivated me to do more. I remember telling her that I was stunned by her imagination as she gave the creatures a voice and her reply that it was my imagination that was inspiring.”

We were both coping with a great deal of loss and anxiety while working on this collaboration. The Covid-19 lockdown happened about five weeks into the project. Eventually, we recognized a theme, that the monsters represent big emotions and what it’s like to welcome them.

MUF: Is there a poem in particular you wrote for yourself?

LS: That poem is “Green Cave.” I can’t tell you why Michael’s colorful bird monster reminded me of the forsythia bush in my parents’ back yard, but that’s the magic of the monsters. The forsythia bush is where I used to hide as a kid when I was overwhelmed by emotions. I love the idea that a magical bird might come along and show an upset child how to self-soothe.

Collaborative Creations

MUF: Your imagery is just lovely … purple-blue moons and tears that crawl on fuzzy legs … when you’re crafting a poem, what is your creative process? Any craft tips for those of us aspiring to such stunning imagery?

LS: Those details are both Michael’s inventions, my poems simply pick up on his images and build little stories and characters around them. I love ekphrastic poems, which are responses to specific works of art. Because Michael’s monsters are so unexpected and rich with detail, my process for this book was to trust whatever strange idea popped into my mind and see where it led me. For example, Bubblegum Head’s toothy expression inspired me to write about his major tantrum. When the invented words in that poem came, I invited them in without judging them or saying, “That’s too silly.”

There were times when it was challenging to bring all of the elements in one of Michael’s illustrations together. The carrot-like monster in “Underground,” who is holding up flowers underneath a purple moon, took many drafts to get right. It was the emotion of the picture that eventually unlocked the poem for me. I began to ask myself how it would feel to be a Root Monster who “lives without sunshine or air.” On one level, it’s a silly story, but on another, this is a poem about coping with depression.

MUF: Can you talk a little bit about art therapy?

LS: I only know what little Michael shared with me, but I hope readers will check out the introduction to Welcome to Monsterville. It was written by Dr. Mercedes Ballbé ter Maat, who is a past president of the American Art Therapy Association.

MUF: Is there anything else you’d like to share with our readers?

LS: I’d love to see the monsters that your readers come up with. Here is my suggestion: Doodle, draw, or paint a monster first. Next, ask yourself, “How is Monster feeling?” Once you’ve identified the emotion, give a poem a try!

MUF: Thanks so much for giving me a chance to read your book and chat with you, Laura. It’s been a pleasure!

LS: Thank you, Heather. It means so much to me that you enjoyed the book!

About Author Laura Shovan

Laura Shovan is a novelist, educator, and Pushcart Prize-nominated poet. Her work appears in journals and anthologies for children and adults. Laura’s award-winning middle grade novels include The Last Fifth Grade of Emerson Elementary, Takedown, and the Sydney Taylor Notable A Place at the Table, written with Saadia Faruqi. Laura is a longtime poet-in-the-schools for the Maryland State Arts Council’s Artist-in-Education program. She teaches for Vermont College of Fine Arts’ MFA program in writing for children and young adults. Her latest book is Welcome to Monsterville

Stay in touch with Laura via her website and Instagram

About Illustrator Michael Rothenberg

Michael Rothenberg was a poet, editor, artist, and publisher of the online literary magazine BigBridge.org, co-founder of 100 Thousand Poets for Change (www.100tpc.org), The “Read A Poem To A Child” Initiative, and co-founder of Poets In Need, a non-profit 501(c), assisting poets in crisis. Before his death in 2022, he published over 20 books of poetry, most recently The Pillars (Quaranzine Press) and Drawing the Shade (Dos Madres Press). His editorial work included several volumes in the Penguin Poets series: Overtime by Philip Whalen, As Ever by Joanne Kyger, David’s Copy by David Meltzer, and Way More West by Ed Dorn. He was also editor of The Collected Poems of Philip Whalen published by Wesleyan University Press. He served as Florida State University Library’s Poet in Residence. His book of poetry, In Memory of A Banyan Tree, Poems of the Outside World, 1985-2020, (Lost Horse Press) was published in 2022. Welcome to Monsterville is his first book for children.

The post Welcome to Monsterville – Lauran Shovan Interview appeared first on From The Mixed Up Files.

Illustration by: Aixa Perez-Prado

Meet our New Contributors

At WNDMG Wednesday, we have great news: We’ve added three new exciting voices to the WNDMG team. Each of these amazing writers will bring a thoughtful presence to our mission to center, uplift, and celebrate diverse voices. We’re so excited for you to meet our new contributors!

Welcome to the Team

Kelly Garcia

Author Bio

Like Claudia, K.D. Garcia loves a good mystery. However, if she had run away, K.D. would’ve skipped right past the museum of art and dove into the museum of natural history. There, she would’ve focused on something spooky, like a mummy’s curse or the dark corner of the museum that might be haunted. After solving the mystery, K.D. would’ve spent her time studying the vertebrates of the world, because animals hold her entire heart. In real life, K.D. writes Middle Grade stories that are filled with family, friends, and fur babies alongside a mystery that may or may not involve a friendly (or unfriendly) haunting.

Why I’m Excited to Join WNDMG

I’m looking forward to contributing to WNDMG for a bunch of reasons. The opportunity to introduce MG readers to worlds where diverse people reach their full potential tops the list. Lots of middle graders haven’t been exposed to all the stereotypes us older folks have, and I believe that more inclusive books for MG-ers will translate to a more inclusive society—one day.

