Common Core & NGSS

Interview with Editor Jonah Heller – Peachtree Publishing Company Inc.

We are delighted to have with us, Jonah Heller, associate editor at Peachtree Publishing Company Inc.

Welcome to Mixed-Up Files, Jonah!

Hey, thanks for having me!

 

Could you share your editorial journey at Peachtree with us?

My editorial journey with Peachtree started shortly after I graduated with my MFA in Writing for Children and Young Adults from VCFA. I was fortunate enough to have a network of peers connected to Peachtree who helped advocate my intern application, and I did my internship with Peachtree in the summer of 2016. Through hard work, careful attention to detail, and routinely showering everyone with baked goods, I left enough of a positive impression that I was hired on as a publisher’s assistant on January 1, 2017.

From there, I was entering orders for sales, organizing mailings, proofing our catalog, and doing just about anything that needed an extra pair of hands while also training into editorial assistant work. As my supervisor left for other horizons—I eventually did take on more editorial work and started dipping into acquisitions by examining imports from Frankfurt and Bologna. It was great exposure to literature abroad and an excellent opportunity to develop my own taste and direction. Of course, the reward for work done well is—more work! So lots of paperbacks and reprints and editorial outreach as an assistant editor. And now I’ve been upgraded to an associate editor, so I’ve been set loose into the wilderness to go find exciting things and build my list. Woo!

 

What are some books you’ve worked on?

Peachtree is very well established in the picture book arena, so plenty of those!

In terms of middle grade: Peachtree is a smaller house, so that means it’s an all-hands-on-deck environment and everyone’s got their hand in the cookie jar at some point. I’ve helped proof various stages of our Charlie Bumpers and Nina Soni series. I’ve also overseen the paperback adaptation process for quite a number of our middle grade titles, which can involve anything from a new cover and revised back matter to substantial text edits and updates with the author.

                                               

Working on imports as an assistant, I adapted The Bookshop Girl from Scholastic UK and oversaw the illustration process from sketches to final art and cover. It’s a fun mystery about a girl who can’t read and has to save her family’s recently acquired bookstore from a shady con man. A good choice if you love whimsy and the idea of a mechanical wonder bookstore with rooms dedicated to rocket ships or pirate treasure aquariums.

What are some subjects you’d like to see authors tackle in middle grade?

Ultimately, I’d like to see them tackle whatever interests them. That’s the best place to start. But as far as my wish list for this group…

Themes: adventure, animal points of view, comedy, coming of age, contemporary, magical realism, mystery, wilderness survival,

Craft: character driven; compelling voice; page-turning digestible plot; 3-dimensional protagonist & antagonist

It’s one of those things, where I’ll know it when I see it and get into the first ten pages. So I try to keep a wide net cast. I would, however, especially LOVE ownvoices LGBTQ+ stories.

Could you share with us your ideas and goals when it comes to the representation of diversity in the books you publish?

Everyone should be able to reach out to literature and see themselves. That’s critical not only to a sense of belonging but also to establishing empathy for other walks of life outside of our own experience. I strive to be mindful and thoughtful in my acquisitions, because I don’t want a one-note list. I’d be very bored and disappointed with that and, ultimately, so would my publisher and our readers.

Putting that into practice: I don’t ever actively look to check off a box and then move on to something else. I don’t think that’s a good approach, nor a sincere one. My goal is to ultimately acquire talent from all walks of life, who can deliver an excellently crafted story while also offering authentic mirrors and varied experiences. I don’t want to just acquire you and your one book and then be done with it:  I want to build a long-lasting relationship with you and work on lots of cool things for years to come.

What are some common reasons for a manuscript to make it to acquisitions at Peachtree Publishing?

For middle grade fiction, it’s usually character- or voice-driven. You can really latch onto someone’s journey and empathize with their trials and triumphs if the writing lets you step close enough. It’s not really theme or topic that drives fiction for us; it’s a fully satisfying story and arc of growth. You walk away from the book, having had some sort of raw emotional experience that sticks to you and you carry around for a while.

Nonfiction: it’s not my area of expertise, admittedly. But this can be topic or theme driven at first and then develop into something that will ultimately be more for the institutional market. So, we’ll ask: how can this be used in the classroom? What makes it different and specialized from everything else already out there? How can we grow it further from this one book? Etc.

