For Writers

Author Spotlight: Kwame Mbalia & Prince Joel Makonnen + a book GIVEAWAY & exclusive TRAILER REVEAL!

By Melissa Roske on May 5, 2021 / Articles, Author Interviews, For Librarians, Writing

Kwame Mbalia (left), the New York Times bestselling author of the Tristan Strong books (Tristan Strong Punches a Hole in the Sky; Tristan Strong Destroys the World; and the upcoming Tristan Strong Keeps Punching), has teamed up with Prince Joel Makonnen (right), the great-grandson of Haile Selassie I, the last Ethiopian emperor, to write Last Gate of the Emperor.

The novel, an Afrofuturist adventure novel inspired by the legends and culture of real-life Ethiopia, was lauded by Kirkus as an “enthralling tale of resilience, family, and bravery that will entertain young sci-fi lovers.” It is available now from Scholastic.

Summary of Last Gate of the Emperor

Yared Heywat lives an isolated life in Addis Prime—a hardscrabble space colony with rundown tech, lots of rules, and not much to do. His worrywart Uncle Moti and bionic lioness Besa are his only family… and his only friends.

Often in trouble for his thrill-seeking antics and smart mouth, those same qualities make Yared a star player of the underground augmented reality game The Hunt for Kaleb’s Obelisk. But when a change in the game rules prompts Yared to log in with his real name, it triggers an attack that rocks the city. In the chaos, Uncle Moti disappears.

Suddenly, all the stories Yared’s uncle told him as a young boy are coming to life, of kingdoms in the sky and city-razing monsters. And somehow Yared is at the center of them.

Together with Besa and the Ibis—a game rival turned reluctant ally—Yared must search for his uncle… and answers to his place in a forgotten, galaxy-spanning war.

Now, CLICK HERE for an exclusive SNEAK PEEK at the book trailer!

Interview with Kwame Mbalia & Prince Joel

MR: Thank you for joining us on the Mixed-Up Files blog, Kwame and Prince Joel. Before we dive in, I’d love to know the origin story behind your collaboration. How did a best-selling children’s author/self-described lover of Dad jokes and Cheezits team up with the great-grandson of Haile Selassie I, the 225^th emperor of Ethiopia?

KM: Through a mutual friend! And with both of us sharing a passion for telling stories about the African diaspora, it was easy to forge a connection through the power of those stories.

The Secret of Worldbuilding

MR: Last Gate of the Emperor is a fantastical tale that incorporates real-life Ethiopian places, culture, history, and food. For instance, the Gebeya (marketplace) is airborne with drones that buzz overhead and food vendors sell traditional Ethiopian fare, such as shiro (ground-chickpea stew) and sambusas (a savory pastry filled with ground beef or lentils). What’s the secret to building a world like the one described in your book?

KM: Worldbuilding is like building a car. All cars have a frame to put the body of the car on. But the type of frame can be changed, adapted, painted, dressed up all snazzy, etc. Start from your frame, which for me is the community in my world. Where are my characters eating? Where are they attending school? Where are they hanging out…?

In answering these questions like how do characters get around (the engine/wheels) or what goods/industries are there (can’t have leather seats without cows) you’ll find more questions that will help to build out that world.

Creating a Rich and Textured World

MR: A question for Kwame: Like Last Gate of the Emperor, your Tristan Strong novels (Tristan Strong Punches a Hole in the Sky and Tristan Strong Destroys the World) weave (West) African—and African-American—folklore into the narrative, creating a rich and textured world. What is it about African and African-American folklore that inspires you as a writer? Also, what kind of research did you do for Last Gate of the Emperor?

KM: In answer to the first question, it’s my culture. For research, there are always books and videos, but I find that nothing is better than actually talking with the people. And having someone like Joel on my team is like having the ultimate video game cheat code (not that Yared would cheat, he’s already the best).

Your Story Is Your Power!

MR: Prince Joel, you spent your childhood in exile, in Europe, and knew little about your royal past. You only learned later that you were a descendant of the Solomonic Dynasty, the oldest monarchy in the world, which ruled Ethiopia for over 3,000 years and traces its lineage back to the Queen of Sheba and King Solomon. How did this discovery affect you personally? Did it give you a greater desire to delve into Ethiopian culture, history, and folklore, as demonstrated in Last Gate of the Emperor?

PJM: It absolutely fascinated me and motivated me to seek out even more information about my home country and my family’s history. A main theme in Last Gate of the Emperor is understanding the true meaning of family bond, and showing that it is everlasting, even if you are physically separated from your family and home because of unforeseen circumstances.