Shifa Saltagi Safadi

Author Bio

Shifa is always running, but not away from anything…rather to a quiet corner where she can read a good book in peace. When she’s not correcting grammar and teaching ELA to her middle school students or reviewing books on her Muslim bookstagram @muslimmommyblog, you can find her tapping away at her keyboard and inventing her own adventures with Syrian Muslim American main characters like herself and her four kids. Shifa lives near Chicago, and is the author of multiple picture books, and an unannounced MG Novel in Verse coming in 2024!

Website

Instagram

Twitter

Why I’m Excited to Join WNDMG

I am hugely looking forward to being a WNDMG member as I am a superfan of all diverse books! As an ELA teacher for middle school students as well as a book blogger, I love seeing kids and parents alike with eyes that light up at seeing someone who looks like them or even has their same name in a book! Growing up as a Syrian Muslim in America, books were the way I made sense of the world, and although I often found myself searching for Muslims or Syrians in books- there truly was no rep besides damaging stereotypes.

Fast forward to when I started my Muslim book blog @muslimmommyblog in 2018, I was so excited to finally start finding Muslim and Arab books- and so I shared them on my instagram- with huge success and so many people constantly contacting me thanking me for letting them know about the diverse book options out there, as even Muslims and Arabs are hugely diverse!

I am so proud and happy to be a part of a community of writers and readers who help amplify marginalized voices, and am honored to be a part of the wonderful WNDMG group at MUF, and get the opportunity to champion and support even more diverse voices!

Ines Lozano

Author Bio

Ines Lozano writes children’s fiction, believing that our best stories come from the memories forged during childhood.

A proud latina, nothing drives her more than the chance to prove her family’s sacrifices worthwhile. Her grandparents came to the States from El Salvador and Puerto Rico with the hopes of offering their children and future generations the opportunity to choose their dreams over choosing survival.

Ines was born and raised on Long Island, and she continues to live there now with her husband, daughter, and rising tik-tok-star dog.

When she’s not writing, you can find Ines scrolling through Instagram and TikTok or shopping online for quirky earrings.

Why I’m Excited to Join WNDMG

I’m ecstatic about being a contributing member of From The Mixed Up Files…Of Middle-Grade Authors. I look forward to amplifying BIPOC-centered middle-grade stories.

((Are you new to our once-monthly WNDMG Wednesday series? Welcome! We’re glad to have you. Check here to read our archived posts.))

The post WNDMG Wednesday – Meet Our New Contributors appeared first on From The Mixed Up Files.

Illustration by: Aixa Perez-Prado

WNDMG Wednesday is excited to host authors Nicole Melleby and A. J. Sass this week as they write about celebrating and fighting for queer joy. Welcome to WNDMG!

Celebrating–and Fighting for–Queer Joy

Guest Post by Nicole Melleby and A. J. Sass

When it came time for us to write this essay, it would have been all too easy for us to sit here and talk about book bans, and challenges, and how queer authors, like ourselves, are often thrust into the spotlight as a result of them. This is an important topic, without question. Because kids deserve to see themselves and their identities represented in books without bigoted pushback–because we deserved to see ourselves in books when we were kids, too, but we rarely did and we want to do our part in giving young readers this representation now, despite the repeated attempts to censor it. And we also acknowledge that these acts of censorship are hard on queer authors and their readers. It’s sad and terrible that this has been happening with increasing frequency.

It’d be all too easy for us to focus an entire essay on that.

But this is not what our novel, Camp QUILTBAG, is about. At least, not for us. Camp QUILTBAG is pure queer joy, and when we sat down to write it together, that was exactly what we felt: Joy. There was something special about sitting down with a best friend and saying, “Let’s write about these queer kids–one who is like me, and one who is like you, and let’s give them support, and love, and a place to be safe and feel comforted.” There was something special about laughing and creating together as queer authors, something so incredibly rewarding about the happiness we found while losing ourselves in developing these characters and creating these pages.

Safe Places

When it comes down to it, that’s what we believe is important. Giving an anxious, twelve-year-old who loves Laura Dern and knows she’s a lesbian but is ridiculed by her old friends at her Catholic school a place to find kids who understand her. Offering a hurt, angry, and closed-off thirteen-year-old nonbinary kid a place where e can let eir guard down, to understand what it really feels like to give and have support, to maybe even develop a crush of eir own. What was important to us was giving a trans boy a safe place to get his period for the first time, and having a friend who understands why he feels betrayed by his own body. It was important to give an autistic queer kid the room to fully embrace who she is, and to fight for what she believes in. It was giving a Jewish kid the space to have a conversation about queerness and faith with a Catholic kid. It was introducing all of these kids to one another and saying, “Hey, all of your problems aren’t going to magically go away, but look how much love and support and comfort you can find in the meantime, together.”

The queer joy is important. Realizing you can have that happiness, even when people are trying to tear that joy away, is important. Being able to look the lawmakers trying to pass these blatant attempts at censorship in the face and saying, “You may want to ban our books, you may want to create laws that take our rights away, you may want to try and take our happiness away” but telling them, and showing them, we can be happy and joyful anyway–that’s what is ultimately important. It feels especially crucial for our readers to see.

It’s important to us, anyway.