What advice do you have for writers who want to query you?

So if you’re unagented, I’m on snail mail at the moment. It’s not everyone’s favorite method, but it’s mine and it keeps me organized! You can find Peachtree’s address and submissions guidelines on our website, and if you were dutiful enough to read this then you’ll now discover that if you don’t put my name on the envelope, it won’t ever come to my desk.

My general wish list is above, but it’s always a good idea to check out a publisher’s catalog and see what kind of stuff they’ve done. That’s always step one. Ask yourself: does it feel like they’re a good fit for my work, or am I going to be an odd duck out here? Or, if they’ve done something similar: how is my work going to stand out?

As I’ve said, nonfiction isn’t generally my cup of tea. But maybe I’ll surprise myself one day.

I’m also probably not the right editor for a divorce or abuse story, unless it culminates in healing and/or some type of cathartic and triumphant resolution. Additionally, fantasy and science fiction haven’t been as prominent at Peachtree, so the pacing, world building, and character work has to be top-of-the-line.

Other tips:

  • Spelling the editor’s name right is cool
  • Showing up at their office in-person is not cool
  • Neither are frequent phone calls
  • Explore resources on writing query letters

What’s going on in Middle Grade at Peachtree right now?

I’ve been Americanizing an illustrated adventure from the UK, called Mr. Penguin. It’s Indiana Jones meets Sherlock, but with a penguin and a kung fu spider. So basically loads of fun.

                                         

 

Our Nina Soni series continues, and upcoming for 2020: we’ve bought the US text rights to Lavie Tidhar’s Candy from Scholastic UK. It’s an awesome film noir-like mystery following young detective Nelle Faulkner as she uncovers the shady underworld of candy smuggling in a town that’s outlawed sugar. We will be re-illustrating, so expect a fun story and a fresh American package!

Domestically, I’m on the verge of some exciting things I can’t share just yet. So stay tuned and be on the lookout for Peachtree’s middle grade!

 

Jonah Heller is an Associate Editor at Peachtree Publishing Company Inc. in Atlanta, GA. He graduated with an MFA in Writing for Children and Young Adults from the Vermont College of Fine Arts and earned his BFA in Dramatic Writing for Film and TV at the Savannah College of Art and Design. His editorial focus ranges from board book to young adult. Say hello on Twitter @jrheller87

 

 

Movies Inspire Reading!

Bringing Books and Movies Together

Robyn Gioia

Teaching today’s students is a different ballgame than twenty years ago.

Even ten years ago. This is a generation of visual learners. Students in middle school down through elementary have grown up on cell phones and tablets. Visuals accompany almost everything they read. There isn’t a day go by that my students don’t say, “Can we see a picture of that?”

In the forefront are movies, moving visuals that provide setting, plot, memorable characters, action, and a storyline that comes to life in a different era.

This provides a great opportunity to take advantage of the stage movies produce.

Heroes stand out. It is from their hardships and the trials that follow that make history. One such hero is Harriet Tubman, a slave and political activist, who escaped captivity, and returned as a “conductor” to lead slaves through the “underground railroad” to freedom during the 1800s. She did this repeatedly, even though it put her in grave peril and she carried a bounty on her head.

Enter the Harriet Tubman Movie:

teacher's guide

A tremendous opportunity for children to understand what these women worked so hard to accomplish—one succeeding and one coming close. —Kirkus Reviews, starred review

Give students rich opportunities to learn more. Set the background. Provide students with information that provides historical depth and broadens the movie’s perspective.

Go beyond the internet. Teach your students the value of book research. Provide the class with a broad collection of books, both informational and historically based. Encourage them to be detectives. Encourage them to find the clues that tell us more. (Adjust as needed for your level of students.)

Brainstorm with the class. Discuss the different aspects of the movie. What questions do they have? Was the movie historically accurate? What was correct and what was fiction? Were the characters true to life? Did the plot follow the facts?

Examine the bigger picture. What drove the economy? What kind of  society was it? What was happening politically? What were the customs? How did these things contribute to Harriet’s plight?

Divide the class into topics that were generated from their discussion. Let your students discover the answers through research. Teach them how to use the book index and chapter headings to speed up fact finding. Groups love to share what they’ve learned with others. Provide time each day to let them tell their favorite fun facts. Help them become experts.