In Last Gate, similar to my experience, our main protagonist Yared is on an adventure, unbeknownst to him, which will take him on a journey of self-discovery. My hope is that young readers will be inspired by Yared and motivated to go on their own journey, seek their true core, and embrace it. Your story is your power! It will always be with you and you can use it to fulfill your dreams and do good in the world.

Bookish Inspiration

MR: Now, a question for both of you: What sorts of books did you enjoy as kids? How did these books influence you—as readers, and as novelists?

KM: I read anything and everything. Slowly I began to gravitate to science fiction and fantasy when I looked for other worlds to explore and escape to, while contemporary books by African American authors gave me an anchor to which I could return. Books like the Lord of the Rings and Slam! coalesced in my mind to give me the worldbuilding and the vernacular to create my own worlds.

PJM: As a kid, I enjoyed novels and fables such as The Little Prince, Jonathan Livingston Seagull and the Fables of LaFontaine. As a reader, these books gave me a lot of inspiration, exposed me different truths about life at an early age and allowed me to expand my understanding of the world. I learned that there is so much more to life than what is right in front of you, and you can dream up your own world.

Kwame Mbalia’s Writing Process

MR: Kwame, can you tell our Mixed-Up readers a bit about your writing routine?

KM: Personally, I write when I’m allowed to. Quarantining during a pandemic with kids means writing sometimes falls to seventh on the list of priorities. So a paragraph here, a few sentences there, a panicked writing sprint sprinkled in for good measure, and boom, instant book. Okay, maybe not instantly, but you know what I mean.

A Surprise for Prince Joel

MR: Prince Joel, what surprised you most during the writing, research, and worldbuilding of this novel?

PJM: Besa!!! She is Yared’s bionic lioness, and she is everything! There are many other things about Addis Prime that are so cool, including “nefasis,” a special backpack outfitted with thrusters, skysails and, of course, the augmented reality game HKO!

Sequel? A movie…? Enquiring MUF Readers Want to Know

MR: Will there be a sequel to Last Gate of the Emperor? I’m dying to know what happens to Yared in the future. Also, is there a movie deal in the works? This book screams to be made into a film.

KM: We’re working on the sequel! And maybe if everyone screams loud enough at the same time a movie producer will perk up.

And finally, a lightning round!

Preferred writing snack?

KM: Cheezits

PJM: Kinder Bueno, or Reese’s cups

Coffee or tea?

KM: Coffee with Cheezits

PJM: Buna! (Coffee)

Cat, dog or bionic lioness? (Okay, that’s a trick question…)

KM: How dare you! (Don’t listen, Besa.)

PJM: Bionic lioness! (Did I mention Besa?)

Favorite song?

KM: Star Wars Rogue One YouTube playlist

PJM: Right now, it’s “Blinding Lights” by The Weeknd

Zombie apocalypse: Yea or nay?

KM: Robot apocalypse is more likely

PJM: Yea – I’m ready, zombies, let’s go!

Superpower?

KM: Perfect single swipe peanut butter spread

PJM: Ability to sleep while appearing awake and remaining functional

Favorite place on earth?

KM: Next to my wife

PJM: Paris, France. Specifically, the Le George restaurant at the Four Seasons George V hotel on the Champs-Elysées, eating moules marinieres et frites with some Orangina

You’re stranded on a desert island, with only three items in your possession. What are they?

KM: A pen, a notebook, and a smartphone with suspiciously strong signal strength

PJM: A music player with an infinity battery, a machete, and my gold Ethiopian cross necklace

MR: Thank you for chatting with me, Kwame and Prince Joel—and congratulations on the publication of Last Gate of the Emperor. I thoroughly enjoyed it, and I know Mixed-Up Files readers will too!

About the Authors

Kwame Mbalia is a husband, father, writer, a New York Times bestselling author, and a former pharmaceutical metrologist in that order. His debut middle-grade novel, Tristan Strong Punches a Hole in the Sky was awarded a Coretta Scott King Author Honor, and it—along with the sequels Tristan Strong Destroys the World and Tristan Strong Keeps Punching (out October 5)—is published by Rick Riordan Presents/Disney-Hyperion. A Howard University graduate and a Midwesterner now in North Carolina, he survives on Dad jokes and Cheezits. Learn more about Kwame on his website and follow him on Facebook, Instagram and Twitter.

Prince Joel Makonnen is the great-grandson of His Imperial Majesty Emperor Haile Selassie I, the last emperor of Ethiopia. He is an attorney and the co-founder of Old World/New World, a media and entertainment company focused on telling powerful African stories that inspire global audiences through film, TV and books. He lives with his wife, Ariana, in Los Angeles.