Both of us were sad, confused, sometimes angry, queer kids–even when we didn’t fully realize our identities, we knew something was different. Neither one of us had books at our disposal that reflected who we were. We didn’t have representation we could look at and say, “Hey, that character is like me!” Sometimes we didn’t even have the vocabulary to describe how we were feeling, and sometimes that made us feel very much alone. It’s hard to find joy when you don’t know how someone like you is supposed to be happy–or that you even can be. It’s hard to know what support looks like when you can’t find any examples anywhere.

Examples and Role Models

Examples and role models are so important within the queer community, which is why we’re also so grateful to be going on a book tour together to celebrate Camp QUILTBAG’s release. Two queer authors, talking about our friendship and our writing process. Two examples of living, breathing queer joy for young readers and their caregivers to see, along with a message for them: you may feel confused or alone or angry right now, but there are people out there just waiting to love and support you. There is a future for you that has every good chance of exceeding your wildest expectations. There are adults who will never stop fighting to ensure this happens. We are so honored to count ourselves among them.

And in a time when books are being banned more, and more, and more–it’s important to keep pushing back, yes, but it’s equally as important to keep talking about the fact that being queer IS joyful. That being queer is okay. It’s normal. Even more than that, being queer is wonderful. We wrote Camp QUILTBAG because we envisioned a place for kids like us to thrive–because every kid, no matter how they identify, deserves to have support and acceptance and feel joy.

((If you enjoyed this guest post, you might enjoy reading this archived WNDMG interview with Nicole Melleby.))

About the Authors:

A.J. Sass

A. J. Sass (he/they) is an author whose narrative interests lie at the intersection of identity, neurodiversity, and allyship. He is the critically acclaimed author of the ALA Rainbow Book List Top 10 titles Ellen Outside the Lines, which was also a Sydney Taylor Honor Book, and Ana on the Edge, as well as the co-author of Camp QUILTBAG (with Nicole Melleby). All three books are Junior Library Guild Gold Standard selections.

A. J. is the author of the upcoming middle grade book Just Shy of Ordinary (Little, Brown, 2024), the picture book Shabbat Is … (Little, Brown, 2024), and a contributor to the This Is Our Rainbow (Knopf Books for Young Readers), Allies (DK/Penguin Random House), and On All Other Nights (Abrams, 2024) anthologies.

When he’s not writing, A. J. figure skates and travels as much as possible. He lives in the San Francisco Bay Area with his husband and two cats who act like dogs. Visit him online at sassinsf.com and follow him @matokah on Twitter, TikTok, and Instagram

Nicole Melleby

Photo Credit: Liz Welch

Nicole Melleby, a born-and-bread Jersey native, is the author of highly praised middle-grade books, including the Lambda Literary finalist Hurricane Season and ALA Notable Children’s book How to Become a Planet. She currently teaches at the Fairleigh Dickinson MFA Creative Writing program, and spends most of her free time roller skating. She lives with her wife and their cat, whose need for attention oddly aligns with Nicole’s writing schedule. Feel free to follow her on Twitter @NeekoMelleby.

About Camp Quiltbag

Twelve-year-old Abigail (she/her/hers) is so excited to spend her summer at Camp QUILTBAG, an inclusive retreat for queer and trans kids. She can’t wait to find a community where she can be herself—and, she hopes, admit her crush on that one hot older actress to kids who will understand. Thirteen-year-old Kai (e/em/eir)is not as excited. E just wants to hang out with eir best friend and eir parkour team. And e definitely does not want to think about the incident that left eir arm in a sling—the incident that also made Kai’s parents determined to send em somewhere e can feel like emself. After a bit of a rocky start at camp, Abigail and Kai make a pact: If Kai helps Abigail make new friends, Abigail will help Kai’s cabin with the all-camp competition. But as they navigate a summer full of crushes, queer identity exploration, and more, they learn what’s really important. Camp QUILTBAG prominently centers queer joy and community in a book that promises love and encouragement to all who turn its pages. As one of the first middle-grade books with an all-LGBTQIA+cast of characters, the enormous breadth of queer identity and experience portrayed will help young readers discover the language and encouragement needed to explore and affirm their own identities. This unapologetically warm book offers readers the delight of feeling part of a community, and the happiness and freedom that comes with being and loving themselves.

Preorder Camp Quiltbag here!

The post WNDMG Wednesday – Celebrating – and Fighting for – Queer Joy appeared first on From The Mixed Up Files.

I am so excited to share the newest cover reveal for an awesome new space book by our own Mixed-Up Files Jennifer Swanson’s SPACE CARE: A Kid’s Guide to Surviving Space

Drum roll……….. here it is!

Cover Reveal

Publisher: Mayo Clinic Press Kids
Publish Date: July 18, 2023
PREORDER HERE:  https://bookshop.org/p/books/spacecare-medicine-in-microgravity-jennifer-swanson/18984952?ean=9798887700076

About Space Care:

Have you ever wondered how astronauts stay healthy in space? What if an astronaut gets sick on the space station? Does snot run in space? This fascinating photo-illustrated look at space and medicine explores how scientists and physicians study astronauts in space, how they help keep them safe, and what we’ve learned about the human body through space exploration. Questions from real kids and answers form from astronauts, along with photos from NASA, combine for an out-of-this-world exploration of health.

I’m so excited we got a chance to talk to Jen about her newest fabulous middle grade non fiction book.

Interview with Jen Swanson

HMC: Congratulations, Jennifer! Your book is one of a new group of  kid’s books being released by Mayo Clinic Press this year. How did you feel about writing this topic for them? 