Make an Experts’ Bulletin Board: At the end of each session, have students post fast facts and visuals from their book research. Provide a parking lot for questions. Let the specialized experts research the answers and post them on the board.

Have a Socratic Seminar: Pose thought provoking questions and let students discuss the answers citing evidence from their research.

Stage a Debate: Students choose an historical issue and debate the pros and cons.

Read historical novels.

Below are some of my favorite activities for Book Reports or/and Research Projects:

  • Write a Readers’ Theater.
  • Produce a historical newspaper with student journalists.
  • Write a picture book for first grade.
  • Create a Jeopardy game.
  • Design a board game of the Underground railroad. Create a schoolwide simulation.
  • Make a Slideshow to teach others.
  • Write and perform a skit.
  • Design posters.
  • Produce a new book jacket cover.
  • Design an informational brochure.
  • Produce a video clip.
  • Create trading cards.
  • Write a story using historical evidence based on a different perspective.
  • Write and perform a song.
  • Create a dance.
  • Write a poem.

 

STEM Tuesday –Planes, Trains, Automobiles, and More! — In the Classroom

 

This month’s theme looks at transportation–something students might think as ordinary. But as the books we’re highlighting show, plaines, trains, and automobiles have rich histories and lots of science going on.  They’re perfect starting points for different science activities and discussions in the classroom. Here are a few to try.

 

Save the Crash-test Dummies by Jen Swanson, illustrated by Tamika Grooms
Explore how autos are made even safer by using crash-test dummies for design. An entertaining look at the history of car production, as well as the science and engineering behind these machines we can’t seem to live without.

  •  Make a timeline of the evolution of the car bumper.
  • Research the science behind how car bumpers absorb energy from a crash. Have students design the ultimate car bumper, listing what it can do during a crash and labeling its parts on a drawing.
  • Have students imagine a crash-test dummy’s perspective of being tested in a car crash. They can make a comic or write a story about the dummy’s experience.
  • Watch “The Physics of Seat Belts” video from the Smithsonian Channel and ask students to list three reasons why seat belts are important. Have them make a public safety poster about why it is important to always wearing a seat belt when riding in a car. They should include their reasons on the poster.

 

 

Milestones of Flight: From Hot Air Balloons to Space Ship One by Tim Grove

Grove gives readers a look into transportation history and science in this book. Illustrated with photographs, documents, and diagrams from the Smithsonian’s collection.

  • Did one inventor make flight possible? No, like many inventions, the ideas developed from one inventor to another. Ask students to pair up and discuss how two different inventors added to the history of flight.
  • Who was Charles Lindbergh? What did Robert Goddard do?  This book is filled with interesting people vital to the development of flight. Students can pick one and research that person. Then have them act as their character, wearing a costume if they’d like, and tell the class who they are and what they did related to the history of flight.

 

 

Green Transport: Exploring Eco-Friendly Travel for a Better Tomorrow by Rani Iyer  

More on eco-friendly alternatives as transportation industries strive to create green options. This comprehensive title explores traditional energy sources and their impacts, alternative fuels, and mass transit issues as cities move toward more sustainable solutions.

  • Vehicles contribute to climate change, but what else affects the climate. Let students explore the causes of global warming on this site: https://eo.ucar.edu/kids/green/warming5.htm
  • Have students create a train development timeline, listing the fuels used by different trains throughout history and how they affect the environment.
  • Ask students to imagine transportation of the future and have them design a plane, train, ship, or car that runs on clean fuel that does not harm the environment. Have them describe what this fuel is and how it makes their futuristic vehicle run.

 

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Karen Latchana Kenney loves to write books about animals, and looks for them wherever she goes—from leafcutter ants trailing through the Amazon rain forest in Guyana, where she was born, to puffins in cliff-side burrows on the Irish island of Skellig Michael. She especially enjoys creating books about nature, biodiversity, conservation, and groundbreaking scientific discoveries—but also writes about civil rights, astronomy, historical moments, and many other topics. Her award-winning and star-reviewed books have been named a YALSA Quick Pick for Reluctant Readers, a 2015 Book of Note from the TriState Review Committee, a 2011 Editor’s Choice for School Library Connection, and Junior Library Guild selections. She lives in Minneapolis with her husband and son, and bikes, hikes, and gazes at the night sky in northern Minnesota any moment she can.