A GIVEAWAY!

For a chance to win a copy of LAST GATE OF THE EMPEROR, comment on the blog–and, if you’re on Twitter, on the Mixed-Up Files Twitter account, for an extra chance to win!

Writing Advice From MG Women Authors

By Samantha M Clark on March 29, 2021 / Articles, For Writers, Writing

To celebrate Women’s History Month, I put out a call for writing advice from women middle-grade authors. Here are their wonderful tips:

“Write your truth! There’s a reader out there who needs it.” —Mae Respicio, ANY DAY WITH YOU

“All the talent in the world will not get you over the finish line in publishing. Persistence is the true measure of a professional.” —Janet Fox, THE ARTIFACT HUNTERS

“A mistake is never a mistake unless you don’t learn from it.” —S.A. Larsen, MOTLEY EDUCATION

“Half of writing is daydreaming. It’s not putting words on a page, it’s staring out a window waiting for the story to float by.” —Lija Fisher, THE CRYPTID CATCHER

“Writing is an act of empowerment: You’re creating your own world. It’s a place for your individual voice to ring out. So tell the story you need to, and enjoy the process!” —Diane Magras, THE MAD WOLF’S DAUGHTER and THE HUNT FOR THE MAD WOLF’S DAUGHTER

“Nobody writes well in a first draft. I think the reason many writers fail to finish projects is because they are putting too much pressure on themselves to be a ‘good’ writer – whatever that means. I am a firm believer in Anne Lamott’s advice to write crummy rough drafts. The important thing is to get the story on paper so you have the raw material to work with. Then, in revision, that’s when the real work starts, sculpting, shaping, and finding the best way to tell your story.” —Tara Gilboy, UNWRITTEN and REWRITTEN

“Connect with other writers. They are a wonderful source of motivation and support, and will help you to hone your craft.” —Anne O’Brien Carelli, SKYLARK AND WALLCREEPER and ONE LIGHT

“Every piece of writing you create contains a piece of yourself. It can feel scary to send that piece out into the world, into the hands of other people. But when you realize (and you will) that you’re brave enough to do it—and strong enough to survive the possibility that others may not be careful or even kind with that piece of yourself—you will join in the miracle and magic of a writer’s gift: You will have healed a corner of the world, someone’s world, with that small gift of you. So be brave.” —R.L. Toalson, THE COLORS OF THE RAIN and THE WOODS

“Your first draft is not supposed to be perfect! It is easy to get intimidated when you read a great book or interesting news story, but it’s not only possible, but probable, that the writer’s first draft wasn’t good — at all. That’s okay, first drafts aren’t supposed to be good. They exist to get the information down, then you go back and fix it all up and make it sound better the next time through it, and the time after that. Give yourself a break if your first draft (or first time you play a new song or try to draw a photo or learn a new dance move) needs love and attention to get better. That’s all part of the process!” —Andrea Pyros, MY YEAR OF EPIC ROCK and PINK HAIR AND OTHER TERRIBLE IDEAS

“As a former advice columnist and life coach, I’ve doled out a fair number of ‘dos’ and ‘don’ts’ over the years. My favorite piece of advice is this: ‘Don’t get too comfortable.’ That’s not to say you should sleep on a bed of nails or run a marathon in heels. I’m talking about stepping outside your comfort zone. Of doing the thing that scares you; that makes you say, ‘I can’t.’ Sure, it will be scary at first, and you may want to throw in the towel. You might even decide that trying is too hard—and you won’t even bother. But complacency comes at a cost. It will chip away at your confidence, until the ‘I can’ts’ feel more natural than the “I cans.” But that’s fear talking. You can do more than you realize. So, do the thing that scares you, whether it’s taking up a new hobby or starting a journal. If you don’t succeed, that’s okay. You can always try again.” —Melissa Roske, KAT GREENE COMES CLEAN

“What you need to succeed as an author: lots of hope, hard work, and chocolate.” —Cynthia Reeg, FROM THE GRAVE and INTO THE SHADOWLANDS

“You guide your career, not an agent or publisher. Be deliberate in your career choices and keep the long-term in mind. Make a five or ten-year plan, even if many aspects of success feel out of your control. And don’t be afraid to experiment and fail along the way.” —Kim Ventrella, HELLO FUTURE ME and THE SECRET LIFE OF SAM

I love all this advice! And here’s one from me:

“Have fun! Publishing can be a difficult industry and writing can be hard work, but the best part of that is the creating. Play with your characters. Explore your new world. And I’ll say it again—have fun.” —Samantha M Clark, THE BOY, THE BOAT, AND THE BEAST and ARROW

The Myth of the Monomyth

By Greg R. Fishbone on March 5, 2021 / Op-Ed, Pop Culture, Writing

Is there any hope for rehabilitating the Hero's Journey for our 21st Century world?