JS: Space medicine? YES, please. At one time in my life, I wanted more than anything to be an
organ-transplant surgeon and an astronaut. Not that those two careers necessarily go together, but
maybe someday.
In any case, I was thrilled to be asked to write this book for Mayo Clinic Press Kids. Not only do
I love space but I also live very close to the Mayo Clinic here in Jacksonville and often ride my
bike past it. It was the perfect book for me to do.

HMC: Can you share some cool details about what’s inside?

JS: This book is chock full of details about what humans go through while living in microgravity. There are facts about how astronauts sleep, what they eat, and yes, even a picture of the bathroom on the ISS. There is information about the garden where fruit and vegetables are grown in space and even a section about some of the cool medical research being done in microgravity. (Did you know that astronauts have to draw their own blood sometimes?)
The awesome photos give readers an up-close view of life on the ISS and even make them feel a little bit like they are their themselves.

HMC: What was the most exciting thing about writing this book?

JS: I got to zoom with Astronaut Megan McArthur! That was just so fun. Megan is fantastic and really smart. She wrote the foreward for the book, and gives the reader a great inside story of what it’s like to live in space. And yes, all of those answers in the book are from her. She and I chatted about them during our zoom session.

HMC: Will there be more books about space from you?

JS: Definitely! I’m working on a book right now called WHO OWNS THE MOON, that I’m co-writing with Cynthia Levinson for Margaret Quinlan Books. It is takes a much broader look at NASA’s Artemis missions and asks the question we are all wondering—how will different countries (and commercial companies) live and work together on the Moon? Packed with cool technology, discussions on space debris, governance, and more, this book will be a great resource for kids who want to learn as much as they can about space. It will publish in early 2025.

HMC: Where can everyone learn more about you and your other books about STEM?

JS: You can find information about me, my books, and tons of STEM resources including free teacher guides, videos for students, and learn about my podcast, Solve It! for Kids at my website: https://jenniferswansonbooks.com/

The post Cover Reveal: Space Care appeared first on From The Mixed Up Files.

Illustration by: Aixa Perez-Prado

WNDMG Wednesday – Debut Author Interview

Hello everyone, and happy WNDMG Wednesday to you. I’m so excited to be able to introduce you to debut author Noa Nimrodi today. Noa’s new book is NOT SO SHY (Kar-Ben/Lerner) and it launches on April 4, 2023. NOT SO SHY was a great read – I truly loved her well-realized characters and her gentle exploration of tough topics.

Full disclosure–Noa and I are in the same debut author cohort, and we also share a launch date for our books AND an editor, the fabulous Amy Fitzgerald!

About Not So Shy

Twelve-year-old Shai hates everything about moving to America from Israel. She’s determined to come up with a plan that will get her back home. Maybe she can go back with her grandparents when they come to visit. Or maybe she can win the drawing competition that’s offering a plane ticket to any destination in the world as a grand prize. Meanwhile, though, she’s stuck in seventh grade at an American school, where she has to communicate in English and get used to American ways of doing things. Worst of all, she faces antisemitism up close for the first time.

But she also finds support and friendship where she least expected it and starts to see her new life with different eyes. Maybe home doesn’t have to be the place she’s always lived. Maybe home is a place in the heart.

Interview with Noa Nimrodi

I loved getting to talk to Noa about her book, Not So Shy, and I think you will enjoy meeting her and Shai as well.

HMC: What is the origin story for Not So Shy?

NN: Not So Shy originated from personal experience (as you probably guessed…). The fictional Shai is loosely based on my middle child ,who was twelve-years old when we moved from Israel to the US. I also shamelessly stole her name for my main character (with her permission of course).

Although the story is fictional, it carries many emotional truths and a few based-on-a-true-story bits.Although the story is fictional, it carries many emotional truths and a few ‘based-on-a-true-story’ bits.

Drawing Courage

HMC: So many important and wonderful themes in your book – being Jewish in the United States, music, learning to live in a foreign country, making new friends, and an exploration of the issue of genetically modified food. Can you talk more about what it was like to write Shai’s experiences dealing with antisemitism?

NN: The main incident of blunt antisemitism that is described in the book is based on a true event that happened to my daughter. Shaping and incorporating that experience into a work of fiction helped me gain insight and in a way, like with other issues I tackled in the book, it was a cathartic process. In real life, Shai kept this incident from me and my husband for years. I hope young readers will draw courage to speak up when caught in similar unfortunate situations.

Tackling Misconceptions and Skewed Opinions

HMC: The subject of food and science is important to Shai—can you talk more about how you became inspired to write about food science?

NN: As writers, what we’re concerned/intrigued/passionate about, finds its way into our writing, and such was the case with GMOs in this book. I’ve always been intrigued with science, my husband has been in the biotech industry for many years and my dad is a scientist.

I worry when important issues, which are too nuanced to be summed into infographics, are shared and reposted carelessly on social media. The ease in which information (and misinformation) is spread these days allows for misconceptions and skewed opinions to be regarded as facts. This goes for how we view new inventions in science as much as it goes for how some perceive the state Israel, so it made sense to me to tie in the controversies of GMOs into the book.

Bridging the Gap Between People

HMC: One of my favorite lines in the book is, “Music is my favorite language now.” Do you play trumpet like your main character, Shai? Do you love the language of music as much as she?

NN: I do love the language of music! I believe it can bridge the gaps between people of all backgrounds. When we listen to music we tap into universal emotions. Music has the power to connect people in a magical way.

(and it’s pretty cool that music notes are the same all over the world).

I myself never played an instrument (I wish I did…), but my daughter Shai played the saxophone in the school band, and she still remembers how in her first tough months when English didn’t come easy, she eagerly waited for seventh period Band, where she felt less of an outsider when immersed in the language of music.

The fictional Shai plays the trumpet since (research has taught me) it’s the easiest instrument to play with a broken arm. (For those who haven’t read the book yet, Shai breaks her arm before the beginning of the school year).

HMC: Each of your chapters has three words. Is there a thematic or symbolic reason for that choice?

NN: Hmmmm. Thematic or symbolic reasoning would have been clever of me… but admittedly, it was a happy accident. I first used the words for myself, just to sum up what happens in each chapter as I wrote it, later deciding (with the support of my critique group) that it does a good job at hooking the reader and hinting what’s to come in each chapter. I suspected this might be cut out at the editing stages, but it remained as an integral part of the book.

Including Easter Eggs

HMC: Authors often include so-called “Easter eggs” in their books—do you have any in Not So Shy?

NN: I love this question! There are some “Easter eggs” in the book. Very few are consciously intentional (the name of the middle school Shai attends, for example, is a nod to the middle school my kids attended, I deliberately slightly distorted the name). Other surprise eggs (which my kids claim to have found) were woven in unintentionally, and so far I have yet to admit otherwise…

((Enjoying this interview on WNDMG? Read this one from our vault, with contributors Jonathan Rosen and Melissa Roske))

Finding Personal Resonance

HMC: What part of writing this book was for you personally, for Noa Nimrodi?

NN: A pretty big part… When I began writing this book from the perspective of my daughter Shai, I believed I was drawing from the experiences of my three kids (we moved from Israel to the US when they were seven, twelve and fourteen). But as I tapped deeper into the emotions of my main character, It dawned on me that I was also writing about myself (by the age of twelve I’ve moved from Israel to the US and back, twice). I realized in hindsight that subconsciously I was uncovering layers of feelings and emotions that were tucked away for decades. (Maybe I was writing for twelve-year-old-me…)

Writing the Next Book

HMC: Can you tell us anything about your next project?

NN: I’m working on a middle grade novel which is pretty different than Not So Shy, but in a way also reflects my concern with misconceptions. I’ll vaguely say it has elements of mystery, bits of magic, a pet pig, a sassy parrot, twin sisters who’s older sister mysteriously disappears and a misunderstood elderly Holocaust-survivor neighbor facing Holocaust denial in the gossip-driven town they live in.

I’m a slow writer, and my agent hasn’t even seen any part of this one yet, so you probably won’t see it on shelves anytime soon.

Bonus!

HMC: Bonus question! Is there anything I haven’t asked that you’d like to share with us?

NN: I’d love to share how much it means to me to belong to the 2023Debut group. There is such a great sense of comradery in this group, and such heartwarming interactions of likeminded people all rooting for each other. I’m so glad I got to meet you through this group, Heather, and I want to take this opportunity to recommend your fantastic debut Indigo and Ida to everyone reading this interview— I loved it. I’m thrilled that our books are coming out on the same day! (along with another excellent debut— Good Different, by the talented Meg Eden Kuyatt! Looking forward to the triple book-birthday on 4/4/23 !!)

Visiting Israel

HMC: For those of us who plan to visit Israel one day (HMC raises hand) what is one thing you (or Shai) would tell us we MUST do?

NN: Oooo! This is a tough one! Just one thing? Ok, besides the obvious touristy musts (you don’t need me for those), I’d say take a walk on the beach in Tel Aviv and have an Israeli breakfast in one of the restaurants located on the waterline with your bare feet in the sand. Continue to Shuk Ha’Carmel and take in the sounds, the colors, and the flavors of this one of a kind market. Get a freshly squeezed cup of juice (orange, carrot, pomegranate, or a mix!), and if you’re not too full from breakfast have some falafel, or shwarma. Ok, I’ll stop here, I can go on and on, especially about the food, because food in Israel is seriously the best in the world (and Shai would say the same).

Thank you so much, Noa! Best of luck to you with your debut … and I look forward to reading more titles by you one day soon.

About Noa Nimrodi

Noa Nimrodi is an Israeli-American author/illustrator living near the ocean in Southern California. As a designer, oa worked on displays in bookshops and gravitated most to children’s books, sparking her passion to create her own. Two of her Hebrew-language books, one which she also illustrated, have been published in Israel. When not writing, Noa can be found reading a variety of genres, creating all sorts of art, and running on the beach in Carlsbad (with or without her two dogs).

Preorder Not So Shy:

Bookshop

Barnes and Noble

Amazon

Stay in touch with Noa!

Twitter

Insta

The post WNDMG Wednesday – Debut Author Noa Nimrodi appeared first on From The Mixed Up Files.

Illustration by: Aixa Perez-Prado

A New Year of We Need Diverse MG

Happy 2023, everyone! Welcome back to a new year of We Need Diverse MG, (WNDMG) where we get the chance to amplify the voices of marginalized creators and center publishing issues in the voice of underrepresented communities.

A New Year of Authors

Our first post of the year features a debut author, Tamika Burgess, who is part of my own debut cohort: MG in 23. Tamika holds the distinction of being the first of our group to publish in 2023 – Congratulations, Tamika!

I got a chance to interview her about her debut experience, and also to read her wonderful debut: SINCERELY, SICILY.