An earlier version of this article appeared in the Mythoversal Newsletter.

The Status Quo

I grew up on Joseph Campbell’s monomyth and imprinted on the Hero’s Journey as the definitive storytelling template, but my enthusiasm has been tempered lately by mythologists and folklorists who absolutely loathe this theory.

The monomyth has been called sexist, racist, colonialist, and harmful to the expression and appreciation of world cultures. But why? And is there any hope for rehabilitating the monomyth as a tool for creating and understanding stories in the context of our 21st Century world?

The Catalyst

I was six when I saw the original Star Wars movie, and I was hooked. From then on, I measured all other stories using Star Wars as my personal yardstick.

Acceptance and Action

I began to notice that a wide variety of stories would often start with a Luke Skywalker character called to an adventure by a Ben Kenobi character. The Luke Skywalker character would often undertake a quest to save a Princess Leia Organa character from a Darth Vader character, often with help from a Han Solo character and one or two C3P0 and R2D2 characters. I filled notebooks with every example I could find and engaged friends with my evolving theory that Star Wars could explain the story structure underlying a huge portion of the movies and books we all enjoyed.

Encounter with the Guru

What I’d independently reconstructed was the monomyth theory of Joseph Campbell, building upon the archetypal figures of Carl Jung, as adapted and applied by George Lucas and other filmmakers who sought to emulate his success.

Trials and Tribulations

Campbell summarized the monomyth as:

“A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.”

Campbell’s theory was that this story template resonated with the human psyche, and had been present in the storytelling of diverse world cultures from humanity’s earliest days.

Friends and Foes

The monomyth theory was presented in The Hero with A Thousand Faces, Campbell’s 1949 book on comparative mythology. In the 1980s, with the success of the monomyth-fueled Star Wars original trilogy, PBS aired a discussion between Campbell and Bill Moyers in a program called The Power of Myth, which brought the monomyth to an even greater level of notoriety. Since then, Christopher Vogler, Blake Snyder, and others have refined the monomyth and extended it to the novel-writing and screenwriting process.

The Edge of the Abyss

At a workshop during the 2021 Arisia conference in January, I joined fellow panelists in a discussion of the more troubling aspects of Campbell’s work. These fell into four main categories:

First, while there are many myths that generally fit into the model proposed by Campbell, there are as many or more that do not, including such foundational stories as the myths of Gilgamesh and Beowulf. Therefore, the monomyth should always be presented with a caveat that it is not as universal as Campbell claimed it to be.

Second, the Heroine’s Journey is not accounted for. The Hero’s Journey has been called a masculine myth, based on traditional stories of male protagonists, generating new stories that best fit male protagonists, and appealing more strongly to male audiences. Other templates are required for more feminine storytelling. These include 45 Master Characters, a writing guide by Victoria Lynn Schmidt based on the theories of Campbellian psychotherapist Maureen Murdoch.

Third, the monomyth has been described as a hammer in search of a nail. Some stories and characters can be mangled into the stations and archetypes of a Hero’s Journey only at the cost of better understanding the essential distinctions that make them unique and special. An overreliance on monomyth-inspired movies has made it harder for audiences and critics to appreciate the stories that don’t fit into that mold, increasing and perpetuating the dominance of the monomyth to the detriment of other forms of storytelling.

And fourth, the adaptation of non-European mythologies to a Eurocentric lens has been seen as a form of cultural appropriation or cultural colonization. The Hero’s Journey is based on those Jungian archetypes closest to the surface in the collective consciousness of Western cultures, while other world cultures may emphasize different archetypes. When we remove a story from the culture that created it and view that story through a Eurocentric lens, or even through a lens that falsely purports to be “universal,” we shortchange the story’s culture of origin.

The Way Through

So is there any hope for rehabilitating the monomyth as a tool for writers in our 21st Century world?

I’d like to think so, but only by first recognizing that the monomyth is just one tool of many in a storyteller’s toolbox. The monomyth can be used to build and analyze story structures, but how much better could it be if we were using the entire toolbox, and looking at our stories through all available lenses?

Return to the Normal World

I still use the Hero’s Journey in my writing, but with an awareness of its problems and limitations. But perhaps the real Hero’s Journey requires throwing away all of our preconceived maps entirely and following each story wherever it leads.

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