About Sincerely, Sicily

Sicily Jordan’s worst nightmare has come true! She’s been enrolled in a new school, with zero of her friends and stuck wearing a fashion catastrophe of a uniform. But however bad Sicily thought sixth grade was going to be, it only gets worse when she does her class presentation.

While all her classmates breezed through theirs, Sicily is bombarded with questions on how she can be both Black and Panamanian. She wants people to understand, but it doesn’t feel like anyone is ready to listen—first at school and then at home. Because when her abuela starts talking mess about her braids, Sicily’s the only one whose heart is being crumpled for a second time.

Staying quiet may no longer be an option, but that doesn’t mean Sicily has the words to show the world just what it means to be a proud Black Panamanian either. Even though she hasn’t written in her journal since her abuelo passed, it’s time to pick up her pen again—but will it be enough to prove to herself and everyone else exactly who she is?

Interview with Tamika Burgess

HMC: Sincerely Sicily began as a picture book—how did you decide that its real identity was middle grade?

TB: When I started writing what is now my debut novel, Sincerely Sicily, I started out writing a picture book. But while writing, I realized I had a lot more to say, which would not work well for the concise way picture books have to be written. But I knew I wanted to write for an age group who is young and at the age where they are starting to learn about themselves and discover the world around them.

HMC: Before turning to writing fiction, you were an advertiser and newsletter publisher. Clearly, one common theme for you is connecting creators within the Latinx-African community. What else has this career path revealed to you about yourself?

TB: A recent revelation is my ability to prioritize my time. While writing Sincerely Sicily I had all the time in the world, without any deadlines. But now that I am under contract for Book #2, I have learned the importance of planning and prioritizing my writing time. With working full-time, it’s been hard. But I have figured it out and am progressing nicely.

HMC:  One strong theme in Sincerely Sicily is the importance of unpacking the difference between race and culture. Can you talk a little about why you wanted to write a book about that particular question?

TB: Sincerely Sicily is loosely based on my experiences growing up and came out of a need for representation and understanding. As a child, I didn’t fully comprehend how to explain my Black Panamanian background when people asked, “What are you?” Being asked that question, coupled with the fact that I was growing up in a predominantly white community as a Black Latina, I often felt out of place. My peers were all the same, and not only was I of a different race, but my culture was entirely out of their understanding.

I always wished for a point of reference, someone I could point to and say, “I’m just like them.” But characters in books, movies, and TV shows didn’t look like me, nor did their experiences resemble mine. So I wrote the book I needed and would have loved to read as a child.

HMC: One of the key moments in Sicily’s story is when her abuela criticizes her braids. It’s heartwrenching, and speaking as a person of color who has definitely struggled to navigate the world of “straight hair is beautiful hair and everything else isn’t,” I can tell you this part RESONATED. What did writing this part of Sicily’s arc mean to you personally?

TB: Although I have never experienced hair discrimination (at least not to my face), I know the issue of hair texture is big in Latinx culture and Panamá. I’ve read plenty of articles about women telling their hair stories and heard about the struggle Black women faced as children and adults. It was important to add this element to Sicily’s story because it brings awareness to discrimination that is still prevalent today. Also, how Sicily handles the situation with her Abuela can be an example to readers of how to handle conflict in general.

HMC: Your dialogue is spot-on for the middle-grade reader. Any craft advice for the authors reading this interview about how you channeled that vibe? 

TB: Fortunately, I work at a school, so I’m around my targeted age group all day. I pay attention to the things they’re talking about/what they are interested in and ask them about things when I have specific questions regarding my book.

HMC: This is your debut year, and you’re one of the first in the 2023 cohort. Any lessons learned you want to pay forward for authors whose books come out later?

TB: I have been working on promoting Sincerely Sicily for about six months. Looking back, I wish I had not let myself get overwhelmed. I was saying yes to everything and would end up feeling like I was drowning in book promotion.

With that being said, I have learned that saying “no” is okay. My mental health is most important, and I can’t let myself get lost in this publishing world.

HMC: What’s your creative process like? Do you create a playlist, light a candle, take a walk, anything in particular that helps set you up to write?

TB: The main thing I need is space. I can’t have clutter on my desk, or I’ll feel cramped, and then I won’t focus. I do listen to music, but not all the time. Sometimes I need the room to be completely silent. Other times I’ll let a random playlist play in the background. I might listen to a podcast if I’m doing some revisions or entering something I’ve already written into my manuscript. It all depends on my mood and what I’m working on.

HMC: Almost every author writes “Easter Eggs” into their novel—references that only special people in their lives will recognize. Are there any Easter Eggs from Sincerely Sicily you feel comfortable sharing with the rest of us?

TB: I have many of these, from characters being based on people in my life to using friends and family members’ names and specific qualities and likenesses of people. The book cover image is also an “Easter Egg,” as the clouds at the top are in the shape of the country of Panamá.

HMC: You’re working on your sophomore novel—can you tell us anything about it?

TB: My next middle-grade novel features a Panamanian boy. I am still in the early stages of outlining and figuring out the book’s themes. But just as with Sincerely Sicily, readers can expect Panamanian culture and historical elements.

HMC: BONUS question: Anything you want to tell us about that I didn’t mention?

TB: I want to share my favorite line from Sincerely Sicily. It’s when Sicily asks her mother how she should self-identify. Her mother tells Sicily that decision is hers but also reminds her of the following:

“Afro (short for African) comes before Panamanian to let people know I am of African ancestry… Panamanian or Latina, either way, I am Afro/Black first.”

HMC: Wonderful closing words, Again, Congratulations, Tamika!

((Want to read another interview with a debut author? Check out this archived post with contributor Meira Drazin))

About Tamika Burgess:

Tamika Burgess (Ta-mee-Ka Bur-jess) is a storyteller with over a decade of novel, TV/film, and personal essay writing experience. Born to parents who migrated from Panamá, Tamika has always taken a particular interest in writing themes that explore her Black Latina identity. Because of her passion for spreading the knowledge of Black Panamanian culture, Tamika has been featured on various websites, podcasts, and panels. When she is not writing, Tamika is somewhere cozy online shopping and listening to a podcast. Tamika resides in sunny Southern California, where she is writing her second novel. Learn more about Tamika at TamikaBurgess.com.

Twitter

Instagram

The post WNDMG Wednesday – Debut Author Tamika Burgess appeared first on From The Mixed Up Files.

Illustration by: Aixa Perez-Prado

Holiday Gifts for MG Readers

Welcome to WNDMG Wednesday – the holiday edition! Looking for holiday gifts for your MG readers?

How about a video game or virtual reality goggles?

Ha.

Not April Fools yet, sorry, I got confused.

But seriously folks, how about books … and not just books, but a subscription book box? I’ve got the perfect idea: the Atlas Book Club, founded by Bunmi Emenanjo. The Atlas Book Club was created specifically with diversity in mind: to provide a way for kids to read in a way that builds global awareness, cultural consciousness, empathy, and understanding.

Lucky for us at WNDMG, we got to talk to Bunmi a little bit about the Atlast Book Club, and we can’t wait to introduce her.

Interview with Bunmi Emenanjo

WNDMG: What made you decide to start Atlas?

BE: In 2016, my husband and I moved with our kids to our current home in a lovely neighborhood with very little diversity. To ensure the kids remain connected to their heritage, I started a children’s book club initially focused on African books. This book club included kids from different backgrounds made up of kids of friends and from our neighborhood. Also, whenever I was a Guest Lucky forReader at the kids’ elementary school, I selected books from our diverse collection. This usually led to interesting conversations with kids who normally would not have exposure to books set in countries such as Uganda or Burkina Faso. I saw how these books set all over the world resonated with my kids and other kids. My observation was that kids need to see themselves in the books that they read! When they do it helps build their confidence and have a sense of belonging. I also observed that kids are yearning to learn about cultures different from their own! What started off as a home book club where we read books set in different parts of Africa eventually grew into an exploration of countries all over the world. Since launching Atlas Book Club as a business in 2019, we have explored over 25 countries through our book selections!

Atlas Book Club Focuses on Global Diversity

WNDMG: In a time when there’s so much choice in subscription book boxes—and some of those choices do include a focus on diversity—how does Atlas set itself apart from the rest?

EB: Atlas Book Club is different because our focus is on global diversity. We believe that cultural competence is an important aspect of a child’s education and development. We also believe that we do our kids a disservice by not introducing them to global culture when they are young because they will enter, as adults, a workforce that will be more globally diverse than ever.

Our focus, with our boxes, is to bring global culture to a child through a fun, engaging, and interesting book. We are also very intentional about the books that make it into our boxes. Every decision we make is towards fulfilling our mission – (1) to help children of color see themselves in the books that they read; (2) to help all children travel the world and experience global culture through the books we select; and (3) to help shatter single story narratives and stereotypes by showcasing diversity within cultures. Every single item in our box is designed to fulfill that mission. For example, our Fun Facts card typically contains facts that are not well known and that celebrate different parts of the culture of the country we are exploring. We also include a local sourced souvenir from the featured country, which in turn supports a local family or community in that country. We are very particular about the book select and they have to fit certain criteria – we feature books with protagonists of color in genres that do not typically have kids of color as the main character such as magical realism or historical fiction; we ensure that we include books that show kids just being regular kids; and we do not shy away from complex societal issues. Lastly, we explore countries that most people are not even thinking about including Turkey, Iran, Haiti, Botswana, Korea, Peru, and Australia with a focus on Aboriginal history and culture, just to name a few.

Diversity Within Race and Culture Too

WNDMG: You’ve committed to selecting a variety of books that showcase diversity “not just in race and culture, but also diversity within race and culture.” Can you talk a little bit about why that’s such an important distinction?

EB: This is one of the main parts of our mission and we take it very seriously. Often countries have a single story or a narrative that most people associate with that country which can end up fostering dangerous stereotypes. We believe that children are intelligent enough to understand that there are different aspects to every culture and country, we just have to teach them. When a child learns that diversity within cultures exist, they grow up with an awareness and sensitivity that will only serve them well as adults. Even more importantly, it helps them develop a level of respect for these cultures, and an understanding that to really know a person, you must seek to know who they are and where they are from and not simply assume certain things about them based on narratives that exist out in the world.

Furthermore, cultures and countries around the world have such rich, interesting histories and traditions that to boil them down to a single narrative is to lose out on so much richness and stories that could really broaden our understanding of people and of the world. A good example of this is the book You Bring the Distant Near which was featured in one of our YA boxes. This book exposed our readers to Indian Bengali culture. This nuance is important because we were able to dive into the diversity that exists within Indian culture and other South Asian countries. We learned, during our conversation with author Mitali Perkins, the difference between Indian Bengalis and Bangladesh Bengalis, and the history of the Bengal region. This is an example of what we mean by showcasing diversity within cultures through our book selections.

((Looking for additional holiday book suggestions? Check out Rosanne Parry’s latest Diverse Book List HERE))

Working with Parents, Schools, and Libraries

WNDMG: Do you have any partnerships with libraries or schools to support diversity and a global perspective in their collections?

EB: We offer a number of consulting packages to schools, libraries and parenting groups to help them build a book collection and curriculum that is diverse and inclusive in an intentional manner. It is extremely important to create an environment where ALL children can see themselves represented and feel like they truly belong.

WNDMG: Even though your books are curated for young readers, we know adults love to read middle-grade and young adult as well. What kind of responses have you had from parents of your readers?

EB: Ha! I love the parents that snatch up the books before their kids can get to it! The YA books and some of the middle grade ones have been a hit with the parents. You will find that YA books set in other parts of the world have stories that are deep, complex and quite satisfying. Atlas YA books are not all fluff! We have the occasional romance novels but these YA books are simply fantastic. My favorite book of 2020 was one of our YA selections called The Things She’s Seen which we featured when we explored the Aboriginal people of Australia, and it is incredible. And my favorite book this year so far is a middle-grade book called Other Words for Home that just hit me square in the gut. It is featured in our Syria Box.

Kids Feel Seen

WNDMG: Do you have a favorite story of an interaction you’ve had with your book subscribers?

EB: My favorite is a story a mom told me about her Nigerian-American son who attended a mostly white school. He read the book Ikenga by Nnedi Okorafor—a fantasy book with a Nigerian boy as the main character—and he loved the book so much he took it to his school librarian and advocated for the book to be added to his school library. He felt like the book represented so much of him and his culture that his classmates should get to read the book too. This really hit home because he validated what we have always believed – when kids see themselves represented in the books that they read, it helps with their sense of identity and belonging. They feel seen. This kid felt seen by reading the book Ikenga and felt his friends should see him, too.

Next for Atlas

WNDMG: What’s next for Atlas?

EB: Gosh! So much we would love to do! We would love to deepen our relationship with the homeschooling community. Our boxes have been such a hit with homeschooling families because they are perfect for social studies, geography and language arts with a focus on global culture. We also would like to grow our consulting clients because we feel that parents and schools do want to ensure that their libraries are diverse and inclusive, and they do want to provide these options to their students, but they do not know where to start! Our goal is to help schools, libraries and parents get there.

About Bunmi Emenanjo:

(Bio excerpted from Work With Me page on Atlas Website)

With over 17 years as an attorney, I have worked in spaces that span the spectrum from the think-tank Woodrow Wilson International Center for Scholars, biotechnology companies, a number of federal agencies to the White House. The diversity of my work experience allows me to be able to communicate with individuals from different professional and personal backgrounds in a manner that resonates such that they feel seen and heard. As a student of vulnerability and authenticity, I bring all that I have learned to the table,

Stay in Touch with Atlas:

Instagram

Facebook

For more on subscriptions, homeschooling, and school visits, check out the Atlast website HERE.

The post WNDMG Wednesday – Holiday Gifts for MG Readers appeared first on From The Mixed Up Files.

Illustration by: Aixa Perez-Prado

WNDMG Wednesday Submissions

It’s a WNDMG Wednesday call for submissions! This month we’re excited to tell you that we’re looking to expand our team.  We’ve been a fixture on the Mixed-Up Files blog for two years now,  providing readers with once-a-month posts designed to center diverse writers, books, and readers.

Now it’s time to grow! We’re eager to add more voices to those to contribute content for this important series.

Who Should Apply?

Do you love middle-grade books as much as we do? Are you a middle-grade book writer, librarian, or media specialist from an underrepresented or marginalized community? We’re eager to add your voice to the ongoing conversation about diversifying our bookshelves!

WNDMG Contributor Responsibilities

Posting: WNDMG is part of the Mixed-Up Files blog team, which means our contributors work together with the whole blog to keep us running. As a WNDMG contributor, we would ask you to post 2-3 times a year for the series, plus possibly 1-2 times a year for the blog as well.

We value original, quality posts on discussion-invoking topics about diversifying our bookshelves and the publishing industry, unique book lists, or author interviews.

((What don’t we do? Book reviews or self-published books.))

Promotion: We need dedicated new members who will commit to regularly promoting our blog via their own social media pages as well as our own. We also urge you to share the good news when our members have a launch or great news to share!

Blog Upkeep: We ask EACH Mixed-Up Files/WNDMG contributor to take at least one blog maintenance job. A few examples of these jobs (there are more!) are:

• Updating one of our social media pages
• Keeping our Oh MG! sidebar news updated
• Interview team (they rotate taking interview requests that come in…but Mixed-Up Files members are always welcome to coordinate interviews themselves!)

If you’re interested in joining us, click here to fill out an application.

Tip to help you prepare: Read some of our posts here: We Need Diverse Middle Grade. What would you like to see in this series? Use that to help you craft your submission sample.

Please spread the word to others who might be interested. If you applied a while back and would still like to join us, we’d be happy to receive a new application from you.

Applications will be open until December 1. We can’t wait to hear from you and will contact all applicants by mid December. If you have questions, we’re happy to answer them—leave a comment below.

The post WNDMG Wednesday — Call for Submissions appeared first on From The Mixed Up Files.